Showing posts with label happy birthday. Show all posts
Showing posts with label happy birthday. Show all posts

Sunday, February 17, 2013

Happy 80th Birthday, Yoko Ono!

photograph of Yoko Ono is from here
Below is a collection of three recent news articles about the one and only Yoko Ono. Monday, February 18th is her 80th birthday. Happy Birthday, Great Woman/Artist/Activist!! Thank you for decades of your creativity, sensitivity, and strength.  Love, Julian

Before we get to the articles, immediately below are sister and brother, Martha and Rufus Wainwright, singing "Happy Birthday" to Yoko Ono in English and German--and she's there, in Berlin!!! Her son Sean Ono Lennon is MC'ing the event. You get to hear him briefly at the end.


See *here* for more on that special concert for her.


(Please click on the article titles to link back to their source website.)

Yoko Ono turns 80 with no thought to slowing down

February 16, 2013|By John Timpane

On Monday, Yoko Ono, a collaborator with everyone from John Cage to John Lennon to Dirty Loud, will turn 80. She'll be a rocktogenarian. They say it's her birthday. Happy birthday to her.

Artist, poet, musician, philanthropist, activist, performance/conceptual art pioneer, Ono is now a world-beating disco diva, having enjoyed nine consecutive No. 1 hits on the Billboard Dance charts. She's become a favorite artist for the mashup/remix DJs of the moment.

"I say I'm a lucky girl," Ono says by e-mail.

An explosion of Ono-related activity greets her 80th. There's a bunch of books. Of her own work, there's the lovely Yoko Ono: An Invisible Flower, of drawings and one-line poems, and The Infinite Universe at Dawn. And Yoko Ono: Collector of Skies, by Nell Beram and Carolyn Boriss-Krimsky.

There are art retrospectives around the world, including Half-A-Wind Show, which opened Friday at the Schirn Kuntshalle in Frankfurt, Germany, from which it will tour the world.

All of her albums will be reissued this year. A new one's in the works with her floating orchestra, the Plastic Ono Band.

The indie band tUnE-yArDs has released a 10-inch single with a new version of her 1972 rocker "We're All Water" and a remix of her 1973 tune "Warrior Woman." It's to benefit the Rockaway Waterfront Alliance, which funnels aid to the region hit by Hurricane Sandy.

Many musicians of the last 40 years look to Yoko Ono as a pioneer and idol. She is widely revered by punk rockers as one of the first to do real punk. New Wavers see her as a mom to the movement.

She has cowritten and released a new dance tune, "Hold Me," with DJ Dave Aude, with remixes by Dirty Loud, Emjae, Tommie Sunshine, and R3hab. Lady Gaga's a Yoko Ono scholar, as are RZA and Polyphonic Spree.

Sandy. Fracking. Peace. The Beatles. Punk. Disco. Even to her, it must seem surreal sometimes.
 
"I wandered into doing music with the most prominent musicians in avant-garde, jazz, rock in history, and now this," she writes.

Her first husband, Toshi Ichiyanagi, was an avant-garde composer. Together, they performed with John Cage. Her friend Ornette Coleman helped invent free jazz. She brought to John Lennon's music things she'd been up to for decades already.

As for the music of 2013, she likes the creativity and sonic iconoclasm of the mash-up generation.
 
"I think the producers in the dance world are the stars now. They bring over 10 thousand music lovers to the festivals, whenever they decide to do one. That's because their field of music is creating a revolution in music. I respect them and love the field."

She and the planet have seen many revolutions since her birth in 1933 in Tokyo. Her father was an international banker, and the family moved frequently, to San Francisco in 1935, back to Japan in 1937, to New York in 1940, back to Japan in 1941.

Twelve-year-old Ono huddled in a shelter during the March 9, 1945, firebombing of Tokyo (though in a distant neighborhood). Her family saw hard times for a few years, but by the early 1950s, they had moved to New York, and Ono was at Sarah Lawrence College, where she excelled at music theory and sight-singing.
 
Ono was a regular at the bohemian/Beat gatherings and loft concerts of the 1950s, forerunners of the "happenings" of the 1960s. Her 1969 Bed-Ins with Lennon, protesting the Vietnam War, were but one stop in a lifelong activism for peace. Her Imagine Peace Tower, a column of skyward searchlights on Viey Island near Reykjavik, Iceland, will light up Monday for her birthday. On her Twitter account, Ono encourages people to tweet the Tower (@IPTower) with good thoughts.

She and son Sean Lennon launched Artists Against Fracking in July. They and actress Susan Sarandon did a protest tour last month of Pennsylvania fracking sites such as Franklin Forks.

You have to ask: Where does she get the energy?

"When you are in love," Ono says, "when you are crazy about something and doing it because of that, there is no scheduling challenge, and it is never a burden. . . . I get the energy from loving what I do."
 
Could anybody really write her biography? "I don't think it is that necessary to have a biography of me," she says. "One will never be able to check the whole of me. Even I couldn't."
--
Contact John Timpane at 215-854-4406
or jt@phillynews.com, or follow on Twitter, @jtimpane.
___ (c)2013 The Philadelphia Inquirer Visit The Philadelphia Inquirer at
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Oh Yoko! Ms. Ono at 80


February 18 is Yoko Ono’s 80th birthday—it’s a day to celebrate her art, music and activism. She’s done more in the last year than most of us do in a decade: campaigned against fracking and honored Julian Assange; mounted a major retrospective of her art in London last summer at the prestigious Serpentine Gallery, and another, bigger one in Frankfurt last week at the celebrated Kunsthalle Schirn; and made music with the Plastic Ono Band.

The anti-fracking campaign has been her biggest political undertaking in several years. First there were the billboards and full-page ads in The New York Times (and also The Nation): “Imagine There’s No Fracking”—addressed to New York Governor Andrew Cuomo, signed “Yoko and Sean” (her son, Sean Ono Lennon).

But the anti-fracking campaign involves a lot more than billboards. She organized Artists Against Fracking, and signed up more than 200 people, including Salman Rushdie, Jeff Koons, Alec Baldwin, Martha Stewart, David Geffen, Anne Hathaway, Jimmy Fallon—and Lady Gaga, with her 34 million Twitter followers. In Albany in January she delivered an anti-fracking petition to Governor Cuomo with more than 50,000 signatures. Also in January she and Sean and Susan Sarandon led a bus tour of Dimock, Pennsylvania, where the local water supply has been contaminated by fracking. And now she is running a new TV ad.
 
She explained the problem with fracking concisely in The New York Times letters column in December: “Evidence shows that there is no amount of regulation that can make fracking safe.… 6 percent of the wells leak immediately and 60 percent leak over time, poisoning drinking water and putting the powerful greenhouse gas methane into our atmosphere… We need to develop truly clean energy, not dirty water created by fracking.”

And the campaign had a victory last week, when Governor Cuomo announced a delay in the decision on fracking for more study of health effects. The New York Times story quoted Donald Trump as spokesman for the pro-fracking forces, and Yoko as the voice of the opposition.

“Imagine There’s No Fracking” of course recalls a certain song that begins “Imagine there’s no heaven,” which in turn was based on Yoko’s 1964 book Grapefruit, with its conceptual art “instructions”: “imagine one thousand suns in the sky…” The anti-fracking billboards also recall her antiwar activism in the 1960s, when she and Lennon put up billboards in Times Square in 1969, and then in cities all over the world: “War is Over: If You Want It.”

On another front, she honored Julian Assange at a public event in Manhattan on February 3.  At her annual Courage Award ceremony, she told an audience of activists, artists and some diplomats that “Julian Assange took a courageous step by rightfully returning what belongs to the public domain. For that reason, I believe we need to stand behind him.” Assange, who has taken refuge in the Ecuadorian Embassy in London, accepted the award via two of his legal counselors: Baltasar Garzón Real of Spain—he’s the prosecutor who pursued Pinochet for crimes against humanity—and Michael Ratner, the legendary President Emeritus of the Center for Constitutional Rights, who delivered Assange’s acceptance speech to the audience that included Laurie Anderson, John Waters, Lou Reed and Daniel Ellsberg.

Earlier in 2012 Yoko honored Russia’s feminist punk band Pussy Riot, whose members are currently in jail after criticizing Vladimir Putin. She also paid tribute to Rachel Corrie, the 23-year-old American activist who was crushed to death by an Israeli bulldozer in 2003 while she was protesting the demolition of Palestinian homes.

Then there are the retrospectives of her career as an artist, a career which began before the Beatles and continues today, fifty years later.  From the beginning she has mixed conceptual art and performance art. Her work has been playful and sometimes painful, and includes films as well as those “instructions” that require the viewer’s participation.

One of my favorite recent discoveries was a piece in the highly-regarded land art group show, “Ends of the Earth,” last year in LA at the Museum of Contemporary Art. I had never thought of Yoko doing work related to people like Robert Smithson of Spiral Jetty. But the land art show opened with Yoko’s Sky TV from 1966: an old TV set broadcasts a live feed, from a video camera on the roof, of the sky above the museum. It’s surprising and delightful, and “real” in way that’s different from everything else in the museum. It’s also a pioneering work of video art. (Sky TV is a permanent installation in New York City at the Asia Society.)

And we have her music—especially the unforgettable “Walking on Thin Ice” from December, 1980. The “Thin Ice” video is part of the Frankfurt retrospective, along with Sky TV.

One more thing that made this past year a good one: for those who were still wondering whether Yoko broke up the Beatles, Paul McCartney declared officially that she did not. When John met Yoko in 1968, he explained, “part of her attraction was her avant garde side.… She showed him another way to be, which was very attractive to him. So it was time for John to leave”—but “he was definitely going to leave, one way or another." The story was headline news.

And of course we have Lennon’s wonderful songs about her: from the 1969 song about their wedding, that begins “Standing on the dock in Southhampton” (the Beatles’ last number-one hit), to Lennon on the 1971 Imagine album, singing “In the middle of the night I call your name…” to 1980’s Double Fantasy, and “Even after all these years/I miss you when you’re not here…”

To celebrate her 80th birthday she’s playing a live concert in Berlin at the legendary Volksbuhne, the “People’s Theater,” with the current Plastic Ono Band, headed by Sean.

Happy Birthday, Yoko!



Yoko Ono retrospective opens in Frankfurt

The largest-ever retrospective of works of Yoko Ono, once described by her late husband John Lennon as "the most famous unknown artist in the world", opened Friday in Frankfurt's Schirn Kunsthalle.

Ono, who turns 80 next week, "is a unique, indeed perhaps even a mythical figure, not only in the art world, but in the field of music and the peace and feminist movements as well," said the museum's director Max Hollein.

Most people probably know Ono as the wife and widow of the Beatle, John Lennon who was shot dead outside his New York apartment in 1980.

And the two famously staged "Bed-Ins" in 1969 as a non-violent protest against war.

But Ono, born on February 18, 1933, was an avant-garde conceptual artist in her own right long before she met Lennon and was associated with the likes of composer John Cage and the founder of the Fluxus contemporary art movement, George Maciunas.

"She is familiar to practically everyone, yet only very few people are fully aware of the outstanding artistic oeuvre she has created. Yoko Ono's 80th birthday offers us an ideal opportunity to change that," Hollein said.

The exhibition, entitled "Half-a-wind show. A retrospective", surveys around 200 objects, films, spatial installations, photographs, drawings and textual pieces from the past 60 years of Ono's career.

It pays particular attention to works from the 1960s and 1970s, featuring groundbreaking works such as the "Instructions for Paintings" first shown in 1961 and 1962 and the performance "Cut Piece" from 1964, in which the audience was invited to cut the clothes from the artist's body with sharp scissors while she sat on the stage.

A number of large-scale installations and recent works are also on display and Ono has also developed a new work -- the installation and performance "Moving Mountains" -- specifically for the Frankfurt exhibition.

Curator Ingrid Pfeiffer said Ono's work "often tends toward the immaterial, the substance of which consists to a lesser extent of objects and installations but to a significant degree of ideas and texts. It is not easily presented."

Ono, wearing her trademark sunglasses, told a news conference that Lennon "used to say to me: 'bring me some truth'."

"We artists have the dignity to tell the truth to the people, unlike politicians," she said.

"But we only know half the truth. The other half is invisible. You have to imagine it, you are the creator, you have to participate. You change the world by being yourself."

The exhibition runs in Frankfurt until May 12 after which it will tour to Denmark and Austria and then move to the Guggenheim museum in Bilbao in Spain. 

(http://www.schirn.de/en.html)

Saturday, February 19, 2011

Mazel Tov to Lorca Cohen, Rufus Wainwright, and Deputy Dad Jorn Weisbrodt on the birth of their daughter Viva Katherine Waiwright Cohen!

photograph of Lorca Cohen, new parent, and Martha Wainwright, new aunt, is from here
Who says I'm anti-dad? I'm all for gay men being able to raise children. (And lesbian women too!)

Congratulations to the man I once wanted to marry: Rufus Wainwright. Alas, he's taken--and busier now than ever. I'm only sorry his mum, Kate McGarrigle, didn't live long enough to get to meet the little girl. But, maybe, on some other plane of existence, she has and is getting to know her granddaughter. At least she'll have a wonderful Aunt Martha to know on this plane of existence. Years ago I saw both sibs perform together in Montreal and they were each fantastic.

I once called out Tim Wise for promoting the idea--and reality, no doubt--that his daughters are 'beautiful'. (He got quite pissy about it.) This word 'beautiful' MUST be used to describe girls. It MUST. It's a social law as entrenched and intransigent as any. To NOT call a girl baby 'beautiful' is to insult her and parent(s). This imperative doesn't exist for boy-babies; they can be cute, or "daddy's little bruiser" or whatever. Not 'pretty', maybe. But they can be beautiful too. They just don't HAVE to be. This is not just sexist and heterosexist. It is discriminatory on many levels, often functionally racist and classist, as only people with a collection of privileges tend to be identified as 'beautiful' once grown up. It's most often blond white thin young women who society-at-large assumes are heterosexual.It is part of what instills in girls a sense that their value is their physical appearance--whether or not it is pleasing to others, particularly to men who hold the most power to name beauty and punish those who aren't seen as beautiful. Of course women named beautiful by men are also abused by men. There is no socially safe option for girls and women.

This repetitive, ubiquitous, compulsory calling of girls 'beautiful' is done in a society in which girls, increasingly younger and younger ones, are trafficked and sexualised for men's entertainment and predation. Hopefully Lorca Cohen, Rufus, and Deputy Dad Jorn can keep those predatory het men away from their girl-child. Please note how emphatically the term 'beautiful' makes an appearance in the announcement below.

I pray that Viva Katherine Wainwright Cohen, and all newborn girls, and all little girls will a know a life free of het men's intimate abuses. Tragically, no one will be able to avoid the institutional abuses.

On a cheerier note, how wonderful that Viva gets her mother's last name! That's a nice matrilineal touch. Far too little of that going on in my family and life experience. But maybe this'll catch on in the white Christian patriarchal West. This ethnically Jewish child is of Canadian, Lithuanian, and Polish heritage; and, specifically, she is a Cohen/Kohen. For those who don't know what that means, please see *here*.

My blessings and best wishes to the new family. Mazel Tov!!

[Source website for what follows is Queerty.com, *here*.]

Rufus Wainwright Welcomes Daughter Viva Katherine Wainwright Cohen


Like Elton John and Neil Patrick Harris before him, Rufus Wainwright managed to sneak his new fatherhood beneath your prying eyes. The singer announced on his website that he and partner Jorn Weisbrodt are the proud new fathers of daughter Viva Katherine Wainwright Cohen, born Feb. 2. "The little angel is evidently healthy, presumably happy and certainly very very beautiful," the note reads. "Daddy #1 would like to offer everyone a digital cigar and welcome the little lady in with a French phrase from his favorite folk song, A La Claire Fontaine : 'Il y a longtemps que je t'aime, jamais je ne t'oublierai.'"

A reader relays that Rufus actually dedicated a song to Viva at his sister's concert last Friday while appearing on stage with Martha, who was performing an Edith Piaf collection, though he didn't mention at the time who this Viva person was. And the fourth name Cohen? That would belong to Lorca Cohen, who carried Viva and is the daughter of Leonard.

Saturday, October 9, 2010

On October 9th, is there any other song I could post? This blog is all about "Real Love"!



I am wishing everyone love in their life. Every person on Earth. (Including white heterosexual men!) And peace. And joy. And if you have it or find it, please share that love, joy, and peace with others who need it in ways that respect them and validate their and your own humanity.

Friday, October 8, 2010

Imagine: It's John Lennon's 70th Birthday on October 9, 2010. And it is Sean Ono Lennon's 35th birthday--the same exact age John was when Sean was born. Hapy Birthday, Sean!


(See YouTube for over 80 tribute videos by musicians and fans)


(Check out Google's mainpage for this)

See IMAGINE *here*, featuring John Lennon and Yoko Ono. I'm wishing you joy and peace, Yoko!

I'd kind of like to think, even with the Italian version, that I was named after Julian Lennon. But as I was born over two months before he was, that's unlikely. Julian is now 47. He's lived seven years longer than his father did. I'm wishing you joy and peace, Julian! Joy and peace also to your mum, Cynthia, who wrote a great book about John

And a very happy, joyful, peaceful 35th birthday to you, Sean!

What follows is from CBS Sunday Morning. Click on title below to Get Back to the original website.

NEW YORK, Oct. 3, 2010

Julian and Sean Lennon Come Together

Having Grown Up Separately in the Shadow of a Beatle, the Half-Brothers Discuss Their Careers and Their Close Bond

  • Sean Lennon, Yoko Ono and Julian Lennon at the opening of an 
exhibition of Julian's photographs in New York City. Sean Lennon, Yoko Ono and Julian Lennon at the opening of an exhibition of Julian's photographs in New York City.  (CBS)
  • Play CBS Video Video The Lennons Come Together John Lennon's two sons grew up living completely different lives raised by two different people. And who would have thought his two long estranged families would ever come together in peace and harmony. But as Anthony Mason now shows us, they have.
(CBS)  Fans of John Lennon plan to COME TOGETHER at events around the world next Saturday to mark the anniversary of his birth. Hard to believe, but that's the day Lennon would have turned 70. And who would have thought Lennon's two long estranged families would ever come together in peace and harmony. But as Anthony Mason now shows us . . . they have:


In the often-bitter history of the Beatles family . . . it was a surprising moment of unity.

John Lennon's first wife Cynthia and the woman he left her for, Yoko Ono, embracing.

On the eve of what would have been Lennon's 70th birthday, his two wives and their two sons . . . all together now.

"That was most curious how that came together," said Julian Lennon. "I did tell everybody that everybody was going to be there - and wasn't quite sure if everybody was going to turn up!" he laughed.

The occasion was the opening of Julian Lennon's first exhibition of photographs.

At 47, John Lennon's first-born son is already 7 years older than his father was when he was killed in 1980.

"If millions of people weren't coming up and asking you about your father's 70th birthday, is it something you would be marking in any way?" Mason asked.

"I'm actually looking at my age and his age, going, Jesus, what happened?" Julian laughed. "You know, time has flown. And now more than ever look back with a great deal of respect for him as a man, and his work, but not necessarily as a father. There's a lot of forgiveness now."

It's been the paradox of Julian Lennon's life that he spent his childhood chasing after his father's love, and the years since running from his father's shadow.

He scored a series of his own hits in the Eighties, but was always being measured against his father's almost mythological image:

But earlier this year Julian suddenly set out in a new direction . . . considering a career as a photographer.

"It's kind of unexpected, isn't it?"

"Listen," Lennon replied, "six months ago, I had no idea."

Urged on by celebrity photographer Timothy White, who admired his work, Julian began to put together a show based around a series of landsacpes and skyscapes:

Web Exclusive: Watch Extended Interview With Julian Lennon

"It sort of became a bizarre hobby. But I can't help myself for taking pictures of clouds," Lennon said.

"I guess also, the other side of the coin is, Dad wasn't necessarily known for his photography. Not that that's the reason I'm doing this by any means."

"But you don't have to suffer the comparison," Mason said.

"Yes, in that respect. So there's a joy in this and a freedom to this."

But Julian has also tried to hold onto him. For years he has been buying up Beatles memorabilia at auctions around the world.

He's collected the Afghan coat John wore on the set of "Magical Mystery Tour."

"How did you feel about having to do that?" Mason asked.

"Well, I mean, it does suck, doesn't it? But if that's the only way I can get them back, then that's what I'm going to have to do."

"What means the most to you?"

"I guess the postcards," Julian said. "It means that he was thinking about me at a time he wasn't around."

After the divorce, Julian often went years without seeing his father, who later doted on his half-brother Sean:

"When I saw the fact that, you know, he'd basically given up music for a couple of years to look after Sean, you know, that was - it was hurtful. I thought, 'Well, why didn't he do that for me?'

"But then in retrospect, and [seeing] what duress he was under at the time when the Beatles hit, I mean, they hit as big as it got. I started to grasp, Well, he couldn't have stopped. You have to let go and sort of say, Well, I get it. I understand. I really do."

The day before the opening of his photography show, his mother Cynthia arrived from Spain where she now lives:

"We've never seen my son so happy as he is now," she said.

When asked if he was nervous, Julian Lennon said, "Yeah. I do get incredibly anxious. Almost borderline panic attacks."

On opening night at New York's Morrison Hotel Gallery, Julian's show packed the house:

"I think it was more insane than backstage after a gig," he said.

The crowd included George Harrison's first wife, Pattie Boyd.


(CBS)
And then Yoko arrived with Sean.

Julian and his younger brother, who is now 34, grew up in different homes, in different countries, but they're very close:

"Julian is the reason I started playing music, actually," said Sean. "Because when I was a kid I remember when his record came out. And he was, you know, the biggest thing that existed in the world."

"Biggest thing in our family," said Yoko.

For the first time together, they talked about their relationship:

"Actually he taught me how to play guitar," Sean said. "I remember him teaching me the song, 'Faith' by George Michael."

"Oh, jeez," Julian exclaimed.

"But the truth is Julian was like my hero. He still is," said Sean.

The show included photographs Julian had taken of Sean, when he surprised him on tour in Eastern Europe a few years ago.

For two weeks, Julian rode the tour bus with his brother:

"So he was your roadie?" Mason asked.

"I actually became the sort of assistant tour manager for restaurants."

Sean said, "He's much better at organizing than I am."

"Just experience, my dear boy," Julian said. "Just experience."

"You're the organized one! Anyway, it was the most touching thing."

Julian's relationship with Sean's mother has been far more difficult.

For years he fought bitterly with Yoko for a share of his father's estate, before they finally reached a settlement.

"You've had your differences in the past," Mason said. "Forgive me, but you've decided to 'give peace a chance.'"

"Jeez!" Julian said. "It's just not worth the stress. It really isn't. The stresses and the strains. I think the key point to all this, for me at least, has been Sean. If I hurt Sean's mother, then I hurt Sean. It's a roundabout way of thinking about things. But because I love Sean so much, I just don't want to hurt him. I can get over it. Have gotten over it."

"And thank you for doing that," Sean said.

"Thank you for being here tonight," Julian said.

In the end, Julian Lennon's show of photographs produced its own remarkable picture, that of John Lennon's family together.

Imagine that.

For more info:
julianlennon.com
seanonolennon.com

Wednesday, July 7, 2010

Happy 70th Birthday to Ringo Starr, and thanks for not giving a sh*t about the P.O.P.E.'s message

[photograph of Ringo Starr is from here]

Seventy years ago Richard Starkey was born, had a childhood plagued with illness, and found his way to a drum set. Almost fifty years ago Ringo Starr became a Beatle, replacing Pete Best. (Well, officially in the summer of 1962, although he'd filled in a bit here and there prior to that, and he knew the other lads as they were all in bands prior to being the final line-up of the best pop-rock band ever.)

Not being the generation who watched Beatlemania spread across the Atlantic, I got into their music as a teenager approximately thirty years ago. I fell in love with the Fab Four as soon as I'd heard a few albums and the honeymoon isn't over yet.

For all you have given and continue to give of yourself, I love you, Ringo! Rock on.

What follows is from *here*.

Ringo Starr to celebrate 70th birthday, isn't moved by Vatican praise

Tuesday, July 06, 2010

Posted by Corinne Heller at 12:17:59 PM PDT

Ringo Starr to celebrate 70th birthday, isn't moved by Vatican praise Ringo Starr turns 70 on Wednesday but says that he feels like a 24-year-old and that he doesn't care about the Catholic Church's praise of the Beatles' music, an apparent "peace offering" following John Lennon's controversial 1966 remark, in which he said the group was more popular than Jesus.

"It didn’t affect me in any way, but I do believe that the Vatican have better things to deal with than forgiving the Beatles," Starr told The New York Times. "I don’t remember what it actually said — it had some weird piece in it, too," he said. "That they’ve forgiven us for being, what, satanic? Whoever wrote it was thinking about the Stones."

Speaking of the Beatles, the Vatican newspaper L’Osservatore Romano said earlier this year. "It’s true, they took drugs; swept up by their success, they lived dissolute and uninhibited lives. Listening to their songs, all of this seems distant and meaningless. Their beautiful melodies, which changed forever pop music and still give us emotions, live on like precious jewels."

The newspaper had praised the British rock group in 2008 as well and had said then that Lennon had been showing off by making his remarks.

Starr, who is on his 11th All Starr Band tour of the United States, echoed a previous request for fans to put their fingers up and say "peace and love" on his birthday.

If you're on a bus, if you're on a boat, at noon, where ever you are, just go, 'Peace and love, peace and love.' That's your birthday gift to me. How great is that?" Starr said in a video message on his website.

He told The New York Times that "as far as I’m concerned, in my head, I’m 24. That’s just how it is. The number, yeah, it’s high. But I just felt I’ve got to celebrate it. I’m on my feet and I’m doing what I love to do, and I’m in a profession, as a musician, where we can go on for as long as we can go on."

Starr received a star on Hollywood's Walk of Fame in February. He was also recently honored by New York's Metropolitan Museum of Art, which is displaying his gold-plated snare drum that he used while still performing with the Beatles until the end of 2010.

After the Beatles broke up in 1970, Starr launched several music and television projects of his own, as did his former band-mates.

In the 1980s, Starr voiced the role of beloved British children's television character "Thomas the Tank Engine". He released his 16th solo album, Y NOT, which features guest vocals from McCartney, 68, and other famous musicians earlier this year.

Former Beatle George Harrison died from cancer at age 58 in 2001. Lennon was shot dead outside his New York home in 1980.

Thursday, June 10, 2010

Celebrating what would have been Judy Garland's 88th birthday. For my Lesbian and Gay Pride month, I'm going to try and "Get Happy"

Happy 88th, Judy!!

From the movie, Summer Stock. You gotta love a bevy of white men surrounding the female star, ending up on their knees. What a powerhouse she was. And she was under five feet tall, out of heels!

Wednesday, May 19, 2010

Remembering Malcolm X on his 85th Birthday, and Be Clear about What is Happening Right Now

[photo portrait of Malcolm X is from here]
"We declare our right on this earth...to be a human being, to be respected as a human being, to be given the rights of a human being in this society, on this earth, in this day, which we intend to bring into existence by any means necessary."
-- Malcolm X [source: here]

I read The Autobiography of Malcolm X almost 30 years ago. My, how time flies, and how little changes. Anderson Cooper this week has been focusing on a CNN study which is a variation of a study by Mamie and Kenneth Clark from the 1940s identifying the degrees to which white supremacist/anti-Black and anti-Brown racism finds its way into the hearts and minds and attitudes and actions of U.S. citizens white and of color. Here is a video from a more recent study using dolls:



The Clark's study was used to make a case for desegregating primary and secondary schools. The U.S. Supreme Court's unanimous decision, Brown vs. Board of Education was delivered on May 17, 1956, fifty-four years ago this week.

What CNN will not likely tell you is how systems of oppression work, how white supremacy is deliberately manufactured and sold, how and where and in what ways it is bolstered, fed and fostered, in a country that was built on land soaked in the blood of 75 to 90 million American Indians by the blood, sweat, and tears of enslaved West Africans. One wonders, really, given the ecocidal failures of white Western companies like BP and other major oil corporations, what it will take for these corporate heads to be held fully to account and what that would even mean, given the levels of human, non-human animal, and environmental destruction.

One wonders how it comes to pass that white men on Wall Street pay each other millions in bonuses to run companies into that bloody, poisoned ground, then rehire each other to continue to do abominable work. Can someone name for me ten or one hundred (or however many corrupt Wall Street and banking and loan institution executives there are in the U.S.) Black women or men who get so rich by working so poorly?

Where does our rage go when millions of non-rich people have lost or are losing their homes, and in response to the reality that many people in the U.S. will never have safe and secure housing and will never be able to get a loan in the first place even from morally bankrupt banks? Where does our rage go when these corrupt white executives are allowed to keep their many homes, for summering and wintering, falling and springing back, leaving each empty for months at a time while others are homeless or packed into ghettos?

Where, please tell me, is the outwardly expressed, organised rage over straight white men pimping and raping women of all colors with impunity?

--over wealthy white men with corporate media on their side (and in their stock portfolios) promoting themselves as the heroes, the brains behind any good idea that isn't really any good at all, such as getting this country back on the right track by strengthening straight white male supremacy.

--over older white men in universities being tenured more than any other demographic while bemoaning the plight of the few white men who don't get into their first choice college, ignoring those who got in for utterly unethical reasons including because their grandfathers once attended and have since contributed to the college's endowment?

--over rich white men receiving medals of honor for orchestrating and ordering the slaughter of Iraqi and Afghan citizens?

--over rich white men being praised for donating money to "good causes" that, if examined closely, will only promote more destruction of Indigenous societies on continents like Africa?

Why is praise also being given to "selfless" white U.S. Christians for "adopting" Haitian children whose parents still live in poverty in Haiti? Why, one wonders, don't those well-meaning, upper middle class people take a bit of the money they will spend on that child and give it to the Haitian parents to raise their own child? The money would do a lot to support the entire family, to allow that whole family to remain whole. The answer is that doing so would preserve, rather than destroy, Black families and Black communities; support for communities of color has never been the agenda of the white members of my beloved country.

From the bloody start, the U.S. project has been for straight white men to rape and sexually dominate all women and destroy people of color--women and men. There's more sexual and wage slavery now than ever before. But do we really want to know about it? And will corporate media allow us to know it, to see it as such, rather than what Fox News tells you these misogynist-racist mass murders are: "defending and promoting democracy globally"? In response to this outright lie that the U.S. is promoting democracy anywhere, instead of a "Hallelujah" can we have a collective "Bullshit!" Because what the U.S. is promoting is corporate-sponsored, militarily-backed white het male supremacy. It won't be called this. It will be called promoting free speech by making sure that rich white straight men get richer by pimping pictures of exploiting girls and women around the world. It will be called liberating a country from an oppressive dictator. It will be called fighting the war on drugs, when the U.S. has interests in Afghanistan because it is a source of opiates and poppies, in one form or another, will put us all to sleep. What we, the good privileged citizens of the greatest country ever, are in fact doing is committing genocide, gynocide, and ecocide. The evidence is all around you, if you're willing to see what's actually going on and not be misled by morning talk show hosts and a very unfree press. When Time and CNN are conspiring to lie to us, you'd better be sure you're not getting the truth about much.

The media did and still will tell you the problem religion is Islam. The media did and still will tell you the thieving, diseased, dirty, immoral people are Black women and men, the poor, Mexican immigrants, and homosexuals threatening the moral fabric. The truth, however is that the slave-picked cotton cloth of Amerikkkan society was and still is cross-woven into face-masking white sheets and lynching rope. The media will not even mention American Indians, hoping they will all die off, making the manifestation of a destined project of genocidal slaughter something that can, finally, be located in the past. Finally, then, contemporary whites can say, with less guilt, "That didn't happen while I was alive, so why are we still talking about it?"

Malcolm X knew what was going on in the U.S., and what the it truly stood for. He knew that it stood for whiteness standing on the bodies of people of color in order to have its leader's heads rise up and be seen as strong and wise and proud. A white head on a dark body. The bald eagle is a fitting symbol. The wings, after all, allow flight; the body allows the symbol to soar. Malcolm called for those wings to serve another mind, another system of thought, another course of action toward another vision, one not seen through white eyes, nor invented and governed by a white man's mind.

[image is from here]

Malcolm was prepared to lead racially oppressed people to use any means necessary to achieve for Black people what has not yet been achieved in this terribly racist society. In the U.S., however, no outspoken leader is allowed to use any or all means necessary, unless they are working for military and corporate interests, working to maintain and promote the ideologies and institutions imbued with white het male supremacy. Any and all means necessary are being used to rape and sexually enslave women and girls, and traffic them internationally. Any and all means necessary are being used to commit genocide and ecocide globally. These supposedly "moral endeavors" are being expressed, organised, and led by U.S. and other Western and Christian (not Muslim) straight white men.

Remember Malcolm X and what he stood for. Be clear about what is happening right now and what you will and will not stand for.

*          *          *

Some of my womanist and feminist sisters have also blogged about Malcolm X today. Here are some of those links:

Womanist Musings, here.
La Reyna's Journal, here.
Feministe, here.

Wednesday, April 14, 2010

THIS SUNDAY, April 18 @ 2pm: Come Celebrate and Honor the Life of Essex Hemphill


I met Essex a long time ago. He was one of the dearest profeminist men I'd ever met, including all I have met since then. His struggle with HIV was known to many. I wish he had lived long enough to benefit from some of the medications that were helpful to those who could afford them. Maybe he would still be alive today. One of my ex-boyfriends contracted HIV after we were together, in the 1980s, and is healthy to this day. So I wish Essex had also survived to write so much more, and to life so much more.

Here's some information about how and where you can show your respect for the work he did. I SOOO wish I could be there!!! Of course, I wish I could go to ALL of the events created by Alexis, aka Lex.

The image and text is from here at Eternal Summer of the Black feminist Mind.

2pm 4/18 Sunday School in Honor of Essex Hemphill

alexis | April 14, 2010 at 3:55 pm | Categories: Uncategorized | URL: http://wp.me/pp3AM-3I
 
Beloved Community! This week marks what would have been the 53rd birthday of Black Gay Poet, Activist, Publisher, Lover, Friend, Comrade, Prophet Essex Hemphill.  Please join us to remember Essex Hemphill, reflect on his poetry, watch a video of him speaking about the role of the writer in the age of AIDS and center our spirits on what the legacy of Essex Hemphill means for our lives today.

Meet us at the Inspiration Station at 2pm on Sunday April 18th (two days after Hemphill's actual birthday).

Children are welcome.

love,
lex and justin

Monday, March 1, 2010

Now that My Birthday Month Has Passed: Ten Things I've Learned in the Past Year

 
[image is from here]


My birth month has now passed. I contemplate what I've learned this past year. Am I wiser than when 46? I've learned, or relearned a whole lot. But here's a list of ten things. They are in no particular order. 

1. Men will lie through their teeth if it suits their interests to do so. Example: John Edwards. What a lying prick he's been to his spouse, Elizabeth. But men with far less influence on society that him fuck over women and won't be honest about it.

2. Dick-whipped (pro-patriarchal/antifeminist) men don't wish to organise to stop the rape of children, most of which is committed by fathers and other males in the girls' families or lives.

3. Men are rarely honest about what we do that is abusive. We will not volunteer information if not challenged to do so, and when challenged to do so... see point 1.

4. Some white guys are nice. Like moguls skier Alexandre Bilodeau and bobsledder Steve Holcomb, from this year's Winter Olympics. Unassuming, not afraid to be outwardly caring, without egotism and arrogance. I love those qualities in white men.

5. Liberalism and libertarianism, along with sociobiology, evolutionary psychology, and beliefs that "male" hormones and genitals control one's capacity to behave ethically, are stubbornly in place, preventing men from grasping the simplest things about why we abuse others. Things like "we can", "we want to", and nothing terrible will happen to us if we do.

6. Rapists don't think they are rapists, and procurers of women in prostitution can believe prostitution is harmless.

7. White folks won't own or understand white privileges and entitlements. And we won't, collectively, be responsible about ending genocide.

8. Targeting a single oppressed person as being a danger to society is fucked up unless they are a mass murderer, serial rapist, batterer, child molester, or incest perpetrator. If the person is a woman, the campaigns to go after her and "prove" she's a danger are misogynistic. If the person is of color, the campaigns are racist. If the person is a woman of color, the campaigns are both.

9. Don't believe any white person who says I'm not racist. Don't believe any man who says I'm not sexist. Don't believe white guys who say "I'm not sexist/racist". Ever. If we say it, that's proof enough that we don't understand how white and male privileges, entitlements, status, and power operate structurally and interpersonally.

10. Men don't want to understand radical feminist and womanist writings because men don't want to know what we do and why we do it. We'd rather be ignorant and arrogant. We'd rather think we know more than women do about everything, including feminism.

Thursday, February 25, 2010

Monday, February 22, 2010

Audre Lorde: Podcast on Survival, for all the sisters who struggle with cancer and other forces challenging Black women's lives

What follows is from *here*, and is a cross-post from Eternal Summer of the Black Feminist Mind.

HappY Birthday Audre Lorde: Podcast on Survival

February 18, 2010
On this day 97 years ago…my grandfather Jeremiah Gumbs was born.  Pop-pop was the person who taught me how a love for poetry could transform my life.   It seems not mere coincidence that my favorite poet and chosen ancestor Audre Lorde was ALSO born on this day 76 years ago!  This podcast, lovingly released on this birthday of two of my beloved ancestors who make their spirits known in my life on a daily basis is also dedicated to a new ancestor.

My godmother Aunt Andie (Andria Hall) died from breast cancer a little over a year and a month ago today. To honor Aunt Andie and Audre Lorde, and June Jordan, and my stepsister Kyla’s mom Diane and Mama Nayo Barbara Watkins and so many more beautiful ancestors who are so powerfully with us, my mom, my Aunti Akosua and the brilliant and inspiring Mary Anne Adams who is a breast cancer survivor collaborated on this podcast.  May it be healing for you and may it be an invitation to the energy of all of your ancestors to fill your heart and kiss your face.

love always,
lex


http://brokenbeautiful.files.wordpress.com/2010/02/audre-lorde-survival-podcast.mp3
you can also find the recent podcast on itunes if you search “brokenbeautiful press”

And if you are in or near Durham don’t forget to come to the B-day Party this Saturday!!!!!!

http://www.facebook.com/profile.php?v=feed&story_fbid=309108934999&id=103868#!/event.php?eid=299116552453

<3<3<3<3<3HappH

Remembering Audre Lorde, a cross-post from SpeakEqual.com and Black Gay Gossip

 
[image is from here]

Audre Lorde, for over twenty-five years, has been a primary spiritual teacher in my life, a guide, role model, and exemplar of radical feminist being and practice. Her 66th birthday was on February 18th.

What follows next is from *here*


Know Your History: Audre Lorde
Know Your History[Herstory-- changed by Julian]: Audre LordeLGBT, NewsBites, Society & Culture — By Brooke Murphy on February 22, 2010 at 8:00 am

Audre Geraldine Lorde (February 18, 1934 – November 17, 1992) was a Caribbean-American writer, poet and activist.

Lorde’s poetry was published very regularly during the 1960s — in Langston Hughes’s 1962 New Negro Poets, USA; in several foreign anthologies; and in black literary magazines. During this time, she was politically active in civil rights, anti-war, and feminist movements. Her first volume of poetry, The First Cities (1968), was published by the Poet’s Press and edited by Diane di Prima, a former classmate and friend from Hunter College High School. Dudley Randall, a poet and critic, asserted in his review of the book that Lorde “does not wave a black flag, but her blackness is there, implicit, in the bone.”

Her second volume, Cables to Rage (1970), which was mainly written during her tenure at Tougaloo College in Mississippi, addresses themes of love, betrayal, childbirth and the complexities of raising children. It is particularly noteworthy for the poem “Martha”, in which Lorde poetically confirms her homosexuality: “[W]e shall love each other here if ever at all.”

Later books continued her political aims in lesbian and gay rights, and feminism. In 1980, together with Barbara Smith and Cherríe Moraga, she co-founded Kitchen Table: Women of Color Press, the first U.S. publisher for women of colour. Lorde was State Poet of New York from 1991 to 1992.

Lorde: Theory & Arguments

Lorde criticised feminists of the 1960s, from the National Organization for Women to Betty Friedan’s The Feminine Mystique, for focusing on the particular experiences and values of white middle-class women. Her writings are based on the “theory of difference”, the idea that the binary opposition between men and women is overly simplistic: although feminists have found it necessary to present the illusion of a solid, unified whole, the category of women itself is full of subdivisions.

Lorde identified issues of class, race, age, gender and even health — this last was added as she battled cancer in her later years — as being fundamental to the female experience. She argued that, although the gender difference has received all the focus, these other differences are also essential and must be recognised and addressed. “Lorde”, it is written, “puts her emphasis on the authenticity of experience. She wants her difference acknowledged but not judged; she does not want to be subsumed into the one general category of ‘woman’”.[8] In a period during which the women’s movement was associated with white middle-class women, Lorde campaigned for a feminist movement conscious of both race and class.

While acknowledging that the differences between women are wide and varied, most of Lorde’s works are concerned with two subsets which concerned her primarily — race and sexuality. She observes that black women’s experiences are different from those of white women, and that, because the experience of the white woman is considered normative, the black woman’s experiences are marginalised; similarly, the experiences of the lesbian (and, in particular, the black lesbian) are considered aberrational, not in keeping with the true heart of the feminist movement. Although they are not considered normative, Lorde argues that these experiences are nevertheless valid and feminine.

Lorde stunned white feminists with her claim that racism, sexism and homophobia were linked, all coming from the failure to recognise or inability to tolerate difference. To allow these differences to continue to function as dividers, she believed, would be to replicate the oppression of women: as long as society continues to function in binaries, with a mandatory greater and lesser, Normative and Other, women will never be free.

Works

Lorde, Audre:
The First Cities (1968).
Cables to Rage (1970).
From a Land Where Other People Live (1973).
New York Head Shop and Museum (1974).
Coal (1976).
Between Our Selves (1976).
The Black Unicorn (1978, W.W. Norton Publishing).
The Cancer Journals (1980 Aunt Lute Books).
Kore Press
Uses of the Erotic: The Erotic as Power (1981 Kore Books) Uses of the Erotic.
Chosen Poems: Old and New (1982).
Zami: A New Spelling of My Name (1983, The Crossing Press.)
Sister Outsider: Essays and Speeches (1984, 2007, The Crossing Press).
Our Dead Behind Us (1986).
A Burst of Light (1988, Firebrand Books).
The Marvelous Arithmetics of Distance (1993).

What follows is from *here*.

BGG Black History Month Spotlight: Audre Lorde

February 21st, 2010www.blackgaygossip.comBlack History Month Spotlight, Books, Celebrities, Culture
audre
Audre Lorde, a self-described “black, lesbian, mother, warrior, poet,” remains a celebrated figure in our community for her contributions to gay culture through her published works and activism.

Lorde’s body of work includes The First Cities, Cables to Rage, From A Land Where Other People Live, Coal, The Black Unicorn, Zami: A Spelling of My Name, Sister Outsider, and A Burst of Light.
In the 80s, she co-founded Kitchen Table: Women of Color Press, the first publishing company run solely by women and was also a founding member of Sisters in Support of Sisters in South Africa (S.I.S.S.A.), which spoke out on concerns of women under apartheid.

She lived out the rest of her years with partner Gloria Joseph, while battling breast cancer, which eventually took her life in 1992 at the age of 58.


Wednesday, February 10, 2010

Come Celebrate what would have been Audre Lorde's 76th Birthday! A Poetry Performance is Part of the Celebration

Audre Lorde, one of the human wonders known to me, was born on 18 February 1934. I adore and love her, her writing, her being, her brilliance. There is an upcoming celebration in honor of this birthday, and I wanted to cross-post it here.

All that follows is from *this site*.


February 10, 2010

Audre Lorde Birthday Celebration and Poetry Performance!!!

Happy Birthday Audre Lorde!!!!

Come celebrate Audre Lorde’s 76th Birthday with goodies, interactive poetry exercises AND performances of brand-new brilliant evocative and moving poetry from the School of Our Lorde Poets!!!!
Saturday, February 20th (2 days after Lorde’s official b-day)
1pm
The Eleanor at Rigsbee
204 Rigsbee St. #201
Durham, NC

Wednesday, January 6, 2010

Radical Feminist Pat Parker: Summer School Info Session and Celebration Birthday Party Announcement!

What follows is an excerpt from “For Audre”:

I have known you forever
Been aware that you would come
My muse sang of you
Said watch the sky for an ebony meteorite
That will pierce into your darkness
And illuminate your fears…
— Pat Parker

(January 20, 1944 - June 19, 1989)
Pat Parker, 1972
Gelatin silver print
Photographer: Lynda Koolish
(who is the sole owner of this image; it is posted here with her permission)
this image was found at this website:  http://southpawgrammarradioshow.files.wordpress.com/2010/01/pat_parker.jpg
LYNDA KOOLISH PHOTOGRAPHS COLLECTION

It's been twenty-one years since her passing, and January 20th would have been the brilliant, wonderful lesbian feminist poet Pat Parker's 66th birthday. So celebrate her life and work!!!! Here are the details on where and how to do just that. All that follows, which contains links back, is from here, which is where the poem, photo of Pat Parker, and all the information below is gathered:

Pat Parker Birthday Party and Eternal Summer School Info Session
January 5, 2010

If I could take all my parts with me when I go somewhere, and not have to say to one of them, “No, you stay home tonight, you won’t be welcome,” because I’m going to an all-white party where I can be gay, but not Black. Or I’m going to a Black poetry reading, and half the poets are antihomosexual, or thousands of situations where something of what I am cannot come with me. The day all the different parts of me can come along, we would have what I would call a revolution.
— Pat Parker, Movement in Black

Hey family!  January 20th is the birthday of the brilliant Black lesbian poet, publisher and activist Pat Parker!  Come celebrate at the inspiration station.  Eat cake and engage quotations from Pat Parker’s inspiring body of work.  AND get applications and information  for the School of Our Lorde and the Survival School series (applications for the February sessions due Jan 25th!)

Wednesday January 20th 6pm
Inspiration Station!
Cake for everyone!
Kids welcome!
Entry Filed under: Uncategorized. .

2 Comments Add your own

  • 1. Julian  |  January 6, 2010 at 7:14 am





    Thank you for posting this. Would you mind if I copy/paste AND link back to this post on my blog?
    I hope many show up to celebrate her life and work! She is missed and was gone way too soon, but her work lives on.
    Julian
    Reply



  • 2. alexis  |  January 6, 2010 at 12:39 pm





    Sure Julian. Thanks for spreading the word.
    Blessings,
    Alexis






Wednesday, March 25, 2009

R-E-S-P-E-C-T: just a little bit, or just a lot

Happy Birthday to two women who have been working for at least a little bit of respect for womankind for several decades, Aretha Franklin and Gloria Steinem:
[Photo of Aretha Franklin, found here.]

Please scroll down a bit on this related web page for biographical information about her, as well as her discography.

[Above: Aretha Franklin, "Respect"]

Here, [c]ommentator Evelyn C. White describes the life-affirming effect Aretha Franklin's powerful anthem, Respect, had on her and other young black women growing up in the turbulent 1960s. Respect is one of NPR's 100 Most Important American Musical Works of the 20th Century.


[Gloria Steinem and Dorothy Pitman Hughes, circa 1970. Photograph by Dan Wynn]

"For the four or five years surrounding the birth of Ms., I was traveling and speaking as a team with a black feminist partner: first Dorothy Pitman Hughes, a child-care pioneer, then lawyer Florynce Kennedy, and finally activist Margaret Sloan. By speaking together at hundreds of public meetings, we hoped to widen a public image of the women's movement created largely by its first homegrown media event, The Feminine Mystique.... Despite the many early reformist virtues of The Feminine Mystique, it had managed to appear at the height of the civil rights movement with almost no reference to black women or other women of color. It was most relevant to the problems of the white well-educated suburban homemakers who were standing by their kitchen sinks justifiably wondering if there weren't 'more to life than this.' As a result, white-middle-class movement had become the catch phrase of journalists describing feminism in the United States..., and divisions among women were still deep."
Gloria Steinem, Outrageous Acts and Everyday Rebellions (1983), pp. 5-6

See this autobiographical essay by Gloria Steinem, for more of herstory.
END OF POST.

Wednesday, February 18, 2009

Happy Birthday Yoko Ono!!!


The image above is of Yoko Ono looking at a birthday cake presented to her last year by her son Sean, on the occasion of her 75th birthday.

The cake is designed to be a replica of a famous work of art, an all white chess set, ready to be played. It speaks to me of the insanity of war, of people killing each other and the Earth, thinking that, in the end, there will be "a winner". Once you begin to begin to "play" this sort of "game", you realise the enemy and "your side" are not discernible. Brava, Yoko, for a brilliant work of conceptual/visual political art.

For Cara's whole Happy Birthday Yoko Ono post at The Curvature, and many more links and information about Yoko and her artwork, please go here. Go there also for Cara's brilliant series, Yoko Ono: a Feminist Analysis, specifically linked to here (intro), here (part 1), here (part 2), here (part 3), and here.

Many more happy, healthy, creative birthdays to you, Yoko!

Monday, February 2, 2009

Black Women's Herstory: February Birthdays and Beyond


Rosa Parks, by Bill Farnsworth, from the book, Heroes for Civil Rights, by David A. Adler.

Since late last year I've been contemplated how to put together a series of posts throughout this month, honoring great Black women.

This was my preliminary list of several African American women. I'll note here that I tried to avoid using Wikipedia, as it has a poor reputation when it comes to keeping accurate information up about some feminists, but alas, it proved helpful.

February Birthdays:
4th: Rosa Parks
9th: Alice Walker (See also: here.)
11th: Florynce Kennedy
15th: Claudia Jones
18th: Audre Lorde and Toni Morrison
21st: Barbara Jordan
29th: Augusta Fells Savage

After doing more research I was so fortunate to find this amazing page which is from one of the blogs on my blogroll, Diary of An Anxious Black Woman. There you will find information about some of the women listed above.

This is her introduction, from one year ago yesterday:

________________________________________

Friday, February 1, 2008

Black History Month: My Black "Herstory" Focus


Today is the first of February, thus beginning what is recognized as "Black History Month," the shortest month of the year. While on my blog, I do black history month every month, I thought I would nonetheless highlight different individuals in history, with a feminist twist. I remember a few Black History months back how angered I was when A&E, for example, once promised to highlight black historical figures in their Biography series for the month of February; as it turned out, they only highlighted one black historical figure each week (and not for the entire month as promised - and don't tell me you can't find 20 black historical figures, if this were based on a M-F schedule, to highlight just for one month!), and the only woman they included in the mix was Sally Hemings, whom they admitted they didn't really know much about because there weren't enough historical records to document her life story; her life story, as it turned out, was only tied to the number of children she may have had with President Thomas Jefferson, which is why she was remembered in the first place!

I was so angry at the way black women's history in particular was marginalized and erased (and don't get me started with other channels, like History, for example - although TCM once surprised me one fine Black History Month when they highlighted various silent films by Oscar Micheaux) that I would like to use my blog to focus on some worthwhile black women from whom we have so much to learn.

Last month, I already highlighted the historic turn presented by Shirley Chisholm, the first black woman to run for president of the United States (this is worth remembering when we vote on Super Tuesday for a "history-making" candidate). However, my next post (perhaps later today) will highlight the life of my absolute favorite black female historical figure ever (wonder if you can guess who she is?). And, yes, I will prove that each day I can find some worthy black female historical figure to write about. That is the challenge I present before you.

CELEBRATE BLACK HISTORY MONTH!

________________________________________

When I think about these and so many other great Black women, I think of the term: "righteous outrage". When I think of an outrageous woman, I think of Flo Kennedy, so I'll close here with a classic image of her. This image inspires me to keep on giving the dominant culture the finger. -- Julian


END OF POST.

Thursday, October 9, 2008

Happy Birthday to John Winston Ono Lennon and Sean Taro Ono Lennon





John Lennon's honesty about his human failings as a man, and his embracing of feminism, was a profound early influence on me. He was my first male teacher for how to be a profeminist. I fully credit Yoko Ono with opening him to that consciousness.

John died in 1980, at the age of forty.
Sean lives in NYC, and turns thirty-three today.
END OF POST. THERE IS NO MORE