Showing posts with label Misogynist Men Make Movies. Show all posts
Showing posts with label Misogynist Men Make Movies. Show all posts

Saturday, October 8, 2011

Why we shouldn't accept Johnny Depp's apology for misusing the term "rape"

image is from here

My commentary follows this from HuffPo:
Vanity Fair on Tuesday released a small excerpt of their upcoming Johnny Depp cover article, hoping to generate buzz for their new issue ahead of its hitting newsstands. Mission accomplished.
In the short passage, the Oscar nominee and $100 million a year actor made a rare misstep, comparing participating in photo shoots to being raped.
"Well, you just feel like you're being raped somehow," he said. "Raped ... It feels like a kind of weird -- just weird, man."
The statement raised eyebrows and drew criticism, leading Depp to quickly issue a statement of apology and regret.
"I am truly sorry for offending anyone in any way. I never meant to. It was a poor choice of words on my part in an effort to explain a feeling," Depp said in the statement. "I understand there is no comparison and I am very regretful. In an effort to correct my lack of judgment, please accept my heartfelt apology."

I don't respect Johnny Depp because he's demonstrated on-going insensitivity and callousness to people who are negatively effected by misogyny and male supremacy. I don't accept his apology because Johnny Depp has publicly sided with a famously unconvicted rapist over the many who are actually raped. (And by "rape" here, I don't mean "being photographed for being a grossly overpaid white male celebrity.") He's done so with the case of child-raper, Roman Polanski. More on that in a moment.

He's fine with earning millions promoting both sexism and racism in his films--the Pirates of the Caribbean series being but one on-going example. He successfully works to support and maintain a pro-rapist white male supremacist culture, in no small part by not ever speaking out against famous and not-famous men who commit rape, and by not ever calling on all men to stop rape--whether or not they, individually, perpetrate it.

For more on his pro-rape views and values, I close this post with commentary by Alex DiBranco at Change.org. 

Johnny Depp Defends Rapist

by Alex DiBranco · February 08, 2010

Johnny, you make such a sexy Captain Jack Sparrow. And there will always be a special place in my heart for Edward Scissorhands. I have to admit, your version of Willy Wonka was just a little too creepy for me, but that didn't make me cherish your pirating days any less. Unfortunately, you've lost all your charm (and your place in my fantasies) with your defense of a child rapist.
It doesn't matter that you've joined a chorus of celebrity voices defending Roman Polanski for raping a 13-year-old. It doesn't excuse your comments that Whoopi Goldberg claimed what happened to the girl wasn't "rape-rape," although I don't know what else you would call it when a middle-aged man pleads guilty to statutory rape -- and the other charges of rape, sodomy, and drugging are only dropped to protect the victim from a having to undergo a painful and sensationalized trial. Where, apparently, a chunk of Hollywood would have come to her rapist's defense.
Depp thinks that, even though Polanski fled the country three decades ago to escape sentencing, now that we've finally convinced a country to arrest him so the United States could actually hold him responsible for his crime, we should let it go. And why? Well, because Depp thinks that his former director "is not a predator. He's 75 or 76 years old. He has got two beautiful kids, he has got a wife that he has been with for a long, long time. He is not out on the street." Um ... wait, if you don't want him in jail for his crime, doesn't that mean he is out on the street?
Not only does Polanski's current position fail to negate the crime he never served a sentence for, but, as a blogger points out on Shakesville, neither his age, wife, or status as a father mean that he won't rape again, or that it won't be another child. The Shakesville guest blogger writes, "The second man who raped me had a wife and children. ... While he was married. While his two young daughters were sleeping in the next bedroom." Depp is not only a rapist apologist, he also brushes off the rapes of women by married or older men as impossible occurrences, adding insult to injury for too many survivors. It's really the cherry on top of a constantly sickening situation.
Looks like I won't be watching Pirates of the Caribbean for the umpteenth time next weekend. It's just not as much fun when I can't get Depp's rapist-supporting remarks out of my head.
Photo credit: ATempletonPhoto.com
Alex DiBranco is a Change.org Editor who has worked for the Nation, Political Research Associates, and the Center for American Progress. She is now based in New York City.

Monday, May 23, 2011

The Sperminator: Arnold Schwarzenegger Builds a Master Race, one baby at a time. Or is he just an ignorant dickhead?

image of Arnold Schwarzegger is from here
 Compare to this:

image is from here
 Compare to this:
photo is from here
Revised on 24 May 2011. Third image added on 26 May 2011.

From Wikipedia:
Arnold Alois Schwarzenegger (born July 30, 1947) is an Austrian-American former professional bodybuilder, actor, model, businessman and politician who served as the 38th Governor of California (2003–2011).
Schwarzenegger began weight training at the age of 15. He was awarded the title of Mr. Universe at age 20 and went on to win the Mr. Olympia contest seven times. Schwarzenegger has remained a prominent presence in the sport of bodybuilding and he has written several books and numerous articles on the sport. Schwarzenegger gained worldwide fame as a Hollywood action film icon. He was nicknamed the "Austrian Oak" and the "Styrian Oak" in his bodybuilding days, "Arnie" during his acting career and more recently the "Governator" (a portmanteau of "Governor" and "Terminator").
But listen... Do you hear it? People who speak English are calling him a new name. The Sperminator.

Arnold Schwarzenegger had some level of het-sex education. He learned how to put on a condom. Did he learn how to place a condom each time he has penetrative genital sex, on his penis. Not on his allegedly superior-shaped cranium. (Is there functional a difference between that head and the one on his penis?)

When an educated and well-exercised man like Arnold, muscled both in body and ego, decides to not use a condom routinely, does that mean he welcomes the woman he is with becoming pregnant with his and her child? Or, well, women. Many women. While married to one woman. While having children with that one woman to whom he was heterosexually married.

Arnold Schwarzenegger is a big, ego-testicle man.With testicles that he apparently thinks contain golden (or, well, yellow-blond) sperm that must be spread about the land, but not cast onto rocks and instead invading women's bodies, heading in the general direction of their cervixes and uteruses. He surely must know, by now, that when he has VOP (vagina-on-penis) or PIV (penis-in-vagina) sex that one possible consequence is a child being born approximately nine months later, in one case only a few days after another of his off-spring was born.

From *here*:
The [birth] certificate [, not Hawai'ian], which blacks out the boy's first and middle name, reveals that he was born on October 2, 1997 just five days after Schwarzenegger and Shriver welcomed their fourth child, Christopher Sargent Shriver Schwarzenegger, to the family. Which means his mistress and his wife were both pregnant at the exact same time with his children.
Is Arnold Schwarzenegger trying to build his own personal partly-ethnically-Austrian Master Race? Or is just teaching his sons how to be irresponsible sexist, controlling, impregnating penis-heads?

He's at least doing the latter. Are we to believe that every woman he impregnates willy nilly is thrilled to be carrying another of his many children to term? I surely hope some have chosen to abort, but that's a misogynistic, harmful way to practice birth control, and it's a sexist way that puts no responsibility on the dude to prevent pregnancy from occurring in the first place.

What other sexist lessons is he teaching his sons (and millions of het male fans who still have het-penetrative sex with or without erection-inducing drugs), through his behavior, not what he says? Meanwhile, I'm wondering this: When your very publicly esteemed and prominent father sticks out socially and engages in a whole lot of sexist-misogynist behavior, repeatedly, how easy is it to see all that sexist-misogynist behavior as immoral and grossly irresponsible without viewing one's father as immoral and grossly irresponsible? (Read: a P.R.I.C.K.) I'd say it's hard. I mean difficult.

He's taught by example that women, existentially, are for two things primarily: satisfying het men's sexual 'needs' and bearing what too many men view as het men's property children. (As, tragically, men also view women as possessions.) Each of these lessons is dangerous to humanity--women's. It not only puts women at great risk for rape, battery, sexual and economic exploitation, harassment, and homelessness. His behavior also spreads STDs and STIs, such as many strains of cervical cancer-causing HPV. His behavior also puts their lives at risk during pregnancy, during child-birth if the women choose to take the pregnancy to term, and while raising her children, often without any control of "their" finances. Arnold reportedly has his own money kept separate, for now. (I wonder: may a woman impregnated by Arnold's sperm freely choose to have an abortion? If she does, will Arnold consider this the murder of a part of his precious body and superior soul? The body and blood of Arnold Christ? What kind of man assumes the world needs a lot more of people who look like him? A man who has a narcissistic god-complex, perhaps? A normal, self-absorbed, selfish, sexist man with heaping helpings of privilege?)

Arnold, you're a terrible role model for all men and boys, and if you were practically any other ethnicity than the one you are--except German, perhaps--people might racistly think your behavior was pre-programmed into your DNA. I don't. I think it's you and that you've demonstrated that you're a dickhead. Why? Because you preach the evils of single people having babies, then ensure that some single people have babies... who look a whole fucking lot like you. (Damn you and your dominant genes.) Please, please keep those genes in your jeans from now on. Please. (Really.) The political and celebrity worlds have had enough of you.

From *here*:
In a statement, Arnold’s agency broke the news of his hiatus:
“Governor Schwarzenegger is focusing on personal matters and is not willing to commit to any production schedules or timelines. This includes ‘Cry Macho,’ The ‘Terminator’ franchise and other projects under consideration. We will resume discussions when Governor Schwarzenegger decides.”
Word has it that Arnold’s ‘Governator’ animated series has now been cancelled. TMZ reports that it received this statement from a rep for the animated project:
“In light of recent events, A Squared Entertainment, POW, Stan Lee Comics, and Archie Comics, have chosen to not go forward with the Governator project.”
Unfortunately for all parties involved, the fallout of this disaster is just getting started and will apparently play out in a very public manner. Shriver reportedly has hired a divorce attorney as the couple works to divide their assets.
As this relates to film, what remains to be seen is if even has a choice at a potential film career revival at this point. Most film studios wouldn’t want the risk of being attached to this publicity nightmare and a whole crop of prospective moviegoers have been alienated by his actions.
Arnold, why don't you, Charlie Sheen, and Mel Gibson go buy an island together and live on it. And don't turn that into a reality TV show called Big Ego Brother, The Equivalent of Twelve and a Half Egos, or The Biggest Loser At Being Humane. While together, you three can decide who has committed more crimes against women, including sexual harassment, unwelcomed groping, gross sexual exploitation, procurement, rape, and domestic terrorism. And then you can decide who, among you, is the most anti-Semitic. My bet is on Mel for that charge. But you get the lifetime achievement award for The Most Controlling, Irresponsible, and Oppressive WHM Supremacist Man. That's not a call to say congratulations. Rather, shame on you.

You've produced and reproduced way too many off-spring willy nilly. Cut it out or cut it off: it's called a vasectomy. Really: just do it. Both cords. Snipped. Neuter yourself for the betterment of humanity. Please.

I join Maria Shriver in saying: Hasta la vista, baby-making man. Don't say "I'll be back". Just terminate the fertile sperm, use a condom, and stop being such a sexist scumbag.


Saturday, May 7, 2011

Black Swan (2010) starring Natalie Portman, story and screenplay by Andrés Heinz; screenplay also by Mark Heyman and John J. McLaughlin, is one of the most misogynist movies I've ever seen

image of movie poster is from here
Plot summary paragraph added on 8 May 2011. 

There's a lengthy rant before the review. 
If you want to cut to the chase, go down about ten paragraphs. This note was added on 21 Sept. 2012. 
***Added 12 Oct. 2012: Even easier--scroll down to the row of red asterisks!***

This post concerns misogyny, whiteness, darkness, and movie-making. I'm unsure of how it is that misogyny about white women is so revered and celebrated by men as a form of entertainment. I only know that it is, as is misogyny against any woman--it's just that Hollywood knows that if it makes movies about white people, more white people will go see the movie, in theatres or by renting the DVD. In a racist society in which there are white people--a majority population or not--where the economic system is racist too, whites will rule both socially and economically.

In the West, white men will possess more money than any other group and will hoard it using any and all means necessary, including military, legal, and police force. This is the current news story of the U.S. economic crisis--not mentioned this way exactly. Nowhere are rich white men calling for and end to the racism or the classism, coded into  financial and cultural currency, that keeps them rich, and richer, and richer. These white boys just did a calculated sell-off of oil futures. They knew that the U.S. people wouldn't tolerate gas prices above 4 bucks a gallon, and voila, as soon as that became the national average, they make their profits and now will wait to see how much more money they can make in the next quarter of the year. What is it that oil is sometimes called? Ah yes: Black Gold.

It takes a lot of men to make so many movies featuring misogyny. It also takes the support of a lot of women too. Jodie Foster is now promoting her film made with racist-misogynist Mel Gibson. As I understand it, he revealed the latest depths of his racist-misogynist raging and ranting, and abusiveness and terrorism, only after shooting of the film was completed--this is according to Jodie, who appeared on David Letterman's show and only quickly noted that Mel's behavior cannot be excused--but she said nothing else about him and has only publicly defended him as a good person.

She's quite willfully maintained a professional relationship with him long enough to determine that he's a racist misogynist--if you consider what he's said in public and done in private to be racist and misogynistic, that is--without making excuses for him.

To blame Mel's attitudes about and treatment of women across race, and of people of color across gender, and of Jews, as only a consequence of his drinking, which Roger Ebert does EXPLICITLY *here*, is to make it seem like alcohol possesses the ability to determine our attitudes about specific groups of people, which it does not. Shame on Roger Ebert for avoiding the truth of Mel Gibson's life, and to pretend his career and his abuses of women are not intimately linked. See this snippet of his review:
[H]ere is another of Mel Gibson's fine performances, a reminder that he is after all a superb actor. His personal life is in ruins because of the disease of alcoholism, which he is still struggling with. Though he's responsible for his outrageous acts and statements, I think this is not the good man I have met many times. From what I know about alcoholism, I believe he goes through personality changes, that he is content on some days and consumed by rage and madness on others, and that such changes are symptoms of the disease. Make your own diagnosis.

It took some courage on the part of Jodie Foster to direct this film. I believes she knows Gibson's good side and respects his talent. He was certainly the right choice for this material. All of his troubles through recent years are summed up by her opening shot, of an exhausted man floating on a raft in a swimming pool, his arms wide like the crucified Christ. A voice (later revealed to be the Beaver's) informs us this is Walter Black, a man so deep in depression, he has alienated his family and nearly destroyed his business.

We meet his much-suffering wife Meredith (Jodie Foster), his resentful son Porter (Anton Yelchin) and his disbelieving colleagues. Meredith finally throws him out, not without love. He buys a bottle, checks into a motel, tries to kill himself and is interrupted by the hand puppet.

And we get to feel so sorry for another privileged white het male abuser of women and his child, and of many other people too. Got it. Spare me the violins.

I understand Jodie wanting to make money off of her film. I can only hope it is her last professional collaboration with Mel Gibson. I recommend boycotting The Beaver. (And pleeease with the title--and the ridiculous story. It's not funny. It's not cute. The movie sucks. It's yet another "oh, the poor, poor very privileged MAN" movies. There have been entirely too many of those. We need far more murder-suicides where the murder isn't of a woman and the suicide is of a man who takes his own life before, not after, ruining the lives of others.) One last note on "The Beaver". (And we're not talking about *this* Beaver either, although it too celebrates the colonisation and domestication of white women.) How does one decide to name a movie after a misogynist insult to women? Jodie explained, semi-facetiously, that the title might help it sell well on DVD, because there will be het men wanting pornography who will order it. What a great idea for the selling of a serious film! (Not.) She also told us about how almost entirely wonderful her two sons are, how much better it is to have sons than daughters, and how wretchedly insulting to her Jodie's overbearing mother has been, except to her sons as a grandmother. It appears we cannot escape these themes of man-adoring and woman-hating.

I'm not sure who has more social clout: Roger Ebert or Jodie Foster. He reviews movies. She makes them. He's male and heterosexual. She's not. I've witnessed for a long time how if a woman is marginalised in some ways in Hollywood, by appearance, by sexuality, by age, or by race, she is expected to publicly support MEN, by those who pay her, more than it is expected of other women who are less marginalised. Even and especially, it appears, the most misogynistic among the menfolk are expected to be supported. What if we all stopped supporting misogynist and racist men? And stopped featuring them in movies and TV series and other programming (for example: Charlie Sheen). But there is non-gay boy-bonding of course, and it does preclude any man from speaking out against abuses that are primarily perpetrated by men against women.

Another theme in society is that when men are entranced by boys or men, they will betray women and girls utterly. This goes alongside the theme that when men are entranced by girls and women, they will betray women and girls utterly.

I guess it's men being entranced that's the problem. For when in such as state, men routinely conclude they are not in power, they are not in control, even while they take possession of and kill all who they are entranced by. That's a curious bit of logical phallusy, now isn't it? When women have been accused of taking possession of boys--such as in custody conflicts with abusive men, or of men's penises in the night, as in some of the witch trials, that never works out well for the women. If they don't burn her, they tie a stone to her ankle and toss her into the river: if she sinks, she was not a witch; if she floats, she is a witch and must be burned. Clever men: they get to destroy women either way.


***********************************************************

But on with the featured show.

This cinematic psychological thriller is called "Black Swan". The title comes from the ballet. The ballet comes from some of the cultures of Russia and Germany but was written by Pyotr Tchaikovsky and was later modified by his brother Modes. Almost immediately, I waged a bet with myself, not knowing much about the film's creators. I bet myself that the writers and director were all male. I bet that no woman was involved in constructing this story, as it appeared, in every respect, to be nothing other than a tangle of men's misogynist fantasies about pretty pale young females, as men define pretty, pale, young, and female, put on film. Indeed, we are led to believe that Winona Ryder, who plays the "aging" dancer, is so far over the hill that she might as well be dead. Oh, that's practically a spoiler alert. To the extent that she is alive, one has to ask: why is she alive and for whom? Surely not herself.

Here's the main plot: a young, thin, white woman who is pretty according to conventional Hollywood and Madison Avenue standards, is grossly and abusively manipulated in body and mind by a prestigious white het male choreographer of a revival of the ballet, Swan Lake. She hopes he will cast her in the role of Swan Queen which would allow her to perform (dance) as both the White Swan and the Black Swan. She lives with her mother; she is attracted to another woman dancer. And she is battling with various forms of psychosis as she is brought close to a complete mental breakdown well-choreographed by the instructor/choreographer.

The story braids together these themes: white heterosexualised female beauty being overpowering to presumably straight white men; men's need to control, manipulate, and dominate women sadistically, socially, and sexually; people changing from birds to humans; goodness and purity of love represented by whiteness and lightness; evil and seduction by blackness and darkness; and the on-going question men seem to have about women's sanity. The sexist and racist themes are well represented--more symbolically with the racism, more interpersonally with the sexism. (Where HAVE I heard this before??? Oh, I've written about it *here*.)

Added to those are "problems" of lesbianism and how closely it relates, to the filmmakers, to a woman's insanity. Crazy = dark = female. Crazy = dark female. Dark = crazy female. Female = dark and crazy. Remember that. When a woman is darkest, she is at her most insane, according to white het men's myths.

One of the messages of the film as written is that attraction to men is sometimes destructive, but attraction among women is only destructive and all attraction among women amounts to incest in one form or another. You know women: they can't tell one from the other! Mom sees herself in her daughter; daughter sees herself in her female dance competitor. (Sarcasm alert: Thank goodness it isn't men who mistake different women for one another! Ask any consumer of Playboy: he'll be able to tell you what distinguishes about Miss April from Miss August. But it won't be the depth or breadth of the women's humanity, I assure you.) To the extent that such attraction among white thin females is sexualised in the film, it must be presented to het men publicly for their own private enjoyment. Again and again and again. We are allowed--or is it forced?--to gaze upon Portman's breasts, covered only in a very thin white leotard. It, like her own skin, will not keep any man out.

One of many misogynist sub-plots in Black Swan might just as be described thusly: "See how male filmmakers write and direct a story requiring Natalie Portman to fake masturbation and orgasm as often as possible." Her character can try to keep her mother out of her "private" sexual life in the fantasy sequences in the film, using a wood pole, curiously. In the reality scenes, she cannot keep men out, publicly or otherwise: there aren't enough wood poles around when she needs them to beat the predatory man over the head, or to use to stab men in the crotch or the eyes. Men wouldn't write such scenes anyway. Sighted men don't stay aroused by seeing men hit in the crotch or the eyes by a woman. They "feel" such assaults viscerally, in the groin or they eyes not as pleasure. Most men want their erections and their vision too, and use both to penetrate women's bodies which, in men's stories, are everything but private.

All the disgusting invasive assaults against Portman's character--and there are so many I lost count--are meant to evoke pleasurable responses from men, or a kind of revulsion-titillation response, typical of how men view women they lust for and simultaneously hate. This movie is a het male serial rapist and fatherly incest perpetrator's delight. Just check the demographic of who is renting it. I predict it will be (or already is) mostly white het men. Like over 90%.

"Art"--using the term loosely, sometimes, is pornography: the graphic depiction of woman-as-wh*res. Women are depicted and referenced as "wh*res" throughout this film--whether or not they are "frigid" or "hot", they are wh*res and must be sexually available to men when men want them to be. Portman's character has the scratches on her back to prove it. Roger Ebert only alludes to this; he doesn't use the word "misogyny" at all, which I find shocking as I know he is conscious of it both as a term and a social reality. *Here's his review*. But true to form, the female lead only ever wants or admires the man who possesses and destroys her--even while she resists him; she only resents the woman who possesses and seeks to protect her, and also resists her. Portman's character attempts to tear down her mother's image, which fantastically mocks and shames her. But the male lead who tears at her and breaks her down can only be either secretly desired or submitted to. Alas, in misogynist cinema and other stories, is there any difference between the two?

This was one of the more disturbing films I've ever seen--unrelentingly disturbing, in fact. It wasn't just that it was gross--and it was gross--repulsive--a lot. What was repulsive was how the writers and director subjects the audience to scenes that seem only to exist to make the viewer recoil or retch. There seriously ought to be a trigger warning on this movie for anyone with an eating disorder that involves self-starvation or throwing up. It's not a safe movie; not only for that reason.

In addition to Portman's body being scratched, it is also bloodied in many other ways--indeed, menstruation is the only blood-event not mentioned. This was clue number 5000 that it was written by a man or by men. She peels back her own skin, off of her finger; she examines her cracked and bloody toenail; she gazes at lesions by her fingernails; she presses her fingers into abrasions; she sticks things into her flesh; she tears at herself. This is the most perversely self-touching movie of a young woman I've ever seen. But then again, I haven't seen much pornography in the last 25 or more years.

This fictional woman who is spawned from the utterly infertile minds of men (Russian, German, and U.S. American) has a boundary called "skin" that betrays her; or she betrays it. But underneath all the peeling, picking, pinching, poking, and bleeding, if you're paying attention, is a story of how men ruin women's lives. You just have to endure all the very graphic female self-injury along the way. It was like watching a movie of a bird systematically and painfully plucking out its own feathers. Oh, she does some of that too.

This and boy-war movies like Platoon rank up there in "movies I plan never to see again". Watching movies about how men graphically and violently destroy other men and how men pornographically destroy women isn't my idea of a good cinematic time. But men do love their violence and violations, don't they? And it's only when feminists notice this theme that men take umbrage and deny it altogether.

Men can do whatever they want to women--men have demonstrated this enough times for it to be received as an unquestionable statement of truth. Men can and do possess women and girls. Men can and do rape women and girls. Men can and do dictate the terms by which many women live their lives, and thrust, assert, and insinuate themselves into women's and girls' lives in such ways that women's freedom with men is not possible, and the only freedom women have from invasion is to live without men. Men arrange societies so that the only way to accomplish that is by not living at all. Suicide-as-liberation, I'd argue, is not a pro-feminist idea. Liberation by murdering the male invaders, the male abusers, the male violators: that to me is pro-feminist because it removes from men the complete lack of accountability that men currently enjoy and exploit in too many ways to imagine or contemplate. Instead, it seems we all want to think of men as "good" at least some of the time. That men choose to waver dangerously between something called "goodness" to something called "evil" only shows us how easily men project their own moral and sexual struggles onto women, making women the source of all that is good or bad in men--as if men weren't in charge at all.

It is a primary conceit of contemporary corporate pornography--and all mass produced material that is about "pornos" graphically, that because women's sexual power is greater than nuclear, wind, hydraulic, and solar power combined, it must be tamed, controlled, and punished by men. So too must animals. So too must the Earth, sea, and sky. There is nothing that white men, in particular, can keep their grubby hands off of. And there is nothing they touch that is not ruined, made to feel or be utterly without value or worth. It's like The Golden Touch in reverse, a curse from which there appears to be no remedy or relief.

Black Swan (from IMDb):
Directed by
Darren Aronofsky 

Writing credits
Mark Heymanscreenplay
Andres Heinzscreenplay
John J. McLaughlinscreenplay
Andres Heinzstory

Monday, November 29, 2010

When Het Men Aren't In Denial or Busy Defending Patriarchal Atrocities, They Can Say Some Profoundly Truthful Things About Themselves

image from the movie, A Serbian Film, is from here
Case in point:
This kind of content – sexual violence as horror, and the male sex drive as monster - really hasn’t been explored this way on film before. I found myself reminded of the most distressing literary explorations of the subject that I have ever encountered: American Psycho, Jack Ketchum’s The Girl Next Door, but even more so than those – Andrea Dworkin’s Pornography: Men Possessing Women. Any heterosexual male who has ever read Dworkin has doubtless gone through the same cycle I did of being enraged by the assertions made of our gender, yet ultimately coming to the crushing realisation that everything said about the masculine was true: the drive to dominate, to brutalise, to attempt to satiate the ultimately insatiable appetite.
The above passage is from a review of a movie called A Serbian Film. The full review may be read *here*. There's plenty of sexualised violence against women in the film. And it's being discussed as if extreme misogyny something new in cinema. Apparently the author forgot about Snuff, and most films by Brian DePalma and David Lynch. Or mainstream pornography films.

The reviewer, Ben Bussey, seems to be making a simultanously pro-feminist and anti-feminist point: that men desire to torture women, and that men will torture women because men desire to do so. See, for example, this portion of his review.
This, I think, is the overriding theme that has made A Serbian Film the hot topic it is. At the screening, director Spasojevic reiterated his assertion that the film’s primary function is to serve as a metaphor for life in his home nation (and while I do not doubt his conviction, I must say I do not entirely approve of filmmakers promoting so specific a reading of their work; there’s a lot to be said for leaving things open to interpretation). But to my mind the film is really driven by the universal theme of the male sex drive, and of course the universal taboos of rape and paedophilia. It is not anti-porn per se - central protagonist Milos (the also remarkable Srdjan Todorovic) is portrayed as a well-balanced, down-to-earth family man, never frowned upon for his chosen profession – but tough questions are asked about where ‘good’ porn ends and ‘bad’ porn begins, and just how much it takes for a man to embrace those heinous impulses which, like it or not, on some level exist within us all.
If this is what he's saying, I will say that I don't agree with him that a rape-impulse (and practice) in men being an inevitability, or asocial. Or biological. Or natural. Or universal. Such a viewpoint, that men will rape women and that this terroristic action is not due to conditioning one gets in the political formation of patriarchal manhood in rapist-protecting societies, is one that MRAs and "anti-misandrists" ought to be getting their boxers in a bunch about. Because, as has been noted here many times: when men openly say what men do, when it is in agreement with what radical feminists notice about men's behavior, the men are not called out as man-haters by other men (or, for that matter, as woman-haters). It is only when radical feminists note what men do that men deny doing that those women get called man-haters, not woman-lovers, and not truth-tellers.

Wednesday, July 21, 2010

Lethal Weapon 5, featuring The Homicidal Misogynist Maniac Mel Gibson who DOESN'T realise that "What Women Want" is to NOT BE MURDERED BY MEN

[image of the Homicidal Misogynistic Maniac Mel Gibson, is from here]

That Mel Gibson has made, to date, four "Lethal Weapon" films seems fitting, except that they aren't about him being a lethal weapon to women. It is fitting, as well, that he's been in productions called "The Punishment", "Ransom", "Conspiracy Theory", "Payback", "Signs", and "Complete Savages". That he ever made a film titled "What Women Want" is increasingly frightening.

From IMDb:
Nick Marshall, Playboy and Hot Shot in advertising, thinks he's God's gift to women. After a little accident, he discovers that he is suddenly able to hear what women really think. First, Nick is pretty disappointed when he discovers that his beloved macho behaviour does not exactly contribute to being desired. Then, his upcoming dream position in the company is being given to a new team member: Darcy, not only a woman, but a man-eating one, also is a very talented ad expert. So, Nick decides to sabotage his new boss by reading her thoughts and selling her ideas as his own. Unfortunately, love gets in his way. Written by Julian Reischl

To Mel Gibson, the Homo Palien Predator who I wish would go to another planet:  

You are clearly a nut that hasn't fallen far from the tree. 

If you ever contemplate, threaten, or plan to kill any woman including Oksana Grigorieva, and your and Oksana's almost nine month old baby Lucia, and your ex-partner's adolescent child Sascha (Alexander), and then to kill yourself, please do so in reverse order in such a way that only you are injured or die. 

Thank you: you'll be doing one woman, two children, and the rest of the world a huge favor. 

You're one vicious white het man, Mr. Gibson, and one cruel, sadistic, Satanic "Christian" coward. Go fuck yourself, and recognize who YOU are: a gold digger, a f*cking pig in heat (no offence to hogs, sows, and piglets or any living being that has an estrous cycle is intended), a n*gger, a w*tback, a f*cking b*tch, a c*nt, a f*ggot, and last, but surely not least: one mean and maniacal P.R.I.C.K. 

If your Jesus does come back to Earth, I hope he swiftly kicks you and your dad in the nuts. That, surely, would demonstrate a level of compassion and love for humanity that you and your father have been lacking for many decades. Pray to your Jesus to knock some sense into you through the gonadal parts of your body you appear to be using simultaneously as your brains and your heart. And ask yourself this: How's THAT approach to life working for you?
-- Julian Real

To learn what that the acronym means, please check out these two posts: P.R.I.C.K.s and PRICKs, Sexxxism, and other CRAP.

For more posts on A Radical Profeminist about Mel Gibson, please see here, here, here, and, for portions of one of those posts in French, see here. Calling Mel a nut, a maniac, or maniacal is not meant to imply he is in any way insane, or drunk. It is meant to imply he is behaving the way far too many patriarchally entitled men behave--in such a manner as to be guilty of the crime of murdering the women they willfully, rationally, choose to be with who they later claim is driving them crazy. Men, too typically, do not take responsibility for their feelings or their actions, when directed negatively at women. They blame women instead, and in this way remain ignorant, arrogant, self-absorbed, overly privileged, and atrociously entitled and terribly normal men.

All that follows is linked to below, and is from RadarOnline.com.

Mel Gibson Punched Oksana Twice, Choked Her & Then Threatened To Murder Her & Family, She Tells Authorities

Mel Gibson threatened to kill his own baby daughter, Oksana Grigorieva, her son -- and even himself -- during the brutal brawl that is being investigated by police, according to statements Oksana has given authorities.

In a stunning world exclusive, RadarOnline.com has obtained all the details of what authorities have been told took place on January 6, the crucial date in the domestic violence investigation against Mel, as well as the custody battle between Mel and Oksana.

And the details are far worse than what has been known up to now. Mel punched Oksana TWICE in the head, and choked her with his forearm pressing into her throat after she fell onto the bed – while holding the baby, she told authorites.

Mel is facing a criminal investigation on domestic battery charges by the Los Angeles County Sheriff’s Department and is part of a Department of Children and Family Services investigation.

Here are the complete details about what authorities are investigating:

On January 6, Oksana says she attended a basketball game for her 12-year-old son Alexander, who goes by the nickname Sascha. Gibson was furious that she left their infant daughter Lucia home with a nanny and was also jealous that she was around other men.

The nanny witnessed Mel storming around the house, slamming doors and growing furious. The nanny was so frightened that she took Lucia and hid in a bedroom, according to Oksana’s statements.

“When Oksana came home Mel began cursing her,” a source with knowledge of the investigation told RadarOnline.com exclusively. The Oscar-winning actor/director screamed profanities, consistent with what is on the audio tapes obtained and released exclusively by RadarOnline.com.

Then things took a near deadly turn.

Oksana asked Mel to calm down when she returned to his Malibu house in the early evening.

“Mel punched her in the mouth and then again in the side of the head,” the source told RadarOnline.com.

She was holding Lucia and the force of the punches caused her to fall backwards onto the bed.

Mel placed one of his forearms into Oksana’s neck and began choking her. He took his free hand and pushed it over her mouth and she struggled to breathe. She struggled and begged him to stop.

“Oksana has told authorities it was horrific and she thought she was going to die,” the source said.

The punches broke Oksana’s front teeth, as can be seen by the exclusive photo of her injuries obtained by RadarOnline.com

As she begged Mel to stop while he was choking her, Mel kept screaming for Oksana to apologize.

Oksana’s son Sascha, whose father is former James Bond star Timothy Dalton, was in the bedroom the entire time this took place, and he was scared to death and will be a crucial witness.

He was interviewed by child protective services agents last Friday.

Oksana finally was freed from Mel’s grip and jumped up to leave but she says Mel then pulled a gun from the pocket of his short, pointed it at her head and threatened to kill her, Lucia and Sascha, as well as himself, in an apparent murder-suicide plot.

He reportedly yelled “F*ck you” and called Oksana a “F**king c*nt.”

Somehow, however, Oksana was able to run out of the house, wearing her pajamas and barefoot, with Lucia and Sascha.

After Oksana fled, Mel called her repeatedly and threatened her. Investigators will be looking at those phone records.

RELATED STORIES:

MEL AUDIO TAPE #1: Mel’s Racist Rant

MEL AUDIO TAPE #2: Mel Gibson Admits Hitting Oksana, Threatens To Kill Her

MEL AUDIO TAPE #3: Another Mel Gibson Slur Caught On Tape In Crazed Rage

MEL AUDIO TAPE #4: Out Of Control Mel Gibson Says He'll Burn Down House After Demanding Sex

MEL AUDIO TAPE #5: Mel Gibson Completely Loses It: 'B*tch, C*nt, Wh*re, Gold Digger!'

EXCLUSIVE PHOTO of Oksana After She Says Mel Punched Her

Tuesday, July 20, 2010

Merci beaucoup to Martin Dufresne: A French Translation of the "Protect The Patriarch" post, on Mel Gibson and Sean Connery

[image is from here]

Martin Dufresne has been a long-time supporter of radical feminist and radical profeminist efforts to stop male supremacist violence against women, including by translating English texts into French for a wider global readership. I am grateful to him for taking up the project, and time, to translate my recent blogpost, with the rambling title, "Protect The Patriarch" Day. Sean Connery and Mel Gibson are Two Arrogant Authoritarian "Artists": Can Hollywood Stop Sucking Them Off, Please? Documented Domestic Terrorists Like Mel Gibson Don't Deserve Protection, or Oral Sex.


Martin shared with me several images for consideration to put with this post, all of them with biblical references, including the one above. I chose this one because it was the least racist to me, in appearance. Here is what Martin mentioned to me, that is worth knowing, especially if you encounter any other images that go with these verses, and also to understand the biblical history of what has since become white male supremacy:
The Bible says that Noah cursed his irreverent son, Ham, the youngest, saying that his descendants would be servants to those of his brothers. 

24 And Noah awoke from his wine, and knew what his younger son had done unto him. 25 And he said, Cursed be Canaan; a servant of servants shall he be unto his brethren.  
Scholars have argued that those descendants, termed Canaan, became the population of Egypt, Ethiopia and gradually all of Africa, giving a religious basis to racism. See http://www.freemaninstitute.com/RTGham.htm 
 
Whatever picture you decide to use, this story of Noah's sons and their choices could be summarized in a cutline for those who don't know that biblical anecdote about the respect owed fallen patriarchs (Genesis 9: 20-27)
Below is Martin's translation work of my post on Mel Gibson and Sean Connery.

Julian Real: C’est la journée «Protégeons les patriarches». Sean Connery et Mel Gibson sont deux «artistes» autoritaires pétris d’arrogance. Est-ce que Hollywood peut cesser de leur tailler des pipes, s’il-vous-plaît? Les terroristes conjugaux aux exactions démontrées comme Mel Gibson ne méritent ni protection, ni fellations.

(…) Gibson mérite également d'être accusé d'avoir menacé la vie d’Oksana Grigorieva de violence physique et sexuelle, d'agression verbale, et d'être un terroriste conjugal. Voilà ce qu'il mérite. Contrairement à certains médias, je ne vais pas me contenter de le qualifier d’ivrogne ou de fou. C'est un homme sobre et sain d'esprit qui, comme tant d'autres hommes, est cruellement favorable au viol et à la violence conjugale. C'est ce qu'il est. L'alcool n'enseigne pas à ses consommateurs la façon d'être sectaires et, alors que toute femme qui crierait comme lui serait qualifiée de « conne » et de « folle » et de mégère avant d’avoir terminé sa première phrase, il n’est qualifié que d’«ivrogne», car il ne peut être négativement stigmatisé à titre d’homme blanc hétéro (HBH). Il nous faut ajouter à l’amalgame de ses privilèges et droits ethniques et patriarcaux un autre élément négatif, qu'il s'agisse de l'ivresse ou la folie. Quelle appellation avons-nous pour désigner les HBH qui n'ont pas ces autres conditions pour expliquer leur comportement? (Outre celles d’éminent spécialiste et de génie artistique, je veux dire. Vous voyez ce que je veux dire? Nous n'avons pas d’expressions négatives pour qualifier le simple fait d’être de race blanche et de sexe masculin et hétérosexuel, comme nous en avons pour chacune des autres catégories démographiques.)

Et Sean. Il faut que quelqu’un le trouve et le gifle au visage à au moins à 007 reprises, parce que c’est un patriarche arrogant qui démontre ci-dessus qu’il ne sait vraiment pas quand se taire. Peut-être qu'il peut expliquer pourquoi se fait-il que lorsque des femmes ne le laissent pas avoir le dernier mot, il est incapable de se comporter en adulte responsable et sortir de la pièce. Est-ce parce qu’il voit toute pièce comme un élément de son château personnel? À l’entendre, "les femmes" vont tout simplement parler encore et encore, tel un lapin Playboy Energizer dénué d’interrupteur autre qu’une gifle pour leur imposer la soumission. Il les présente comme autant de Mel Gibson, à l'exception qu'elles ne sont pas violentes aux plans physique et sexuel comme les hommes misogynes. Si Mel se défoulait sur lui comme il le fait sur Oksana, je me demande si l’on verrait la main du vieux Sean imprimée sur une joue de Mel? Je suppose que non parce que le vieux Mel remettrait à ce salaud la monnaie de sa pièce. L'autoritarisme violent de Sean Connery a besoin de se retrouver ailleurs qu’au visage de femmes, à main ouverte ou non. Sa suprématie masculine, si indigne qu’elle soit, contribue tout de même à son image de marque. La misogynie d’un homme devient ce qu'il est, et pas pour le meilleur. Si elle persiste suffisamment longtemps, elle envahit son esprit et le corps de telle façon que nommer son comportement misogyne cesse d'être suffisant. Il DEVIENT UN misogyne. Il en est de même des attitudes racistes des Blancs. Après un nombre suffisant de manifestations et d’expressions de celui-ci, certains Blancs n'ont plus besoin de faire quoi que ce soit pour puer le racisme. On le sent à un kilomètre à la ronde, à deux kilomètres dans le cas du vieux Mel. Ce n’rets pas pour rien qu’il paraît que Sean Connery aurait voulu Mel Gibson jouer le rôle du méchant dans le prochain James Bond.

Il n'y a eu aucun avertissement spécial en ce sens mais aujourd'hui, comme hier et probablement tout à fait comme demain, c’est la «Journée Protégeons un Patriarche». Cette fête est célébrée de nombreuses façons, par de nombreux hommes. Les femmes y participent, mais franchement, si les hommes cessaient d’y participer - avec toutes sortes de manifestations et d’expressions, et si les hommes hétéro cessaient de défendre et de protéger les aitres hommes hétéro qui violentent les femmes ET CESSAIENT EUX AUSSI DE VIOLENTER DES FEMMES – pour plutôt respecter les désirs des femmes et leur bien-être - un tas de choses changeraient. Faute de désirer cela, les hommes renvoient aux femmes le fardeau de réduire le patriarcat, de réglementer et restreindre les comportements sexuels, physiques et émotionnels des hommes, comme si les hommes étaient des chiots ou des marionnettes. Mais les patriarches sont puissants et dangereux – semblables à des stéréotypes de pit-bulls aux dents longues ou du personnage cinématographique de «Chuckie» (une sorte de Pinocchio patriarcal).

Les hommes comme Mel et Sean sont assez forts pour tuer d’autres hommes, mais ont seulement le droit, selon les règlements patriarcaux, de tuer des femmes assassiner. Ils proclament périodiquement leur amour des femmes et leur désir de leur faire honneur. Ce qu'ils ne semblent pas comprendre, c'est que cette promesse parle d’«honneur» et non de «crime d'honneur». Avec 3 000 femmes tuées par an aux États-Unis - le même nombre d'êtres humains qui sont morts lors des attentats d'Al-Qaïda le 11 septembre 2001 - nous vivons chaque année une attaque terroriste contre les femmes par les hommes des États-Unis. Cette atrocité annuelle n’est ornée d’aucune indignation et ne suscite aucun déferlement de bombes sur les hommes blancs hétéros. Il n'y a pas ni invasion durant de longues années, ni efforts incessants pour la capture des terroristes. Il n'y a pas d'action militaire du gouvernement visant à investir armes à la main les caches des maris suspects pour s'assurer que les femmes ne sont pas assassinées. Il n'y a pas eu e il n’y aura pas de campagne de lutte de libération au nom des épouses et conjointes états-uniennes impitoyablement massacrées, comme nous le ferions si l'ennemi est considéré comme «d’outre-mer» ou au moins «étranger». Nous n'avons pas commémoré et sanctifié de Ground Zero pour les femmes, toute surface de plancher ou de moquette constitue le lieu de l’attentat. Quand d'autres personnes entrent dans l'espace où le terroriste conjugal a frappé, cet espace ne devient jamais sacré, il fait simplement peur. Il ne devient pas saint, mais hanté. 

Faire rendre des comptes aux agresseurs adultes de sexe masculin ne devrait pas incomber aux personnes qui subissent leur terreur et leur torture. N'est-ce pas assez qu'elles y survivent? Cette confrontation est un travail pour les hommes, pas pour leurs victimes – surtout lorsqu’elles sont mortes. Les femmes et les filles peuvent lui pardonner, mais il n'existe aucune raison honorable pour que les hommes le laissent s'en tirer. Pensez «Roman Polanski», le violeur de fille doté d’une protection professionnelle et internationale; pensez au nombre de célébrités qui veulent le voir parcourir la Terre en homme libre. Quel élément de son identité de violeur de fille exige que l’on oublie ce qu'il a fait? Le temps suffit-il vraiment à faire de lui un non-criminel? Le délai de prescription est-il échu? Ce délai est-il jamais échu pour les filles et les femmes affligées de stress post-traumatique pour avoir survécu à l'inceste, à l’agression sexuelle et au viol? C’est vraiment deux poids, deux mesures!

Comme la publicité de la carte de crédit Master Card, la devise de ceux qui possèdent les privilèges particuliers aux hommes blancs hétéro fortunés pourrait être : Ne partez pas sans eux de la maison où vous commettez vos crimes.


Les sociétés patriarcales sont généralement organisées de façon à rendre les femmes dépendantes et subordonnées aux hommes de diverses manières. Des hommes blancs hétéro très privilégiés se plaignant de cet état de choses en parlant d’un PROBLÈME ENDÉMIQUE DE MISANDRIE, utilisant un genre de logique qui ne peut être appelée que gravement tordue. Il s’agit même d’un illogisme proprement sociopathe. Certains hommes interdisent aux femmes de vivre en dehors du contrôle des hommes, et lorsque des femmes les quitter et traînent devant les tribunaux ces fanatiques de la suprématie masculine, les hommes hétéro qualifient d’«injustes» les pensions alimentaires qu’on leur réclame.  Cela motive certains de ces hommes à traquer et abattre les femmes avant qu’elles puissent intenter de telles poursuites. Ainsi, elle n’obtiendra pas son argent, et personne d’autre ne pourra l’aimer. Dans la vision délirante de cet homme, vous devez comprendre qu’elle était aimée de lui, mais incapable d’apprécier cet amour. Et les masculinistes de lancer : «Mais il arrive souvent qu’il se suicide aussi!» Le problème qu’esquivent ces hommes-pas-si-nouveaux c’est : Pourquoi ne se suicide-t-il pas D’ABORD? Pourquoi Son malheur à lui exige-t-il qu’il l’assassine, elle? Les masculinistes prennent habituellement un air perplexe et confus à ce stade de la discussion. La notion que les hommes ne tuent pas les femmes ne leur est jamais venue à l’esprit. 

Vérifiez les tirades de Mel : vous y trouverez TOUS les messages misogynes les moins subtils. Ils sont tous là. Les hommes violents sont si gentils et tout. Pourquoi les femmes semblent-elles avoir un problème avec le fait d’être possédée? Ah là là… C’est bien la preuve que le féminisme va trop loin! Hé, les riches mecs blancs hétéro, au sujet de ce prétendu «problème de misandrie», essayez donc de vivre, en réalité, comme quelqu'un qui n'a aucun de tous ces privilèges politiques et économiques et ces droits sociaux, et revenez ensuite me parler de l'expérience d’un haine endémique pour «qui vous êtes».

Voilà comment les choses fonctionnent. (Ce n'est vraiment pas difficile à comprendre.) Les privilèges masculins autorisent les hommes à posséder des choses, dont les gens qui ne sont pas des hommes. Dire «Les garçons sont comme ça» mène à la longue à «les hommes sont comme ça». Mais s’ils le sont, c’est aussi parce que les hommes ont également le droit de ne pas avoir à grandir émotionnellement. Ils peuvent demeurer des bébés au plan émotif et le font trop souvent. Ils pleurnichent, hurlent et crient tout comme des bébés, des tout-petits et des marmots gâtés – ils le font simplement avec une voix plus grave. Et quand ils le font, ils estiment leur comportement comme souverainement logique et rationnel. Mel n’a-t-il pas affirmé qu’IL était dans le droit et qu’il ne pouvait pas comprendre ce pourquoi elle serait en colère contre lui, avec tout ce qu'elle lui devait? Ses éclats que nous avons toutes et tous entendus la semaine dernière démontrent cette incroyable absence de raison. (…)
(Traduit par Martin Dufresne)

Saturday, July 17, 2010

"Protect The Patriarch" Day. Sean Connery and Mel Gibson are Two Arrogant Authoritarian "Artists": Can Hollywood Stop Sucking Them Off, Please? Documented DomesticTerrorists Like Mel Gibson Don't Deserve Protection, or Oral Sex

 This image of Mel "Going Straight [Back]To Hell" Gibson is from here.

This video of Sean Connery is relatively old, not new. 
Hollywood has had the chance to "get it" but they don't, why?

This post is for my new friend, Beth.

[This post was edited with embedded links and added content, throughout Saturday, 17 July 2010.]

Sean and Mel, Mel and Sean. White het men at their inglorious worst. Here are just a couple of quotes from Mad Max to the woman he had chosen to be with, with no gun against his head, with no one forcing him to do so. Of his own free will. Because he wanted her to perform oral sex on him regularly, among other things.

“How dare you be such a f-cking B-TCH when I’m being so NICE.”
“You said you were annoyed with me - FOR WHAT F-CKING REASON?!?
“I deserve to be blown first before the F-CKING JUCUZZI! Okay, I’ll burn the f-cking house down!!! HOW DARE YOU?!!”

Mel gives new meaning to the term "nice" and in the adjectives tossed about to describe him we surely can add this one: clueless.

What does he believe he "deserves"? To receive oral sex from someone at whom he is screaming obscenities? Mel desperately needs a new understanding of foreplay. A "smooth talker" he ain't. What Mr. Gibson deserves is to have to perform oral sex on a Jewish man before Mel uses the jacuzzi.

He also deserves to be charged with threatening Oksana Grigorieva's life, with physical and sexual abuse, with verbal assault, and with being a domestic terrorist. That's what he deserves. Unlike some media, I'm not going to write him off as a drunk or a madman. He's a sober and sane man who, like so many other men, is one mean pro-rape, pro-battery terrorist. That's what he is. The alcohol doesn't teach its drinkers how to be bigoted and while any woman who screamed like him would be called a "crazy b*tch" and a shrew before she finished the first line, he gets called "drunk" because he can't be negatively stigmatised as a white het man. We've got to add to the mix of ethnic entitlements and patriarchal privileges some other negative element, whether it be inebriation or insanity. What do we call WHM who don't have those other conditions to blame for their behavior? (Besides educated experts and artistic geniuses, I mean. You see what I mean? We don't have negative terms just for being white and male and heterosexual, the way we do for every other demographic.)

And Sean. Someone needs to find his face and smack it at least 007 times, because he's one cocky patriarch who demonstrates above he doesn't know when to shut up. Maybe he can explain why it is that when women won't let him have the last word, he can't behave like a responsible adult and walk out of the room. Is it because it's a room in his castle? He makes it sound like, "women" will just go on and on and on like an Energizer Playboy bunny and there's no "off switch" other than slapping them into submission. He makes them sound like Mel Gibson, except that they aren't physically violent and sexually abusive like misogynist men. I have to wonder, if Mel went off on him the way he goes off on Oksana, would we find ol' Sean's hand print emblazoned on one side of Mel's face? I guess not--because ol' Mel would punch the bastard back. Sean Connery's abusive authoritarianism needs to go somewhere other than across women's faces, open-handed or not. His male supremacy, while unbecoming, becomes him nonetheless. Any man's woman-hating becomes who he is, not in a good way. If it hangs around long enough it moves into his mind and body in such a fashion that naming his behaviors misogynistic stops being adequate. He BECOMES a misogynist. Same with whites' supremacist attitudes. After enough demonstrations and expressions of it, some whites don't need to do anything to reek of racism. You can smell it coming a mile away. Make that two miles with ol' Mel. There's a reason Sean Connery allegedly wanted Mel Gibson to play the next James Bond baddie.

There was no special memo, but today, like yesterday and probably a hell of a lot like tomorrow, is "Protect The Patriarch Day". It is celebrated many ways, by many men. Women participate, but honestly, if men stopped participating--with the demonstrations and expressions and all, and if het men stopped defending and protecting other het men who abuse women AND ALSO STOPPED ABUSING WOMEN--and instead honored women's wishes and well-being--a whole lot would change. Men, without desire, put this burden on women to make patriarchy wither, to regulate and restrain men's sexual, physical, and emotional behavior, as if men were puppies or puppets. But patriarchs are powerful and dangerous--more like stereotypes of teethy pit bulls and Chuckie (think: patriarchal Pinocchio).

Men like Mel and Sean are strong enough to murder men but are only entitled, in the patriarchal by-laws, to murder women. They proclaim to love and honor women on a regular basis. What they don't seem to get is that the promise says "honor" not "honor killing". At 3000 women a year in the U.S.--the same number of human beings who died from the Al-Qaeda attacks on September 11, 2001--we have a terrorist assault on women by U.S. men every year. That annual atrocity is adorned with none of the outrage and unleashing of bombs onto white het men. There's no years-long invasion and ceaseless effort to capture of the terrorists. There's no government military action designed to put defensive forces in the suspected husbands' hide-outs to make sure the women aren't murdered. There hasn't been and will not be a freedom-fighting campaign on behalf of mercilessly massacred U.S. wives and girlfriends, the way we do it if the enemy is seen as "foreign" or at least "alien". We have no memorialised and sanctified ground zero for women; any floor space or carpeted room is ground zero. When other people enter the space where the domestic terrorist struck her down, it never becomes sacred--only scary. Not holy; just haunted.

Holding adult male perpetrators to account ought not be the responsibility of those who endure their terror and torture. Isn't enough that they survive it? This outing is men's work, not his victims'--especially when they're dead. Woman and girls may forgive him, but there's no honorable reason for men to let him off the hook. Think "Roman Polanski", the professionally and internationally protected girl-raper and how many celebrities want him roamin' the Earth as a free man. What part of "girl-raper" calls for forgetting what he did? Does time really render him a non-criminal? Did the statute of limitations run out? Does it run out for girls and women with post-traumatic stress from being incest, sexual assault, and rape survivors? Talk about a double standard!

More Master Card than American Express, the motto for those with the special privileges that come with being a wealthy white het man: don't leave the home where you commit the crimes without them.

Patriarchal societies are generally organised to make women dependent on and subservient to men in various ways which very privileged white het men complain about as an endemic misandry problem utilising a form of logic that can only be called seriously ill. Sociopathic ill-logic, in fact. Some men forbid women to live outside of men's control, and when women leave him and sue their male supremacist asses, the het men consider alimony "unfair". This motivates some of those men to track down and slaughter the women before she can sue. At least then she won't get his money, and she won't get loved by anyone else. In his delusions, you must understand, she was loved by him but didn't appreciate it. "Anti-misandrists" argue back--"But he often takes his own life too!" The issue that is missed by these not-so-gentle-men, is: Why doesn't he take his own life FIRST? Why does his misery require him to murder her? Anti-misandrists usually look perplexed and confused at this point in the discussion. Men not killing women never occurred to them.

Check Mel's rants for the not-so-subtle misogynist messages. They're all there. Abusive men are so NICE and all. Why do women seem to have a problem with being possessed? Geesh. Talk about feminism going too far! Yeah, about that "misandry problem", rich white straight boys. Try living in reality as someone who has none of those political and economic privileges and social entitlements, and get back to me on the experience of endemic hatred for "who you are".

This is how it works. (It's not rocket surgery.) Male privileges entitle males to possess things, like people who aren't male. "Boys will be boys" in time means "boys will be men". But men will be boys too, because men are also entitled to not have to grow up emotionally. They can be emotional infants, and too often are. They whine, screech, and scream just like babies, toddlers, and spoiled little brats--but in a lower register. And when they do it they consider it being supremely logical, rational behavior. Didn't Mel state HE was the person in the right and he can't understand why she'd be upset with him and that she owed him? His outbursts we've all heard this past week demonstrate this astounding lack of reason.

“You said you were annoyed with me - FOR WHAT F-CKING REASON?!? 

Mel: You used me and you are telling me and proving to me what you were and what I suspected! F*ckin’ user! You f*ckin’ used me! I will never forgive you! (crazed panting)
Oksana: It’s bullsh*t.
Mel: I will never forgive you for what you’ve done to me you f*cking bitch! (out of control)
Oksana: You ruined my life! And you didn’t give me a penny.
Mel: You ruined MY life first! I ruined your life? How did I ruin your life? I gave you sh*t! You gave me nothing but f*cking grief! Alright? And bad publicity, you c*nt! How did I ruin your life?

Mel rather disingenuously ignores the fact that she gave him oral sex on demand. So that would, effectively, make him the "f*cking user". And the abuser. And the arrogant, selfish, self-centered b and c and n words. When will white het men stopped projecting what they too often are onto the rest of us?  They invented these words--they are are the product of WHM imagination, and they speak to the socialised nature of race-, sex-, and class-privileged men.

So back on point: It's because Oksana didn't give him oral sex that he can never forgive her and threatens to kill her. When a man as entitled as Mel doesn't get what he wants, he goes wild. Or, in Sean's case, he simply smacks the woman upside her face. (But I'll bet he doesn't do it as coolly and calmly as his male supremacist tone indicates.) Someone ought to collect these rants and outbursts and put out a DVD called "Boys Gone Wild". And drop them off at the nearest anti-patriarchal prosecutors' offices.

“I deserve to be blown first before the F-CKING JUCUZZI! Okay, I’ll burn the f-cking house down!!! HOW DARE YOU?!!”
[source for all Mel's demonic dialogue is here @ radaronline.com]


This kind of militant sexual self-absorption is one of men's privileges, not afforded to women. It's rarely heard in such a raw state, which is why men can claim any woman who speaks against him as a sexual abuser is called a liar--and he is believed by a public that knows full-well what these misogynistic men do, but don't want to be humiliated by speaking out about it. Or tracked down and killed. Men's excuse for the silence is just collectively self-serving. These het men want what they want when they want it from women, or girls, and they have an informal agreement not to out one another for taking it from girls and women when they can, using threats, drugs, force, money--by any means necessary.

His vitriol would have to be recorded for her to get a fair hearing, and even now the misogynists (who pathetically and patriarchally call themselves "anti-misandrists") call her derisive and ugly names--in part because she secretly recorded him and allowed other people to hear him do what he thought he could do privately with legal immunity. And the names they call her are similar to the names the abuser uses to degrade her. So its another round of misogynist assaults, which is also why so many women won't speak out about what entitled men do--there's nothing more demoralising that telling the truth about what men do that is warfare and then being regarded as a self-centered liar who has to then endure being harassed and threatened by his friends, allies, and war buddies. You'll notice the number of orders for protection that men take out on women is significantly less than what women take out on men. There's a reason, and the "anti-misandrists" will tell you all day long it's because the women are calculating and just want to screw him over--perfectly nice little victimised boy-man that he always is in his own eyes.

Socially speaking, why are men's privatised abuses of women not a problem for wealthy white het men collectively, but any woman finding a way to expose those abuses is a problem for those men such that they organise to change laws to better protect their assets and cover their asses? This goes beyond a double standard. This is a massively powerful racist and patriarchal standard which entitles white men to abuse women of all colors without consequence, and degrades and punishes all women for doing anything at all to stop them.

Why does the media and music industry only report how hard patriarchy is on the predators, procurers, and pimps, but when women write honestly and in an uncompromising way about the degrees to standard patriarchal practices sexually traumatise them, the female experts are called "feminazis"? Perhaps you're not aware of the ill-logic of "masculist" men who want it when they want it however they can get it. Here's a sampling from a self-defined antifeminist, masculist man's blog. Note in the unabridged post his utterly unbridled contempt for women of all races, sexual orientations, and political persuasions. Again, a portion of his and another white het man's militantly patriarchal pontification:

Men can tell if a woman has prostituted herself dozens or hundreds of times. This makes her very undesirable. Conversely, men can tell if a woman is an amateur who has never prostituted herself and this would cause fascination at the very least if she seems to be acting like she is a prostitute. This is the effect that a gorgeous young policewoman would have if she acted as a decoy. She would be presenting a level of quality that does not really exist in the real sex business. Heck, if men knew a woman was a cop, she would be that much more attractive for flirting with them.

(I don't know of any men who are turned on by some amazon bull dyke look alike unless these "men" like the idea of being cuffed and things shoved up thier asses or like being dominated by women.)

Keep in mind that most prostitutes are ugly and/or lower class and/or underprivileged non-whites. It is for this reason that most middle class white American males would never consider touching a prostitute. We are scared of disease first and foremost. Even on the Turkish Riviera, where US and British feminists pretend exists a burgeoning sex slave market, the Ukrainian prostitutes are all chain smokers who are extraordinarily undesirable (and are thus probably not there involuntarily).

(No,most guys don't because of some stigma put there by women and the church,putting it down,much like Jim is doing. What Jim forgets is that most men like a return on their investment and a kiss on the cheek or a handshake after buying her dinner and drinks just isn't going to cut it.)

Imagine, however, a middle-aged man out on a date with a clean-smelling middle-class American college coed who surprisingly and amateurishly tells him after dinner that going further will cost him $200 and she's never done this before…I can guarantee that 95% of the men in that scenario would consider the proposition. Marc Rudov wouldn't have gotten his start criticizing men for buying their girlfriends and wives, if it were not true that most men are, in fact, willing to pay for sex. Prostitution, in theory, would be as natural as breathing. Humans just want it to be done discretely.

(No,western society wants to stamp it out. The fact that it is discreet is because the matriarchy may not know of that particular location for prostitution but if it does it will move against it.)

Stopping the entrapment of males by attractive young sex police should be a top 10 priority for the Men's Rights Movement.


That's just a drop in the sea. Men who obviously hate women are splattering this stuff all over the face of the Internet.

In such a society, men are wrong often, but not in their own eyes. In such a society, men are or pretend to be ignorant about the damage they do and how dangerous they are because they choose not to see themselves as anything other than mother-ruled victimised babies--with the patriarchal protections of privilege and power firmly in place and thanks to Men's and Father's Rights Activists, they're getting stronger every day. Just watch the look in Sean Connery's eyes when he blathers on calmly with his woman-dominating nonsense. He thinks he's being smart, rational, and correct in his judgment. He's wrong on all counts. Will he ever admit that to himself? Probably not. He doesn't have to. What man is going to call him out on it? Surely not Mel Gibson. And certainly not any masculist, misogynist man who thinks women have too much power and control over men as it is. (Where, exactly, is that region of the world where that matriarchal man-hating is running rampant?)

In a patriarchal society, boys will become men who get to be irresponsible boys. That means that men will be misogynists unless responsible mature men stop them from being so. Emotionally immature infants and terrorist toddlers with the power of grown white het men will not organise an intervention on any woman's behalf. They will organise to protect their right to possess children they sexually assault.

The institutional and systemic support of dominants in various social hierarchies is a scary reality with many participants. Pay no attention to the female death toll. Or the fact that disproportionately she is poor and of color. Ignore the women being terrorised, beaten, harassed, raped, pimped, procured, and sold into slavery behind the that curtain of callousness and the din of domination. It's all designed to be a very loud veil of denial and defensiveness, of privileged protectionism, by masters who think they are slaves.

So it's not only that Mel Gibson is one self-absorbed scornful scumbag. He is that. Check out this bit of self-serving shite where he discusses Tiger Woods' predicament. We must add to that reality another one: mass media's moguls and misogynistic mouthpieces will find ways to keep blaming women for men's plight of being caught being abusive... to women.

Now that all the malevolent male-violent audio is out, a critical mass needs to focus on the woman--who Mel Gibson, or any man, verbally or physically assaults even when he admits to physically assaulting her. Even when he screams out how sexually abusive he is. His admission falls on dominants' deaf ears, and can sway the masses if he has enough celebrity clout. So his defenders will portray her as a gold-digger and him as... as what? The victim? Misogynist men hate it when women claim to be victims, because the fellas want us to believe women only ever victimise men. And there are plenty of women to concur, preferring to be in the good graces of misogynists like Connery than targeted by men's Gibsonesque wrath. The fact that these women also get no respect from woman-hating men needs to be noted. Stockholm Syndrome is alive and its producing women who  kick other women when they're already down for the count.

While Mel is a damned filthy patriarchal perp (pardon my English), we shouldn't expect his ex-spouse will not come to Oksana's defence. Robyn Moore, instead, proclaims her former husband to be a completely wonderful father who never struck her or any of their many, many children. Doesn't a Christian white het man like Mel wanting so many children indicate an ego the size of his god's will?

His currently (and for some time now, to be honest) tarnished character will be buffered and buffed by her testimony. It's either Stockholm Syndrome from years of bondage or it's the precarious position she's put in due to fighting for a portion of his stocks and bonds: she is engaged in a battle to get $400 million from him. What are her options? Can she really tell the press he's an prick and a mutherf*cker? What parent of seven would  jeopardise a hefty divorce settlement by standing by the woman her hubby was shagging while they were still wed? Is she really litigationally free to tell us the whole truth and nothing but the truth about ol' Mel, the philandering patriarch?

Add to that the many friends, colleagues, and allies who have or are about to buttress his ass stating that he is not and never has been a bigot, even though we've all heard just how bigoted he really is... for YEARS.

When is a terrorist not a terrorist? When he's a documented domestic terrorist, like Mr. Mel Gibson, who calls out for the press to leave Tiger Woods alone and complain about the troops being sent into Afghanistan. As if the 24/7 news channels can't do both.

The question is why they can't tell the truth about each story. Why can't they tell us what the U.S. military is really doing in Afghanistan, and why Western white men really do abuse women--using plenty of lethal weapons, including against the women in Afghanistan and Iraq and on American Indian reservations? Why doesn't the dominant press make the connections between these atrocities? Surely it's not because they don't have enough time. Just interview Malalai Joya, Yanar Mohammed, Ruchira Gupta, Vandana Shiva, and Winona Flying Earth. And don't edit or censor them. I'm waiting, CNN. Will you allow Anderson Cooper to "go there"?

There are many so connections between white het men's domestic terrorism of white women and white het men's international terrorism against nations where women of color live. It's not that the dots of blood are that far apart. It's that CNN anchors like Campbell Brown and Anderson Cooper don't have the permission from CNN's owners and shareholders to connect them. CNN isn't in the business of ending wars against women or nations. It is in the business of promoting the wars and making money for the war-mongers, the corporate and political leaders who run and flood the blood baths. Halliburton and Blackwater will get rich one way or another. Either from getting contracts to do their work in Afghanistan, Iraq, or Haiti. Bill Clinton will see to the latter. President Obama and G.W. Bush's warlords are ensuring the former. And CNN won't report on any of it accurately. So the bombs will blast and the body bags will be sent home. And for the living, post-traumatic stress will be with them until they die, often at their own hands.

Post-traumatic stress is a condition found in those who have been severely harmed in ways that are overwhelming, yet the news media only report on the soldiers who have it, not the Afghan or Iraqi citizens. Why is that? Aren't the "foreign" civilians just as human?

It is quite a challenge to survive severe abuse and speak out about it, against one's abuser. Usually the oppressed stay silent, or come to rescue the abuser when he is being outed as such. We must not assume women who have been intimately involved with an abusive man like Mel Gibson don't have Stockholm Syndrome. I'm not saying all women who know him have been terrorised by him. I'm saying those who have been terrorised by him likely have some form of post traumatic stress and Stockholm Syndrome.

I'll get to the heart of the matter of his friends defending him at the end of this post.

For now, let's ask which of these rich white het men who show gross disregard for women's safety, well-being, and human dignity deserve to be allowed to have robust careers in Hollywood? When will Hollywood can their careers? Will women first have to die from their clenched fists?


SEAN CONNERY'S CURRENT CAREER PROJECTS:

Sir Billi (2010) (post-production) (voice) .... Sir Billi

MEL GIBSON'S CURRENT CAREER PROJECTS:
  1. Cold Warrior (details only on IMDbPro)
  2. The Drowner (details only on IMDbPro)
  3. Untitled Mel Gibson/Leonardo DiCaprio (details only on IMDbPro)
  1. How I Spent My Summer Vacation (2011) (filming) .... Driver
  2. The Beaver (2010) (post-production) .... Walter Black
  3. Edge of Darkness (2010) .... Thomas Craven
More analysis follows after this report, from *here*.

  July 15, 2010 – 6:12 pm

REUTERS/Phil McCarten

Cast member Mel Gibson and Oksana Grigorieva attend the premiere
of the film "Edge of Darkness" in Los Angeles January 26, 2010.

It’s official. Mel Gibson has dethroned Christian Bale as the ranting
king of Hollywood.

Audio clips released in the past couple of weeks have implicated
Gibson in what appears to be a verbally abusive exchange between
himself and his ex-girlfriend Oksana Grigorieva. The clips feature an
aggravated Gibson huffing and puffing as he yells at Grigorieva with
derogatory names and racist comments.

The dust barely settled before a fifth tape was released today. Gibson
aggressively shouts at Grigorieva and blames her for his financial
difficulties. He alleges that he spent $5 million dollars on her which has
forced him to sell his possessions including a Lakers box.

“I ruined your life? How did I ruin your life? I gave you s–t, you gave
me nothing but f–king grief and bad publicity you c–t,” said Gibson
in the clip.

Detectives responsible for investigating Gibson received copies of the
recordings this morning, according USA Today.

Grigorieva and Gibson are currently in a custody battle for their
nine-month-old daughter Lucia.

*          *          *
From *here* we find this:
On Monday, Whoopi explained her position on Mel. "I know Mel, and I know he's not a racist. I have had a long friendship with Mel. You can say he's being a bonehead, but I can't sit and say that he's a racist having spent time with him in my house with my kids. I don't like what he's done, make no mistake."

Goldberg also blamed his 2006 anti-Semitic tirade after being stopped by police on alcohol. "Drunks say stupid stuff to people all the time -- because they're drunk, they're out of control, they are not thinking, they are idiotic. I can't say anything about people like that because I know what they're like when they're drunk."

But her fellow hosts weren't as keen to forgive the actor. Joy Behar told The Insider that Mel is not welcome on 'The View.'

*          *          *

To Whoopi Goldberg:

Mel Gibson is a white supremacist-level racist, a full-fledged anti-Semite, an anti-gay bigot, and as virulent and dangerous a woman-hater as men can be without having their well-gnawed bones in his backyard. What your experience of him is, is fortunate, and is not at all indicative of what is inside him--and outside. Haven't you ever heard of white men behaving themselves, on occasion, when the situation calls for it? Keep in mind that if his racist/woman-hating rants weren't taped, we wouldn't know about them. Now that they are out--added to the patriarchal pile of his past CRAP, I'd hope people who have regular airtime and clout would not defend him as "not a racist" or make excuses for him being an anti-Semite. Or a woman-hating abuser. Call him what he is, Whoopi, because a lot of people look to you to tell the truth. You have also been an apologist for Roman Polanski. "It wasn't 'rape-rape'?" Isn't one "rape" enough?

Which singularly raped girls and battered women are you standing beside when you make public statements like these? What sort of message are you sending out to girls who will be or already are being incested, date raped, emotionally, verbally, and physically assaulted by males in their lives? Do their abusers really need influential women like you to publicly defend them?

I wish you and Jodie Foster, and all Mel's other friends and Hollywood colleagues such as Bruce Davey, Martin Campbell, Danny Glover and Randall Wallace would stop making excuses for Mr. Gibson's full-spectrum bigotry and violence against women. I realise they won't get bombarded with the harshly critical emails that you will Whoopi, both because you're on a daily television show and because there are unfair racist and sexist expectations on you to speak for most Black women. And, also unfairly, the pressure is on Jodie to speak out because she's done such fine cinematic work against men's terroristic violence against women. Sadly, our expectations are extremely low for men of any color to speak out on these subjects on behalf of women's human rights, but the pressure should be on them, even more than on you, to make statements about Mel's appallingly patriarchal actions.

Girls and women who are abused by men aren't supported by your silence Bruce, Martin, Danny, and Randall. Speak out against what he's done, if you have any courage and integrity on the issues of domestic violence and rape. Your silence will not protect women. Your protection of him won't either.

But Whoopi, please remember that Mel's a big boy and he can defend himself. He's got millions of dollars with which to hire the best defence attorneys an over-paid Christian white straight male supremacist actor's money can buy. He's got connections in Hollywood to generate pro-Gibson/anti-woman stories for the mass media to eat up. He doesn't need your support, and he doesn't deserve it. Please stop protecting the patriarchs. -- Julian Real