Monday, November 1, 2010

The Rocky Horror Picture Show, Stereotypes, Transsexuals, Transgender, Radical Feminism. Part 3: Pornography, Eroticism, Respect, and Responsibility

The Kinks perform their hit, "Lola" about a het man's encounter with a someone who, at the time, would have been called either a transvestite or transsexual. Lola isn't transgender, however. As the lyrics explicitly state he is quite happy to be a man, who, through heterosexist drag, pretends to be "a woman" in order to pick up and have sex with presumably het men.


Series links:
Part 1: Glee
Part 2: Rocky Horror
Part 3: Transsexuals, Transgender, and Radical Feminism
Part 4: Racist Patriarchy, Post-Modernism, Genderism, and Bigotry
(Note: This post was greatly revised on 3 & 4 Nov. 2010 ECD. Please also note: "CRAP" is an acronym which stands for corporate racist atrocious patriarchy, or the dominant kyriarchically combined and interwoven systems of oppression, domination, and subordination in the West.)

From Rocky Horror, perhaps more than from any other single media event, I learned about what the dominant het society considered "kinky" sexuality. Rocky Horror was subverting white conservative Christian values--as that group described them. It is said that pornography flourishes in part because the Christian Church has so effectively shamed us all into seeking blatant expressions of sexuality--of sexuality as liberation. What is ignored by such sweeping statements is how much conservative Christianity and pornography need each other to thrive in contemporary society. Rather than being in opposition, they might better be understood to be playing "Good Cop, Bad, Cop" with regard to policing human sexuality. These two groups--both extremely rich and powerful, share many values and disagree on very little--except who should have access to the sexuality each group holds up as "good". This was first brought to my attention in Susan Griffin's book Pornography and Silence: Culture's Revenge Against Nature. For a her discussion of the themes in her book, please see *here*. From that discussion, the opening passage:
One is used to thinking of pornography as part of a larger movement toward sexual liberation. In the idea of the pornographic image we imagine a revolution against silence. We imagine that Eros will be set free first in the mind and then in the body by this revelation of a secret part of the human soul. And the pornographer comes to us, thus, through history, portrayed as not only a "libertine," a man who will brave injunctions and do as he would, but also a champion of political liberty. For within our idea of freedom of speech we would include freedom of speech about the whole life of the body and even the darkest parts of the mind.And yet, though in history the movement to restore Eros to our idea of human nature and the movement for political liberation are parts of the same vision, we must now make a distinction between the libertine's idea of liberty, "to do as one likes," and a vision of human "liberation." In the name of political freedom, we would not argue for the censorship of pornography. For political freedom itself belongs to human liberation, and is a necessary part of it. But if we are to move toward human liberation, we must begin to see that pornography and the small idea of "liberty" are opposed to that liberation.These pages will argue that pornography is an expression not of human erotic feeling and desire, and not of a love of life of the body, but of a fear of bodily knowledge, and a desire to silence Eros. This is a notion foreign to a mind trained in this culture. We have even been used to calling pornographic art "erotic." Yet in order to see our lives more clearly within this culture, we must question the meaning we give to certain words and phrases, and to the images we accept as part of the life of our minds. We must, for example, look again at the idea of "human" liberation. For when we do, we will see two histories of the meaning of this word, one which includes the lives of women, and even embodies itself in a struggle for female emancipation, and another, which opposes itself to women, and to "the other" (men and women of other "races," "the Jew"), and imagines that liberation means the mastery of these others. -- Susan Griffin (1981)
To each group, the other appears to threaten the ethics of the other: from a liberal and libertarian viewpoint, the Church is seen as a prudish sexual censor and grand shamer; from the Church's viewpoint, the pornographers are seen as obscenely exposing women, displaying their nakedness and their graphic sexuality for all men to see, and for being immoral in promoting behaviors the Church considers taboo or private.  Meanwhile each unapologetically upholds patriarchal values which harm women as a class of human beings. In the U.S., and beyond, the conservative Christian Church publicly supports het male supremacist sexuality, and pornographers and pimps uphold white het male supremacist sexuality. Each of these groups implicitly or explicitly, privately or publicly, extols in practice the "virtues" of molestation and rape as a practice of terrorism, violation, and control by men of children and women (the Church), and social, sexual, and economic exploitation, domination, and control by white het men of all other groups, especially women (the pornographers).

Into this illusory opposition of values we have a film and a phenomenon that showed up just before either of those institutions became more powerful than anyone could have imagined in the early to mid 1970.

Rocky Horror is a fanciful, parodic story about a world or realm in which "sex, drugs, and rock 'n' roll" all collide to produce some strange situations and characters. How does Rocky Horror differ, in core values, from white-majority Woodstock/hippy culture? Weren't The Kinks and Mick Jagger promoting more or less the same values, but in popular music, not cinema? How does the film and phenomenon differ from what is now mainstream pornography? Does Rocky Horror have something genuinely liberatory to offer, or does it promote patriarchal values all over again, just as the Church and pornographers historically and presently do?

We might note a possibly stereotypical perception of the 1960s as being anti-establishment, engaging in various forms of revolutionary class resistance against the status quo's most powerful controlling class of people who were, themselves, waging war against everyone who wasn't rich, white, het, or male.

The challenges which extend into the 1970s take on white supremacy and anti-Black racism through the U.S. Civil Rights Movement, the efforts of Malcolm X and the Nation of Islam, Black Nationalism and Black Power, social justice programs created by the Black Panthers, and finally Radical Feminism as formed and expressed by such  crucial activists and writers as Angela Davis, Florynce Kennedy, June Jordan, Alice Walker, and Audre Lorde, Cheryl Clarke, and Barbara Smith, to name but a few key spokespeople.

Capitalism's consumer culture was also under fire, as evidenced in the lyrics and message of "(I Can't Get No) Satisfaction" by The Rolling Stones.  Capitalism itself, along with militarism and racism, were identified by Martin Luther King, Jr. as the "giant triplets":
I am convinced that if we are to get on the right side of the world revolution, we as a nation must undergo a radical revolution of values. We must rapidly begin the shift from a "thing-oriented" society to a "person-oriented" society. When machines and computers, profit motives and property rights are considered more important than people, the giant triplets of racism, materialism, and militarism are incapable of being conquered. -- The Rev. Dr. Martin Luther King, Jr.
The white-majority hippies rejected militarism and consumerism in favor of valuing peace and love, concern with ecology, getting stoned, and stealing from the rich to get by, never quite getting how their predominantly middle class parents' raising of them and support for them allowed them to rebel exactly as they did. We might note that the hippies, generally, of the late '60s and early '70s became nothing beyond capitalists in the U.S. I observe many white ex-hippies to at least remain anti-racist, anti-war, and pro-feminist in principle; sometimes also in action. Although few are radicals opposing the patriarchal, capitalist, racist, military industrial complex.

As noted, a Women's Liberation Movement emerged through the sharing of experience and strategising, resisting, and campaigning of women of color and white women. Audre Lorde, perhaps more than any other theorist, put forth a single, profound womanifesto in support of the erotic and women's liberation and against pornography and male dominance, titled "Uses of the Erotic: The Erotic as Power." From that speech, the following passage:
We have been taught to suspect this resource, vilified, abused, and devalued within western society. On the one hand, the superficially erotic has been encouraged as a sign of female inferiority; on the other hand, women have been made to suffer and to feel both contemptible and suspect by virtue of its existence. -- Audre Lorde
In Rocky Horror, a not-so-sweet transvestite named Frank-N-Furter has slaves and engages in brutal murder against those he may have once called friends. A hippy or a revolutionary, he isn't. He's much more of a narcissistic sociopath. He's a man who is bisexual, libertarian, and liberal. He manipulates and coerces people to behave as he wishes for them to behave, and, as many dominated and oppressed people do, they seek liberation from him--from his tyrannical abuses.

With the revolutionary American Indian Movement, Black Power and the Black Panthers, and Women's and Gay Liberation, and anti-Vietnam War Movements in  full swing through the mid-1970s, we are also introduced to a new complex of values and practices that try to present themselves as "counter-cultural" but, when examined more closely, only appear to support the fundaments of a violent WHM supremacist society. We can observe an increasingly liberal cultural politics that show up in various white- and/or male-dominated cultures in the 1970s. "Sex" has become commodified and fetishised, with plenty of help from the 1950s forward in the form of Hugh Hefner's fluffy form of class-privileged WHM supremacy called Playboy magazine and mansion. Add to this Bob Guccione's class-elite "pet project" Penthouse, which attempted to occupy the top floor of the Playboy empire.

The commercialisation and commodification of WHM supremacist sex shows up in opposition to the Women's Movement, through the increasing social enforcement and enabling of activities such as shaving armpits (and legs, if a woman), grooming one's hair, wearing polyester clothes, high heels, and make-up; sexual compulsions such as voyeurism and exhibitionism: sex-as-performance not sex-as-communion; coercion and force, whipping and enslaving as something "sexy"; and other incorrectly termed "eroticised" violence and standard stereotypes that comprise aesthetic and political elements of Rocky Horror as well as dominant society.

In addition to all of that, we can also note the introduction into popular culture, via the media, of the reality of transsexuality. I remember at that time in our history the term was generally confused with transvestitism and bisexuality--with the help of The Kinks song and Rocky Horror. The RHPS, specifically, did nothing to untangle the three terms. They seemed virtually synonymous or overlapping. Into the dominant media also came a couple of stories of two transgender people who had complete sexual reassignment surgery. The only one I remember was Richard Raskind becoming Renee Richards, later regretting the notoriety but not the surgery. Renee Richards, before and after Sex Reassignment Surgery (SRS) was a tennis player. One controversy surrounding her life had to do with whether or not she should play professional tennis as a woman tennis player after transitioning surgically. She was allowed to play as a female athlete but only by bringing a lawsuit against the USTA (United States Tennis Association). Similarly, this year, Lana Lawless, a self-identified transgender woman, is suing the LPGA (Ladies Professional Golf Association) for defining "woman" as someone who was FAAB (female-assigned at birth). From one typically "neutral" media source, *here*, is this:
In an unexpected twist, Renee Richard[s], in an interview in the New York Times article, is ambivalent about whether or not she supports Lawless’ goal of playing in LPGA events. Richards believes that “physically strong” transgender women have an advantage over other women competitors and seems to think that decisions about whether or not transgender women should play should be made on a case by case basis. This reservation mirrors the IOC and IAAF policies on the participation of intersex women that were in effect when Caster Semenya’s eligibility to compete as a woman was challenged in the 2009 World Championships and then affirmed this fall. We have seen what a mess the “case by case” policy can be.
From Wikipedia, we have this discussion of the terms transsexual and transgender:

Transsexualism is often included within the broader term transgender, which is generally considered an umbrella term for people who do not conform to typical accepted gender roles, for example cross-dressers, drag queens, and people who identify as genderqueer. Some transsexuals object to this inclusion.

Anthropologist David Valentine contextualizes the objection to including transsexuals in his book "Transgender, an Ethnography of a Category." [22] He writes that transgender is a term coined and used by activists to include many people who do not necessarily identify with the term. He observes that many current health clinics and services set up to serve gender variant communities employ the term, but that most of the service-seekers do not identify with the term. The rejection of this political category, first coined by self-identified activist Leslie Feinberg, illustrates the difference between a self-identifier and categories imposed by observers to understand other people.[23]

Historically the reason that transsexuals rejected associations with the transgender or broader LGBT community is largely that the medical community in the 1950s through the late 1980s encouraged (and in many ways required) this rejection of such a grouping in order to be a 'good transsexual' who would thus be allowed to access medical and surgical care. The animosity that is present today is no longer fed by this same kind of pressure from the medical community.

However, where some of the beliefs of modern day transsexual people that they are not transgender, is reflective of this historical division (Denny 176), other transsexual people state that someone choosing to retain their former physical sex (no SRS) is very different from someone who needs to be of "the other sex", that the groups have different issues and concerns and are not doing the same things.[17] The latter view is rather contested, with opponents pointing out that merely having or not having some medical procedures hardly can have such far-reaching consequences as to put those who have them and those who have not into such distinctive categories. Notably Harry Benjamin's original definition of transsexualism does not require that they need to have had SRS.[14]

 

Terminology

The word "transsexual" is most often used as an adjective rather than a noun – a "transexual person" rather than simply "a transexual". Transsexual people prefer to be referred to by the gender pronouns and terms associated with their target gender. For example, a transsexual man is a person who was assigned the female sex at birth on the basis of his genitals, but despite that assignment identifies as a man and is transitioning or has transitioned to a male gender role and has or will have a masculine body. Transsexual people are sometimes referred to with "assigned-to-target" sex terms such as "female-to-male" for a transsexual man or "male-to-female" for a transsexual woman. These terms may be abbreviated as "M2F", "F2M", "MTF", "F to M", etc. These terms are particularly helpful in preventing confusion, because to some people the term "transsexual woman" is a female transitioning to become a male, and to others a male transitioning to become a female. When the terms trans man and trans woman are used though, it is typical for them to be used to refer to the gender that the person identifies with, regardless of their appearance or state of transition.

Although some do identify as part of the LGBT community, others do not. Transsexual people often feel that gender identity and sexual orientation are not associated. Transsexual men and women are of various sexual orientations just as non-transsexual (some times referred to as cisgender) people are, and they will almost always use terms for their sexual orientation that relate to the sex with which they identify. For example, someone born biologically male who identifies as a woman, and who is attracted solely to men, will commonly identify as heterosexual. Likewise, someone who was born biologically female, identifies as a man, and prefers male partners, will identify as gay, not heterosexual. Transsexual people, like other people, can also be bisexual or asexual as well.

Also from Wikipedia is this dizzying description of how terms are used. I don't agree with much of what follows, for the record, as someone who is intergender and not intersex.We can note how "experts" are usually medical doctors some of whom are psychiatrists. This is problematic for many reasons.


The transgender community typically use the short form "trans", or simply "T" as a substitution for the full word "transsexual", e.g. TS, trans guy, trans dyke, T-folk, trans folk. Terms like as tranny, or trans are considered by some to be derogatory, but others use them, arguing that they are diminishing the power of the term as an insult (in the same way that gay and African-American communities have embraced terms or phrases that were originally derogatorives.) Others feel that the terms are problematic because they do not differentiate between transsexual people, and other people categorised as transgender.

Some transsexual people may prefer transgender over transsexual, because this minority sees the issue to be about gender rather than sex, and to those unfamiliar with transsexuality. This subset of transsexual people make a parallel with intergender, who think of themselves as between the genders rather than between sexes. Some transsexual people think of transsexualism as a subset of intersex. "Intersex" usually refers to people whose genitals are not typically male nor female. Transsexualism, in this view, simply becomes a form of being neurologically intersex that was mistakenly categorized outside of the rubric of intersex because of the historical lack of proof for a specific etiology. (See below for hypotheses on the possible causes of transsexualism.)

The term "gender dysphoria" and "gender identity disorder" were not used until the 1970s[8] when Laub and Fisk published several works on transsexualism using these terms.[24][25] "Transsexualism" was replaced in the DSM-IV by "gender identity disorder in adolescents and adults".

Mass media-covered stories and websites which purport to offer up objective information fail miserably at accomplishing this. We can note how one of the objectives in dominant media is to pit marginalised people against one another, somehow always managing to note the ways in which "those people just can't agree on anything" unlike, supposedly, the non-transgender, heterosexual women and men who never disagree about anything having to do with gender or sexuality--like say, monogamy, sex before marriage, pornography use, prostitution, and reproductive rights. Identifying disagreements among marginalised people, by dominant media, is one way to re-establish the appearance of "togetherness" of unmarginalised groups.

Over the decades we have seen several stories of transgender transformation and the exclusion of transgender people in dominant society's lucrative sports programs. I add to these stories the one that got tons of media attention. This concerned the professional and personal life of the intersex Black South African track and field athlete, Caster Semenya, who was harshly targeted for profoundly invasive investigation. Each of these stories has had several social-political functions.

Think for a moment about how "the story of the kidnapped class-privileged blond white girl" keeps repeating in dominant cultural media. What's the function of that narrative, lived out against white girls? It's a story about how FAAB white and usually blond girls are targeted for capture and terrorism, rape and murder, often starting at a young age; it's a story about "stranger danger" thus perpetuating a conveniently patriarchy-protecting mythology that the most harmful men to girls are strangers, not the men most known by them. It's simultaneously a narrative about the value of whiteness. This is how dominant narratives work: they often promote lies, distortions, and stereotypes, while also bringing awareness to things that are truly important or significant to know about. What these narratives are never designed to do, however, is subvert the most dominant and entrenched systems of power. They don't and can't function to flush CRAP down the toilet. They only mix it up a bit here and there, making us all think "the times they are a'changing" and that "we've come a long way, baby", or not, as the case may be.

The media stories of two white transsexual or transgender athletes, and one Black intersex athlete (who is already oppressed profoundly by race and gender in her own country) are designed to re-establish social norms in which there are, naturally, two opposite sexes, unequal, with men dominating women in every way conceivable and inconceivable. If an athlete can be found to be "male" or, well, "not female", then they don't belong with women because women are inferior to men, supposedly, and placing these people in the category "woman athlete" will be unfair to the FAAB women athletes.

The arguments are specious and spurious: because clearly there are women who are stronger than men within one sport. If a woman athlete has too many muscles, ought she be considered "a man" and be removed from competition? We have seen, in women's professional tennis, how one generation of athletes has completely overpowered the earlier generation. The Williams sisters, Lindsey Davenport, Amelie Mauresmo, and many others have been determined to be representatives of something new called  "big babe tennis"; that is a term coined by tennis commentator Mary Carillo--who I do adore, but I do cringe when I hear that term, although I get that she is feminist and doesn't mean it to be condescending or belittling. But what were Martina Navartilova and Steffi Graf? Little babes playing tennis? I don't think so. With Martina N. and Amelie M. in particular, because both were more or less out as lesbian while they played professionally, they have been cast in the light by some heteropatriarchs as "possibly being too manly" for women's tennis.

In some of these cases, the race-, gender-, and sexual-dominants are left to wonder what to do with these "other" people. Shall we include them? Shall we not? What should we allow them to call themselves? Are they capable of even knowing what they are? This sort of condescension and patronising tone is either explicit or implicit in most dominant media discussions of gender and sexual non-conforming people. That being intersex is exactly as natural as non-intersexuality, and ought not a be a parent's call to rush their child into genital and urology surgery is rarely considered by most non-intersex people, for example. The general hope is that the surgeries can be done early enough so the child won't know what happened. Because we are supposed to believe, against great evidence, that surgical trauma to the genitals will not be noticed by a young child or impact their sexual life later. Grrrrr.

At the same time, the unnaturalness and political function of categories such as [non-trans] "woman" and "man", and identities of heterosexuality are not to be discussed from any radical critical perspectives. If this is done, it won't generally rouse the interest of dominant media the way the stories about those "other" people do. The function of CRAP's corporate mass media stories of sexually- and gender-variant people is to exploit them for the entertainment and confusion of the masses of social dominants, keeping the social dominants believing they are, if not expressly superior, at least not as unfortunate as those sexually and gender-beleaguered people. Sympathy oozes like pus for the poor things that we are.

Carrying us back to the 1970s, emerging from within the Civil Rights Movement, hippy/anti-establishment/drug culture, and the anti-War movement was the realisation that any activism and "culture" led by men would mean women would be dominated and expected to always be submissive second-class citizens relative to the men of their own ethnic, cultural, or political group. Regardless of how "radical" they were when attempting to weaken white supremacy or the military industrial complex, if men ruled the social change and justice movements, male supremacy thrived and patriarchy was reinforced.

Out of these experiences women of all colors and classes began their own movement to protest and resist white male supremacy and heteropatriarchal imperatives. The compulsory political nature of heterosexuality was questioned; the meaning and function of womanhood-in-patriarchy was interrogated to the roots. There was a fundamentally new political philosophy that emerged from this crucible of cross-cultural examination and analysis, in part from thousands of women comparing their own formerly "anecdotal" stories. The stories weren't anecdotes only, it was discovered; when layered together, patterns and practices of interpersonal violence emerged as endemic and prolific, and systems of institutionalised white, het, and male supremacist power were exposed as unjust and inhumane.

Class, race, and sexuality were now interrogated through the feminist analysis of gendered oppression--sex-based subordination. By the late 1970s, Women, Race, and Class by Angela Davis, the essays and speeches by Audre Lorde (later collected and published as the book Sister Outsider), and work by other writers like Andrea Dworkin, Alice Walker, and Mary Daly registered deeply with various populations of women, interrogating all aspects of institutional, social, and personal life including sadomasochism, pornography, media, literature, history, battery, rape, and abortion, and, obviously, the intersections of sexuality, race, gender, and class. Ntozake Shange's play "For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf" was a hit, moving from California to off-Broadway, to Broadway and a Tony nomination.

Harmful expressions of systematised  power-over-others were now challenged not just as needing to end because they hurt and killed men of color; not just because many young white middle class men were going into war and not coming out alive; but because this form of hostile and hierarchical power was expressed in the construction and maintenance of a dual gender system that created and maintained "woman" as a political category that exists to co-maintain "man" as the supreme and most normal and evolved form of being human. The violence was misogynistic, even if the men perpetrating it were targeting other men--men were made to feel inferior in a gendered way if the violence from men was sexual or if the men were humiliated. Degradation is stigmatised as non-white, non-rich, and female.

Women sought an entirely different framework for understanding womankind as not only human but divine, and female experiences as truthful within abusive, belittling patriarchal denials of such truths. A line from Shange's play reads: "I found God in myself/and I loved her/I loved her fiercely." Concurrently, "woman" was understood to be a social construction, not something one is "naturally". And if "woman" is a political category that exists in subordinated opposition to "man", then the only radical program for ending this tyranny is to destroy the systems and disempower the institutions that enforce and maintain these two falsely naturalised genders. "Women" will be free when male supremacy-defined "woman" no longer exists. So too will patriarchal manhood have to go. That some antifeminist men have taken this to mean that radical feminists want to kill all men is about as absurd and paranoid a conclusion as I can imagine. Their proof is that a few women wrote "not nice" things about men's existence. As if the multi-billion dollar advertising and pornography industries don't say "not nice" things about women, and particularly feminists, each and every day.

That patriarchal manhood is thriving and radical feminism has been declining significantly over the last few decades ought to be somewhat of a clue as to who, in fact, in practice, and in reality (and not in theory alone), has the institutionally protected, sanctioned oppressive political power to destroy who. Never (ever) in the last 500 plus years of WHM supremacist human history has it been otherwise. WHM destroy everyone and everything else, for 500 years and counting. Do the math, class-privilege white het men; you're supposed to be so naturally very good at math. And please stop your whining and whimpering as if you're actually being threatened by anyone. You're not. Unless you threaten each other. THAT'S something you might wish to focus on because THAT'S the only form of "misandry" that actually exists--WHM men's hatred for and against other groups of men and themselves.

In my own history, I remember the misogyny and heterosexism viscerally as well as emotionally. If one is empathic and male, one may feel deeply what is happening to female human beings in ones own life. I saw how men in my family subtly humiliated or held down women. I knew that being called "sissy", being told I threw a softball "like a girl", and other misogynistic expressions of derision against me were supposed to make me bond with boys in the project of putting down girls. I didn't have all the terms in place, but the woman- and girl-hating that was normal and seemingly "natural" was ever-present and threatened not only females but anyone deemed not sufficiently male, according to male supremacist rules and regulations.

I knew I didn't "fit" into this system. I knew it distorted and dehumanised everyone while benefiting men at women's expense. Men oppressed women. Or MacKinnon succinctly put it: man fucks woman; subject, verb, object. That was the dynamic. Masculinity was to be valued over femininity. Dominance and submission were meant to be naturalised, but radical feminists declared it entirely political, social, changeable. But the change would have to be radical and revolutionary to be effective--that much was very clear. Liberal reforms and modifications here and there, while necessary as part of the process, and usually supported by radicals, were only ever understood to try and make life a bit more bearable for some women without liberating all women. The Women's Liberation Movement sought, in its vision and practice, to resist and dismantle patriarchy and replace it with socially organised and valued humane being. "Gender" as it was constructed by CRAP, would need to be completely composted so people who valued compassion, care, respect, and regard could resume healthy life with, not on, Earth.

So when the first "transgender" (a term not yet arrived at and chosen by our community) people made news, one senses that this could possibly challenge CRAP liberally, but would not necessarily be part of the deeper political project to end patriarchal gender dualism. While I knew I didn't fit, didn't identify with boys, cast my lot with girls, and embraced feminism from my teen years forward, I also knew creating more genders inside the dominant system wasn't going to work to effect social change. More recently I've been reminded by a radical feminist colleague that me taking the identity of a third gender wouldn't make the hierarchical arrangement of men against women disappear or even be threatened. CRAP was crafty enough to withstand many challenges, especially those that were transgressive without being transformative. Rocky Horror was transgressive, and entirely in line with most of WHM supremacy's mandates. So too is contemporary Queer culture and the politics of the agendas of Queer Studies programs.

So I'll focus, for at least a moment, on what is now called the Queer Community, which has always been far more multifaceted than Pride Parades might indicate but as internally conflicted as dominant media alludes--but not more conflicted that dominant groups.

As a young gay male, I learned that there once was a Gay Liberation Front--a group who, more or less, were allies of radical feminist lesbian women in the project of taking apart all expressions of racist heteropatriarchal gender wherein domination and submission was normalised, naturalised, and sexualised. Audre Lorde's essay describing the links between slavery and sadism in Against Sadomasochism: A Radical Feminist Analysis was very powerful for me to read, as was her essay "Uses of the Erotic: The Erotic as Power", linked to above. No one who reads these writings can claim radical feminism was anti-sex, unless you want to pretend Audre Lorde wasn't a radical feminist. I read the work of Chrystos and many radical lesbian feminist women--there was nothing anti-sex about their work, only anti-racism and anti-heterosexism. To be against CRAP-sex wasn't to be anti-sex; it was to be anti-CRAP. To be against rape isn't to be against sex, it is to be against sex-as-violence for women, and violence-as-sex for men.

Through all those writings and many conversations with women, as well as self-interrogation into my own desires and feelings, turning over any intrapsychic and interpersonal stones I could find, I realised that "desire" and "identity" are and have been socially-politically constructed to reflect back to ourselves and reinforce in society the very values the dominant society impelled and, often enough, made compelling by selling the values and practices to use as "transgressive" and "liberatory". So pornography, bdsm, and prostitution have been promoted inside and outside queer communities, and moreso by het men, as forms of freedom. This is liberalism, libertarianism, and conservatism bound together in leather and lace with chains and rope. This proclamation within het and queer society is anti-liberation, anti-radical, pro-status quo, and counter-revolutionary. To not understand that is to (willfully or not) deny the primary political function of prostitution, bondage, domination, sadism, masochism, and pornography as industries, institutions, systems, interpersonal practices, and social and personal values.

The radical feminist project I was part of understood that no feeling, no idea, no concept was beyond radical scrutiny. And if one was feminist, the questions that had to be asked were, among others: "How does my feeling this way reinforce racist patriarchy?" "Do my desires lead me away from or towards the radical feminist project to dismantle racist patriarchy? There weren't "protected" identities. Just as Blackness was deeply interrogated and analysed in terms of its construction in relation to whiteness, so too womanhood was interrogated and analysed. bell hooks and Catharine MacKinnon's work through the 1980s and 1990s proved especially helpful to me.

For example, hooks noted how feminist theory if presented primarily from a white perspective and experience, would necessarily marginalise most women, who, after all, are not white. She also sought to re-establish an intersectional analysis of the major forces which seek women's destruction--capitalism, white supremacy, and patriarchy. White class-privileged feminists were often concerned only with patriarchy, as if they weren't located structurally and politically by race and class against women of color and poor women. MacKinnon noted how Carol Gilligan's feminist analysis of moral development in males vs. females, while important and astonishing in its valuation of women's ways of being, neglected a very significant and critical question: how does growing up in a male supremacist society in which force is implied or overtly present when girls act unfeminine contribute to women valuing relationship, concern, compassion, regard for others, and a willingness to put others before oneself? Among other challengers, hooks' and MacKinnon's challenges to Gilligan and other white feminists was to ask a deeper set of questions and expand the view of systems of misogynistic harm. Similarly, Audre Lorde challenged the racist euro-centrism of Gyn/Ecology by Mary Daly.

We can note how these radical theory- and practice-building feminists have challenged one another, but have not trashed "radical feminism" generally. I've always been wary of any group or individual who criticises "radical feminism" or "radical feminists" as if they are monolithic in ideology and approach to social change. To target "radical feminists" is, in and of itself, a pro-patriarchal move which, intentionally or not, aligns anti-radical feminists with pro-patriarchal activists.

Challenges within radical feminism was being done in the name of strengthening sisterhood and solidarity, not tearing it apart. One factor that has continued to rend sisterhood has been white women's refusal to deal with how their own race privilege (and overt racism). This willful refusal has prevented them from seeing the condition of women across race and region unless white women remained front and center and unraced--if "patriarchy" could be seen as the only oppressor of women (white, class-privileged), then all was good for very privileged women's "radical" theories and practices--except, of course, that patriarchal men were always around to bash all women, radical or not, feminist or not, in every way.

An assumption was made that lives on until this day that white women can call themselves "women" [unraced] and examine only the work and lives of other white women and believe they have a deep comprehension of how and in what ways women are oppressed by men. For women of color who were and remain oppressed by the racist patriarchal behaviors of three groups of people, not one (men of their own ethnic group), such analysis remains woefully inadequate to understand and organise resistance to CRAP. How does patriarchy construct conditions whereby white women oppress women of color, and what are the activist remedies? White women's analysis had no answer because it didn't and doesn't want to ask the question. Women of color were and are oppressed by men of color, by white men, and by white women, despite white women's claims to be allies in the sisterly struggle.

What is often overlooked in mainstream/malestream overviews of the U.S. feminism of the 1970s and 1980s is exactly how racist patriarchy responded to women seeking such radical social change. One book that details this, however, is Susan Faludi's Backlash: The Undeclared War Against American Women. What could CRAP's power-brokers do to divert and destroy radical feminist action?

One thing they did was come out with study after study demonstrating how justice and social equality for women would be "unhealthy" for women. I remember this with regard to sports. It was honestly assumed, for a very long time, that white women weren't capable of certain forms of athletic endeavor. I remember watching the first ever Women's Marathon in the Summer Olympics, and how it amazed men that the women didn't just fall down dead. What has since been learned is that the longer a competitive race is, in miles or kilometers, the more likely it is a woman will win it. Women can run greater distances than men. The Olympic Committee won't likely allow a 100 mile race because it doesn't want the whole world witnessing women beating men in athletic competition. This is but one way organisations,  institutions, and stereotypes conbine to reinforce white male supremacy, or CRAP. (We'll see if the women who win these races in the future are diagnosed as somehow really being men.)

The value and a crucial part of the project of radical social transformation, as I saw it, was in being deeply challenged--because CRAP goes deep into our psyches and bodies. The value of radical feminism compared to liberal versions, was in having oppressive if hidden or denied dimensions of one's being, history, or work always on the table for discussion, scrutiny, interrogation, and examination. Lesbianism, for example, underwent seemingly ceaseless interrogations. Lorde's descriptions of her life as a gay girl in the '50s was different than colleague Adrienne Rich's discussion of lesbian as resistance to patriarchy and the embracing of loving women both interpersonally and socially. To this day there is debate--not put to rest five and a half years after her death--about whether or not Andrea Dworkin was a lesbian. Her being lesbian-identified wasn't sufficient to silence the lesbian scrutinisers.

It is said by some white class-privileged trans activists that they are the only group that undergoes such stringent interrogation as to the political meaning of their identity. Obviously anyone who says this cannot possibly have been part of lesbian-feminist community over the last forty years!

There is a kind of joke among some lesbians and gay men. It's more of an observation, with a bit too much truth in it to write off as only stereotypical. It goes like this: if a man sleeps with any man even once, or dreams of doing so, he will likely be regarded in gay male circles as "closeted and gay". If a lesbian woman sleeps with a man or dreams of doing so even once, she is regarded as "not a lesbian". The intra-queer experience I've had is that gay men want everyone on board who is male, while lesbians want only those who commit to only being with women on board.

I've often been told by many friends that the level of self-interrogation and questioning of others' behavior I engage in is way beyond what they are comfortable doing to themselves or experiencing me doing to myself and others. The keyword there is "comfortable" because it is privileged people, usually, who don't want to ask the really wrenching questions that cut to the gut of one's political and emotional being. This isn't to say that many, many queer people don't do an awful lot of soul-searching or go through many kind of emotional hells in the process of coming out. It is to note that a difference among liberals and radicals, generally, is the degree to which one is willing to ask: "To what degree is what I'm feeling a construction of racist heteropatriarchy or in service to it?"

I've repeatedly interrogated what "gay" and "intergender" means to me, given that while I'm a "male"-bodied adult who is attracted to some men--men who aren't invested in their hetero/sexism or racism, I'm far more likely to find communion emotionally and intellectually with women. I've had close connection with lesbian women, but have never, ever felt "heterosexual" (or, bisexual) due to the ways we engaged. I don't know what it is to sexually "be heterosexual" and the more I hear about how so many het men are sexual, the more alienated from them I feel. I can't imagine being heterosexual even socially because, as I see it and hear about it, it requires daily betrayal of women in order to bond with men, or at least with male supremacist ways of being.

In Western corporate racist patriarchy, to be radically feminist, as I understand it, is to always be willing to monitor one's CRAP (not carbon) footprint.

Unfortunately, what happened with most gay men after the mid-1970s is a classic tale of choosing the liberal trajectory over the radical one. Lesbian feminists were soon betrayed as gay men decided to take the CRAPpier political stance that "we're men too!" as opposed to the more pro-feminist stance that "There's nothing inferior about being a woman or woman-like." I hope you can appreciate how each of those positions places one on a very different social-personal-political trajectory.

Over the last thirty years, I've witnessed men and male supremacy win time and time again (hand-in-hand, fist-in-fist with white supremacy and corporate capitalist values), always to the detriment to women. What's happened are several things, including the devastatingly popular CRAP-loaded pseudo-sciences of sociobiology and evolutionary psychology. Both have been adequately critiqued to the point that anyone who gives credence to either of them ought to be laughed off the academic stage--or wherever such nonsense is being promoted. It's like living in a time where one is actually asked to treat "Creationism" as just as valid a theory as "Evolution". One wants to just tip one's head a bit, narrow the eyelids and ask, "REALLY?! You REALLY want me to do that? Are you mad??"

Admittedly, as the Religious Right states, "evolution" is just a theory like "creationism" so why shouldn't both be discussed equally in grade schools. I leave it to you to find the best answer to that question. Well, actually, I'll offer up one: because "Creationism" is quite obviously part of a larger very contemporary political project to completely re-naturalise and God-ordain CRAP. That's what's wrong with it. Creationism is one of many buttressing blocks intended to make CRAP-crumbling less possible.

Just because two theories are both theories doesn't make them equally valid or useful, depending on what your values and projects are, of course. We tend to choose the theories that allow us to stay in denial about things we'd rather not look at too closely, especially things that threaten our well-being and identity. When privileged and entitled, we also tend to choose theories that allow us to hold onto at least some of those privileges and entitlements.

A few weeks ago a het white guy who used to be a close friend noted to me how his two children--one boy and one girl--demonstrated very different temperaments, and that the girl's was very clearly "more feminine" than the boy's. He WAS interested in trucks and she WAS interested in dolls, and he and his female partner had made sure all toys, including more gender-neutral ones, were available to each of them to play with--they didn't just let the boy open the new truck present and the girl open the new doll present when their birthdays or other gift-giving holidays rolled around. Similarly, two newer parents have alerted me to the fact that while they are opposed to "gendering" their children, they have noticed that while their boy hits things, the girl baby taps or delicately touches those same things. What these liberal to progressive people are putting forth is an old idea--one that leaves a larger CRAP print: "See, girls ARE different from boys!" "Some of this IS natural!"

When I reminded these earnest and well-meaning parents that my brother was into hitting and I was into lighting touching things, or that I preferred dolls to trucks--if forced to choose among such limited options for play-objects--they will note, "Yes, well it has been shown that there's far more variance among girls and among boys than between boys and girls." But this is their afterthought. This is their attempt to backpedal and correct the heterosexism of what they'd just been trying to make into Truthful Reality, as opposed to a point of view on experiences that grab their attention. Because, honestly, one of the things I want to say when progressive parents--or very conservative ones--tell me how innate these gender differences seem to be, is "So what? What does that have to do with the project of ending rape?!" It's kind of like when whites obnoxiously argue to me that "Those Native Americans weren't all just peaceful and living harmoniously on the Earth, you know!" There's a CRAP-loaded message in there they don't really want to say out loud. And that is this: "So Europeans coming here and committing genocide was just another example of people being destructive to each other. See, human nature dictates that people are going to be violent sometimes."

The illogic and immorality of these sorts of arguments is depressing. To respond, "How does the fact that some American Indians engaged in battles that weren't genocidal lead you to conclude that European men murdering approximately ten times the number of Indians across North America, as Jews killed by Nazis in the early 1940s, was just a natural expression of human nature?" CRAP is always there in our arguments about "human nature", ready and waiting to re-establish itself. Always. Like a bad cold or bedbugs. So I recommend we collectively watch for it, everywhere. And then, maybe, we'll begin to notice how insidious it is and what we need to do to arrive at a place where rape and genocide no longer happens.

Which brings me back to contemporary Queer Culture/Society, as I experience it. For it is a complex, multi-dimensional reality, with contrasting and competing theories about "us". Some of us promote the idea of "a gay gene" (why doesn't anyone speak of "a lesbian gene"--oh, right, because "gay" means "gay and lesbian"). There's also a theory that "gay marriage" (again, a sexist and also white term) will liberate us. It won't in any radical sense. It will be a liberal reform, and it may well be a necessary one for many queer people. Just as passing the E.R.A. might be important for many women, in their lived lives.

But if we're going to claim to be "radicals" then we have got to be open to interrogating our own theories and beliefs--and feelings and desires and identities.

What has happened in the last thirty years, since the 1980s, is liberalism has beat the shit out of radicalism--and beat the CRAP more deeply into liberalism. So liberalism rules which means CRAP is stronger for the victory. It means heterosexism in queer relationships need not be critiqued any more especially if it turns us on or makes a great fashion statement. It means bdsm, pornography, and prostitution are all good and fine just as long as we're all engaged in these practices consensually. As if that's ever been the case and ever can be the case. As if we don't need to interrogate what "consent" means in CRAP!

The parts of CRAP that are often skipped over by progressive or radical white males isn't only the racism or the patriarchal components. (The white guys on the Left do tend to get the "capitalism" part, however.) It's the "A" for "Atrocious". CRAP requires atrocities to exist: incest and rape must happen; sexual slavery (not just wage slavery) and genocide must happen, right now, as I type this. You can't maintain a corporate racist patriarchy without keeping rape and genocide firmly in place as experienced realities as as terrifying inevitabilities. Radical feminists who hold to a radically anti-racist, anti-capitalist, anti-misogynist perspective, want these "inevitabilities" to end. That's the whole point of the political work. Not only rape and genocide, but poverty, heterosexism, and ecocide too. That's what makes a movement radical not liberal: working to uproot those very entrenched and entwined systems of hierarchical power, professed as natural, God-ordained, or "evolutionarily necessary".

In Part 4, I'll examine one or more very contentious issues from liberal and radical viewpoints. (Depending on stamina, primarily.) The realities available to be examined and analysed are many, and among them are these: bdsm, prostitution, "gay marriage", and transgender identity. The point won't be to deny the existence of transgender people; to dismiss "gay marriage" as one of several possible agendas for what might be termed Queer Liberation; to shame or put down women in prostitution who makes that choice to earn money rather than starve; or to deny that bdsm is a genuinely desired sexual phenomenon. The point, as with interrogating manhood, womanhood, gayness, lesbianism, and heterosexuality, is to search for signs of CRAP in the theories being promoted to support each social reality as "good" or "profeminist" or "necessary". To those antifeminists out there, who don't give a shit whether or not their pro-CRAP agenda serves to end rape and genocide, and heterosexism, racism, classism, and ecocide, I can only say: welcome to the majority of CRAP-protectors and apologists. You're in some pretty foul company. Are you sure you want to be bumping elbows with the likes of Larry Flynt, George W. Bush, and Donald Trump? If your answer is "Yes", then we really don't have much to discuss. We can just agree to disagree on what's important to focus on, and you can have the rest of your life to promote systems of exploitation and harm that really do maim and kill people you'll probably be too privileged to know about, let alone see traumatised or dead.

There are too many stereotypes about transgender people to name here. But here's one: transgender people want to invade women's space. Note the statement isn't "some transgender people want to". The bigotry comes in when the allusion is made to it being kind of a collective project or mission, like Catholic Christians wanting to convert the masses so they all go to mass. So I'll relay my own experience, which is, obviously, quite limited and not at all "scientific" (thank gawd). Among the transgender people I know, there are radical and liberal perspectives on what being transgender is, as well as on race and sexuality. What's often missing, in my experience, is any critique of capitalism at all. Most, if not all of the trans people I have ever met in my life did not seek to go from being M2F or F2M; most were and remain genderqueer or intergender. Many trans people, like non-trans people, want to fit into society sufficiently to not be incessantly targeted and harassed, or beaten and raped.

I remember speaking with some white young women once. One was bisexual and the other was lesbian at the time we spoke. (She later married a man.) I asked them how they cope with what they have to put on each day--what clothes to wear, whether or not to wear make-up, etc. What they told me was incredibly painful to hear. Each day the wake up they have to figure out how to dress in such a way as to not be targeted and harassed for being "a dyke", while also not femme-ing it up to the point of being grossly objectified by het men all day. How fucked up is that social reality--that het men determine so much about women's lives? To negotiate social presentation so that you're both not beaten as too unfeminine, or not groped for being too feminine! It's disgusting to me that those two women have to live in that kind of anti-lesbian and sexually predatory WHM supremacist world.

I know that het men also negotiate these things, but not with the same kind of terror breathing down their necks and trying to peak up or down their clothes. I know that gay males make all kinds of choices about how "out" to be in any given social situation. We may "queen it up" one minute, and "butch it down" the next.

It is exactly this kind of hostile WHM supremacist CRAPpy environment in which every trans person I know--of whatever gender or sexual orientation, must also negotiate. And of course, given all the other stresses on us--illness, not earning enough money, not having enough to eat, surviving daily racism or misogyny, figuring out how to stop a corporation from dumping more toxic sewage or nuclear waste in one's regional backyard, doing laundry, cooking, taking care of kids or elderly or disabled family members, being disabled, being triggered and dissociated throughout most days--is it any wonder that when there's a choice that can be made to be LESS noticed, we might make it? So what I also see among the feminist and genderqueer trans people I know is that choices are made to get through a day with as little ostracism and hatred directed at one as possible. This will mean that many trans people, just like most non-trans people, will choose to look like one of the two available, socially acceptable genders. If non-trans women and men do it, why shouldn't trans people do it too?

There's also a form of bigotry about trans people who can present socially and pass as non-trans women being predators who all want to rush into the Michigan Womyn's Music Fest and flash their dicks--if they have them.

The list goes on and on. And what is also true is most non-trans women I know who are radical feminist lesbians, who have gone to places like the MWMF, who do seek healing or celebratory or just plain "safe" community with non-trans women, is that there have been individual or small groups of trans women who demand access and accommodation. And to not get how that demand or repeated request may be experienced by non-trans women (who have endured and dealt with about one thousand too many people with male privileges demanding or requesting this or that and something else from them, from girlhood to grave) their whole lives as "a violation" or "obnoxious" or "outrageous" or "aggressive and threatening" is to lose all empathy with the condition of non-trans women globally.

Non-trans women who are radical feminist lesbians are a very, very tiny percent of the world's population--and is significantly tinier now than thirty years ago. So why that one group of women/wimmin is expected to accommodate or legally forced to give access to anyone else is a bit beyond me. Because we all know the stats on rape survivors and incest survivors. And to be really obtuse about how someone who was MAAB, raised as a boy (regardless of what the internal experience was), to be treated as a boy, to be treated as a young man, perhaps, is to acquire male privilege. And as an intergender Jewish gay male, I can see male privilege (and white privilege) a mile away--sometimes even my own! (And it always gets uglier the closer up it is.)

When it's coming at me from others who structurally oppress me, my guard and defences are often up by the time it shows up in human form. Because white het men across class, specifically, have asked an awful lot of me over the years, including to suck them off, meet them in motel rooms, and to take very careful care of their feelings while they express to me or do things that are overtly heterosexist, misogynistic, and anti-gay. So when white het men have various bizarre expectations that my job in life is to take care of them emotionally--or in other ways, while their girlfriend is away, well... some expletives will fly.

It is a reality in the lives of non-trans radical lesbian feminists I know that expectations, repeated requests, hostile demands, or threatening lawsuits have been leveled against the radical lesbian feminists to coerce or force the FAAB women to take care of the trans people in some way, to service them, to attend to their needs, etc.

If the individual or group has had male privileges simply due to structural political location while being raised or, through a process of transitioning, acquires male privileges, you'd have to be really insensitive or feel very entitled to expect that radical feminists and lesbian separatists should feel or be obligated to meet your needs or wishes. After all, the non-trans lesbian feminists are only about one in a hundred thousand per capita--if that. Yet I see "radical feminism" bashing going on among some trans activist websites as if radical feminists ruled the world. And I see some of what I sometimes experience as anti-trans bigotry by some radical feminist lesbian writers on their websites. I also think the word "bigotry" needs to be radically examined. I don't think vehement disregard and disrespect for those who oppress you is "a social problem" akin to the hatred and disdain shown by oppressors to the oppressed, for example.

I would hope that there could be more understanding among us in queer and pro/feminist circles to appreciate each other's feelings as full human beings while also agreeing to disagree, and not demean, degrade, bully, threaten, or sue one another to force some of us to accommodate to the wishes of others. (I still believe that the women of FACT suing radical antipornography feminists was a serious and unconscionable betrayal in U.S. feminist herstory. As if the pornographers didn't have the millions to pay lawyers to win that case!)

I know this raises a very contentious point: what constitutes "cisgender privilege" when the non-trans person is a radical lesbian feminist? I don't see RLFs positioned "above" trans people in any social hierarchy. Trans people, generally, if inadequately, have more mass media time and more social standing in academic and non-academic settings, including in my experience of Queer community. This isn't to say Queer community isn't anti-trans in many ways. Clearly it is. It is to say that Queer communities I'm aware of are struggling with their anti-trans views and feelings in ways they are not in struggle with their hostility to and stereotyping of radical feminism and lesbian separatism. It is to say that misogyny in Queer communities is back in a variety of forms, and is no longer even seen as something to challenge, by many Queer activists and allies.

I'm recommending that we all be open to scrutinising the terms and practices we employ. That we struggle to be challenged by the radical pro/feminists among us who have an agenda to end CRAP, not only to make due within it. I'm suggesting that to dismiss non-condescending, non-bigoted interrogation as only bigotry or as necessarily reflecting some level of bigotry that warrant a "speak to the hand" response, is to rule out respectful engagement. With no communication--safe, respectful, engaged communication--there cannot be any mending or healing among us. I have made the decision many times to agree to disagree with someone and to go on being civil--even friendly. I've also had to end or avoid starting friendships over someone's willful racism, heterosexism, trans-bigotry, antifeminism, and/or misogyny.

The kind of challenges I value aren't the most comfortable ones, and the most comfortable ones aren't usually all that challenging. And I know that each of us has their own levels of defence when it comes to being challenged. But the questions or observations presented by people I structurally oppress, calling out my unowned privileges or entitlements, is an invitation to me to deepen my humanity; it is an act of love for humanity to challenge one another rather than enable each other's silence.

Sometimes, due to one or both of us being triggered, the messages may be delivered in abrupt and painful ways. But it is incumbent on me by the radical profeminist values I live by (or try to most of the time), that if I occupy any place of structural social privilege over and against the person who feels harmed or diminished by me, I must strive to be present, respectful, not postured defensively and aggressively, and to carefully listen to what is being brought to me. As I have been told over and over again by queer, heterosexual, and lesbian feminists, that's what being a responible ally means: you don't say "I won't listen to you" in conversation. Hopefully we are all working in many ways to accomplish our political goals: to end the systematic, institutionalised atrocities that destroy us slowly or swiftly.

Sunday, October 31, 2010

Glee, The Rocky Horror Picture Show, Stereotypes, Transsexuals, Transgender, Radical Feminism. Part 2: Rocky Horror

image is from here
Series links:
Part 1: Glee
Part 2: Rocky Horror
Part 3: Transsexuals, Transgender, and Radical Feminism
Part 4: Racist Patriarchy, Post-Modernism, Genderism, and Bigotry


I can't describe fully to you what the experience was for me, just out of adolescence, still a teenager, sitting in a movie theatre watching giant painted red lips (not those of a woman) singing the opening number to The Rocky Horror Picture Show.

A white male friend had told me and a few mutual white friends, "You HAVE to go see The Rocky Horror Picture Show!!" This cultural mandate was declared ages before Netflix and movies coming out on DVD or video so soon after initial release. If you didn't see a movie in the theatre, you had no assurance you'd ever see it any other way, especially if it didn't grab great box office. But this wasn't the initial release of the film, and so was kind of in a category of its own: the first cult film I'd ever seen as it was still becoming a cult film.

He was so enthusiastic about this cultural phenomenon that a couple of mutual friends and I made plans with him to see it ASAP. Probably the following Saturday night! This whole seemingly secret society had thus far totally gotten by me. Yes, I was sheltered in some ways from everything other than what was on television--I was a complete TV addict--into The Waltons and Little House on The Prairie, among other shows. I didn't yet know that "TV" meant anything other than "television". I had NO IDEA those two capitalised letters could also mean "transvestite" nor was I especially sure what it meant or didn't mean to be a transvestite.

Once, in my memory, when age five or so, my brother and I went to a white male friends home and he led us into his older sister's room and we all got into some of her dresses. DRESSES. I think she only had a few. And it was kind of thrilling, to be honest. Not sexually exciting, but just fun and boundary-pushing for us three male children to be running around in a home without any adults in it, in dresses! Sex codes and rules were so rigid then. I liked the experience and wouldn't put on another dress or skirt for about twenty years, when at a progressive, queer-friendly place where males could wear skirts--not to look like "women" but just because they were comfortable. That was what I liked: the option to dress comfortably. And the skirts males wore weren't short. The "comfort" wasn't in showing off our tighty-whiteys. The "comfort" wasn't in being gawked at or commented on as "sexual objects for a male (or female) gaze". We just liked having the choice to wear what we wanted without fearing being beaten up by misogynistic and homophobic (while strongly homosocial) guys for doing it. I'll be speaking more about "drag" later in this series of posts.

With our expectations set for "high", the four of us (two females, two males) went to see the movie at a local theatre. Before entering it was clear this wasn't going to be like any other movie theatre experience I'd ever had. For one thing, I was going to my first midnight show--of anything. For another, there were some people outside, young--we were all young--no adults at all--who were dressed up like some of the main characters. It was wild. I was filled with antici..... pation! We went in, got seated, and watched the characters--literally/figuratively--walk around laughing with one another. I sensed these people had been doing this for a while--how did this get by me?! (That's what good friends are for--making sure you don't miss out on the coolest thing ever.)

Before the film began some of those "regulars" began to shout to the screen--LIPS! (They wanted lips.) I was confused. And then bright red lipsticked lips--and quite possibly not a woman's lips--appeared on the dark screen. They came from the center, small and grew huge and began singing the opening number. This was definitely not like anything I'd ever seen before.



The next two hours were spent laughing hysterically, delighting in the music and characters, and being amazed at how the audience "regulars" were calling out comments to the movie as if scripted--as if these things were all supposed to be said and the movie wouldn't even be the movie without the audience's participation. That was what was so amazing: "we" were part of the show. The people in the rows in front of us and behind us who were wearing costumes like the characters were introducing us into part of the script that the screenwriters never wrote. It was like a strange and wonderful portal to another world had opened, just for people like us. Freaks. Odd-balls. "Queers". Two of the four of us, including yours truly, would come out as gay within ten years time, but for now just seeing bisexuality and transvestitism and lust depicted on screen and celebrated by the audience was kind of emotionally liberating. There weren't many places then to show overt regard for gendered experiences that weren't "normal" and "normal" then was very boring--at least my normal was. Until that night, probably around Halloween, circa 1978.

We caught wind of the fact that in a bigger city we had access to, there was a much better audience production. That's where we went several times over the course of a few months, some of us dressing up more and more. I was shy about stuff like that, so probably just wearing lipstick and eyeliner was as brazen as I got. But the male not-yet-gay friend who introduced us to this experience would later rival anyone else's impersonation of Frank-N-Furter. He had all the facial gestures down pat. He had acquired the outfit, piece by piece. And another of our little group of four would perform a fabulous Magenta. By then we all knew how to dance the Time Warp and had memorised the lyrics to all of the songs. What never occurred to me to consider was how I'd never really heard the actual soundtrack uninterrupted constantly. When, many years later, I rented and watched the film at home on video, I couldn't believe how mild an experience it was, by comparison. I don't recommend anyone do that--don't rent the movie and watch it alone or only with people unfamiliar with it.

The storyline, in a nutshell, is as follows: two white middle-"American" suburbanite newlyweds head off for their honeymoon and wind up more or less trapped inside a scary castle on a hill, occupied by various characters who engage in questionable activities, some of which we get a taste of, and some of which are only alluded to in song. This is place of transgression and sexual exploration--of being taught new values and how to embrace them. And it is also a place where some sinister things are going on that might spoil your appetite.

Here are a couple of other plot descriptions from IMDb:

After Janet accepts Brad's marriage proposal, the happy couple drive away from Denton, Ohio, only to get lost in the rain. They stumble upon the castle of Dr. Frank-N-Furter, a transvestite who is holding the annual convention of visitors from the planet Transsexual. Frank-N-Furter unveils his creation, a young man named Rocky Horror, who fears the doctor and rejects his sexual advances. When Frank-N-Furter announces that he is returning to the galaxy Transylvania, Riff Raff the butler and Magenta the maid declare that they have plans of their own. (An audience participation film) Written by Rick Gregory

While driving home during a rain filled night, straight-laced lovebirds Brad and Janet, by chance, end up at the castle of one Dr. Frank-N-Furter and his strange and bizarre entourage, and find that he's having a party. This is no ordinary party, no ordinary night. This is the unveiling of the Dr's latest creation: Rocky; A man-made Adonis that will give...absolute pleasure. This is an exceedingly grand visual and musical camp satire of the golden days of the B-movie horror and science-fiction genres. Projected along with a musical soundtrack to give "audience participation" a new meaning in dimension, time and space, this shall be a night that both Brad and Janet will remember for a very, very long time in the sexually kinky, rock 'n roll (f)rock-opera world of a gender-bending scientist...and his time warped plans. Written by Cinema_Fan


The theatre was an oasis of sexual libertarianism and while we all came from white suburban liberal families we didn't have permission to get decked out in this form of drag unless it was Halloween, and Halloween then wasn't what it is now: pornography hadn't yet taken over the society imposing its anti-sex, pro-sexxxism values on everything. Dressing as any of the stars of our midnight picture show was risque, but quite tame by contemporary standards. Our parents and care-givers knew we were getting heavily into the movie though, and assumed it was, more or less, harmless fun--which was the case for us. There were no drugs or drunks there that I could see, and it was just a place for teenagers and people in their twenties to rock out to this crazy theatrical experience that excluded no one who would be considered an outsider in our more or less white middle class suburban lives.

It would be safe to come out as, well, just about anything in this environment. It sure was not a place where being lesbian, bisexual, gay, or transsexual were "bad" and "shameful" things. Queer youth needed a space like this, and the theatres showing the RHPS at midnight were one such space. Whether it was genuinely liberatory or just a form of WHM supremacy draped in drag-queen garb is a question that will be taken up in the next post in this series. I'll also be discussing the role of this film and other events through the 1980s played in the social construction of dominant queer culture.

Over the decades, I went on to introduce other generations of older teens to this cinematic/theatrical experience, much to their delight. It was, for many of us, a rite of passage in a culture that usually only has rites that involve gross forms of self-destruction or destruction of other people, by humiliating and violating them, for example, such as in grade school bullying or college hazing rituals. That this was, for me, completely harmless fun cannot be overstated. I felt safe. I had a very good time. No one around me seemed to be out of their minds drunk or drugged, no one appeared to be harassed or violated, and at the end of the day--er, in the wee early morning hours, all I had to do to "recover" was use remover to get the black polish off my nails, and some cold cream to get the eyeliner and lipstick off my face. From there it was off to bed for sweet dreams of sweet transvestites from Transylvania.

The remainder of this particular post is a description of what any intrigued "RHPS virgins" out there needs to know, from the official website, rockyhorror.com. Please be on the look-out for Part 3 on the rise of Queer Culture and Feminist Activism.


VIRGIN - In the common world, this usually refers to a person who has not engaged in sexual relations. In the ROCKY HORROR world, this word refers to the many unfortunate people who have never experienced THE ROCKY HORROR PICTURE SHOW (RHPS) in a theater with an audience and a live cast. Seeing it on home video (Blu-ray, DVD, VHS, Netflix Instant, etc.) or on TV doesn't count!

You came to this page because you are hopefully going to consider attending a showing of Rocky Horror in a theater.

If you've already seen the movie by itself on TV or home video and wondered what all the fuss was about, read on. If you haven't seen the movie on TV or home video - GREAT! The more surprised you are on your first time, the more fun it is.

Rocky Horror is the first and only true audience partici-(SAY IT!)-pation movie. People yell back lines at the screen during the extended pauses between dialogue, dress up in costume and act out the film, and throw props various times during the film. The audience participation phenomenon was observed as early as the film's first run in 1975 (when it bombed during limited engagements in 7 of 8 cities), and was later re-released as a midnight movie where the audience participation really began to flourish. And by the way, for the "gore sensitive", Rocky Horror is NOT a horror film. It is a rock-musical send-up of old science-fiction and horror films.

Enough history! You are interested in going, so here's what you really need to know.

First, the only thing you really need to bring your first time out in order to have fun is a sense of humor, and money for admission (and food at the nearest 24-hour diner afterwards.) Of course, being surrounded by 10-15 of your friends is also a good thing. You should dress in whatever makes YOU feel comfortable, but also does not violate any local standards (this usually means nudity is out.) Speaking of violating laws and norms of society, it is usually best to go to RHPS sober the first time. Not only will you be more in-tune to pick up all the clever things going on around you, some theaters will not admit those people who look drunk - what theater manager wants to clean up after a drunk at 2:30 a.m.?

But hey, what about the props and audience participation lines and dressing up in costume? Well, no one expects you to know much of anything your first time out. While audience participation is mandatory to keep the show alive, it is not mandatory that everyone participate, every time. Virgins are not expected to know a damn thing (just like in sex.)

If you really want to bring props, check with your local theater and ask what props are not allowed. The safest ones to bring are rice (banned at some, but not most theaters), toast (unbuttered), toilet paper and a deck of cards. A newspaper may help keep you from getting wet, but water is banned at many theaters. Watch everyone else to figure out when to throw these items. A prop list is available on this website.

Oh, and if you need to know one AP line, there is one that is almost universal to every theater, that you can use multiple times. Whenever you hear the name "Brad Majors", yell "ASSHOLE", okay? An important note here: AP is NOT fixed from theater to theater and night to night. If you feel an new line coming on, YELL IT! A big part of keeping the show fresh is creating new lines with topical humor. (i.e. "Is Jessica Simpson a real dildo?" film: "YES!")

Hmmmm... sounds interesting. I am not going to be targeted for some humiliation because I am a virgin, right? Maybe. Usually, theaters will have some sort of virgin ritual which almost always only includes 2 virgins. Since at any one time, an audience can consist of 25%-50% virgins, it is not likely that you will be chosen for this harmless ritual (well, usually harmless, it varies by theater!) If it looks like you are about to be picked, the best thing to do is point to a friend of the same sex and mouth to whoever (whomever?) is looking at you that he or she is a "virgin" (the soon to be ex-friend that you are pointing at.) Once you have completed an entire showing of Rocky in a theater, they can not ask you to participate in this ritual... you only have to worry about this once. (And once you see it, sometimes you actually WISH you were picked!)

Now get off your butt, check the showtimes list and find out where to see Rocky (and don't rent the damn thing again until you do see it.) REMEMBER: Rocky Horror is like sex, you can only have one first time so make the most of it.

A 7 November 2010 ECD addendum:
Ruth Fink-Winter contacted me by email to alert me to some problems with the "contributors" listed below. What is below is exactly what appears on the original site--I just copied and pasted the whole thing. But below what follows I'll list the names as she believes would be more appropriate, honest, and accurate. Thank you, Ruth!!

As listed in the original:
CONTRIBUTORS TO THIS DOCUMENT: Christopher Amblers, Ruth Fink-Winter, Karen Majors, David Shetterly

As listed according to Ruth's helpful corrections:
Christopher Ambler, P7A77, Ruth Fink-Winter (for a latter period of time when some of this was written up), Karen Majors, and David Shetterly.

Saturday, October 30, 2010

Glee, The Rocky Horror Picture Show, Stereotypes, Transsexuals, Transgender, Radical Feminism. Part 1: Glee

image of the Glee cast with Rocky Horror Picture Show disc insert is from here.
The cast of characters, left to right, back row first, is: Quinn, Terri, Sue, Rachel, Will/Mr. Schuester, Emma, Puck, Curt, Mercedes, and [front row] Arnie and Finn. Missing from this photo--or blocked by the RHPS insert, among others, is Santana and Sam.
Series links:
Part 1: Glee
Part 2: Rocky Horror
Part 3: Transsexuals, Transgender, and Radical Feminism
Part 4: Racist Patriarchy, Post-Modernism, Genderism, and Bigotry
Hi, my name is Julian and I am a Gleek and a Rocky Horror Fan. I only became a Gleek this summer, when the reruns of most of the first season's shows were re-aired, and I've been faithfully watching the second season since it began a few weeks-for-gleeks ago. I became a RHPS fan when I was a newly post-adolescent teenager. I've seen the film with performers in the theatre about a dozen or fifteen times. I've seen the movie without the performers a few times. It's so much more fun with the scenes acted out under the screen as the movie is playing, and audiences singing along and calling out the cleverly placed comebacks to on-screen characters and situations that were never part of conception of the original film. The film did okay when released. But by the end of the 1970s it hit some major cities as a midnight show that was far more than "watching a movie with a friend or two". That's "The Rocky Horror experience". I think I first saw it in 1979. If you've only ever "just" watched the DVD--alone (horrors!), you've NOT had the RHPS experience. And I consider you  to be, in RHPS audience parlance, a "virgin".

Over at AfterElton.com, I've been reading a bit from their discussion of Glee's "Rocky Horror"-themed Halloween episode. There are many issues to discuss, if one is a Gleek (a fan of the show, Glee: get with the program, people--literally!). I'm going to analyse and critique the show quite a bit here, but please know this is what progressives and radicals must do. We want our television and we have to publicly critique it to appear not to "only" enjoy it. For the most part, however, I do "only" enjoy Glee. Some of the show's cast were in the news recently for a GQ "Glee Gone Wild" photo "spread" that I found really over the line in terms of turning people-who-portray-teens into pornography--correction: FEMALE teens into pornography for WHM. See *here* for much, much more.

Here's what I like and don't like about the show: relative to most U.S. television programs on major networks, it is far more socially diverse. There are several people of color (not just one person of color in an otherwise all-white show, like, say, Big Bang Theory and too many other programs to name). That said, too many stereotypes get replicated. The most glaring stereotypes, to me, are The Dramatic Slim White Dramatic Femme Out Gay Boy, The Dramatic Fat Black Femme Supposedly Straight Girl. Amber Riley plays Mercedes Jones. PLEASE: could we have a more stereotypical name? Well, actually we could. Her first name could be Shaniqua. And maybe her last name could be one of those early slaver presidents like Washington or Jefferson. To see pics of the cast-mates, please go here at IMDb. But wait: wouldn't you know it--Amber Riley is the only person whose pic isn't up! Can they really not find an image of her to put in there? Does she really have no publicity shots?

For fewer photos but more background info on the show, please see here at Wikipedia. For information, images, and THE FULL EPISODE of "The Rocky Horror Glee Show" please click a few words back or go here, to the show's official Fox website. (They do have pics of Amber Riley. Hey: there's a name for an African American girl--Amber Riley!!! Wait, that's not stereotypical enough. Never mind.) Oh, and Chris Colfer plays Curt Hummel, with a tries-hard-to-be loving Dad. Their relationship on television is a profoundly new experience. I've never seen a straight father/gay son storyline on television that is remotely honest and moving. This one is VERY both. Wouldn't you know it--Mercedes doesn't seem to have a family. She's dimensional in size, but not in character development. As THE ONE AND ONLY person of size on the program (subliminal message: Black is fat; non-Black is thin), we are at least spared some of the typical anti-fat bigotry and "humor" known to run rampant and naked throughout dominant media. ("The Biggest Loser" has to be among the worst offender of any show I've heard of. I've yet to watch an episode of that program, out of sheer protest.) This isn't helped when thin celebs speak of needing to be thinner, and when heavier celebs speak of needing to be thinner, and also  repeatedly speak out loud about being deeply unhappy as if it's a personal failure rather than a resource-stealing, corporate agribusiness-adoring, fast food-producing First World imperative, to be heavy. No, I'm not naming names.

No butch or non-femme girls--lesbian or straight--are allowed on television EVER. And butch gay boys aren't really either. The boys must be thin, almost without exception. The Fat Gay Boy just doesn't meet with a white het male supremacist audience's approval, including the white gay male portion of that audience. Apparently, we want our gayboys thin or muscular, but never, ever FAT.

So let's get that clear from the start. Butch women are very, very rarely allowed on television, and if a woman appears too butch (or too unfemme--which isn't the same thing, btw) and somehow makes it in front of a camera--Susan Boyle being a classic white example--she will be "made over" ASAP so her eyebrows aren't really her eyebrows any more, so that her hair is "done" into some kind of "hair-do", and so her face has coloring added through products that usually test on non-human animals, such as by applying product ingredients in the eyes of bunny rabbits to see how irritating they are. (The ingredients, not the bunny rabbits.) Coast Sue Sylvester and a more recent addition to the cast might qualify as white butch women only reinforces more stereotypes: that of the "unappealing white non-femme lesbian".

The students of Asian descent--well, at least there's more than one, barely. We have yet to learn any can play violin. One girl can sing; one boy can dance. The most prominent female character is "Tina"--no last name readily known, but if you search for it you find out it is "Cohen-Chang". Well, the Askkenazi Jewish-Chinese name combo is unique--I'll give them that. But the choices of each--the Jewish last name and the Chinese last name are hardly unique.)

Tina is played by actor Jenna Ushkovitz; no program in the U.S. is going to give an East Asian character the last name "Ushkovitz" even if  that is the last name of the girl playing the character. I wonder if because her last name IS Ushkovitz, they stuck the Cohen on to her character's last name. (Some questions in life just aren't all that answerable; it's what keeps life "a mystery".) The "other" student of Eastern Asian descent is presented as a cool dancer, not a singer, in a Glee Club. There's an on-going story line about boys in Glee Club: exactly how ostracised will they be? How "gay" is it to be in a glee club? Answer: VERY. So, with that in mind, I find that ethnically East Asian characters on U.S. television shows fit into one of two categories usually: they are either well-assimilated into dominant white suburban culture, or are well-assimilated into non-dominant African-American (and maybe Latino) urban culture. Generally the girls hang with the lily white wealthy girls, and the boys hang with the not-wealthy Black and Brown boys. This makes each gender "cool".

We have one Latina character among the students and a Latino male character among the school's staff. He's presented VERY one-dimensionally, as sort of the low-class loser (he's the janitor) who aspires to have a "pretty"* white girlfriend or wife, in this case the counselor who is enamoured of the show's white het male hero-with-a-heart-of-gold, Mr. (Will) Schuester (played by Matthew Morrison). (*Note: "pretty" in the U.S. is synonymous with "white".) The more featured character is the counselor. The janitor really only appears in relation to her, for the most part. This can be true of men of color on programs with white women. It is generally not the case with white men on programs with women of any color. The White Het Man is always "center stage", has the most allure, has the most status, and has the largest part. She's Naya Rivera and plays the character Santana Lopez. Not so original with the last name, again. (Jones. Chang. Lopez. Where HAVE I heard these names before??) She's in with the white girls, and appears to be in with one particular white girl in a kind of "bi" way. There are many allusions to their bisexuality (which of course means the show is hinting at "hot lesbian teen girl sex" made for het men). The other bi student is named Brittany and is played by Heather Morris. I don't know which name would be more stereotypical: Brittany or Heather, for this particular character. Brittany is a bit more contemporary, I guess, and allowed her to shine in the episode with Britney Spears, due to them sharing that name--at least phonetically.

Will Schuester, the Great WHM, runs Glee Club (he's the drama teacher). He's fun, cool, hip, down with the kids but not so down as to be inappropriate. And if he crosses some line, he admits it to the students so they can learn from the mild, mild error of his ways. This happens in the Rocky Horror Glee Show episode, when the counselor--who he "wants"--brings to glaring consciousness the fact that he's only putting on the show in order to try and win her back from some new guy who is helping her work through her OCD limitations. She's the school counselor (Emma Pillsbury, played by Jayma Mays), so she's got to have "issues" and in her case she might just as well be the librarian: she's painted for us as prudish while perhaps secretly naughty. Don't the straight white guys love that little madonna/whore not-so-complex stereotype! It's so pro-rape and pro-pornography narrative (same thing).

Will has a wife, Terri Schuester, played by Jessalyn Gilsig, who is yet another stereotype: the over-privileged white het woman who apparently lacks intelligence, who is very femme'd up, and who has way too much time on her hands. She concocts this silly idea of feigning pregnancy while secretly planning to adopt a white straight pregnant girl's baby. The girl is Quinn Fabray (played by Dianna Argon) and, along with Brittany and Santana, comprise the three Cheerios--the high schools cheerleaders who got into Glee Club to spy on them for Sue Sylvester (coach of the Cheerios, played by Emmy winning Jane Lynch, who is an out lesbian in real life and apparently doesn't play one on tv, although the woman sports coach is notoriously known for being the lesbian stereotype; this butch-and-possibly-lesbian stereotype is played up in a minor role by the woman coach of the boys' football team). Sue is perpetually up to no good. Subtle subliminal message: woman who oversees girls is evil. Het man who oversees boys and girls is good--practically holy. Quinn's character is both stereotype and non-stereotype. I suppose this could be said about most of the characters, who, if you watch the show regularly enough, do sort of just become "who they are" in the show, which is to say, in the viewer's life. Quinn breaks the stereotype of the very white, thin, heterosexual female who is "pretty" (white, thin, heterosexual, and female), by being smart. Yes, folks, she's intelligent, and is probably--along with Artie, portrayed as one of the smartest students on the show. Although Santana, too, is very smart, and Mercedes has brains too, so never mind. Curiously, all the boys who aren't disabled and aren't gay are not so bright in the "intellect" department.

There was, for a time, some other character, a horrid stereotype of a white gay adult man who apparently WAS a child molester in the show's sub-sub-plot. He was very creepy in some virulently anti-gay ways, and was made that way by the show's writers.) Even Sue, lately, has become part of Glee Club, which kind of means they're phasing out a Cheerios storyline, which is fine with me as girls in cheer leading outfits is one pornographic stereotype prime time can really do without. I mean seeing high school girls' underpants: does it get any more pornographically (and simultaneously) misopedic and misogynistic? Grown het men are all about this imagery and if a girl can be an athlete too, that works as well, as long as she's in a skirt, and is white, and is thin, and is heterosexual, and is femme. Say, like, Anna Kournikova. If white het men weren't allowed the occasional peek up the skirt of high school girls' attire, you get the sense they might die of withdrawal.

I mention this obsession of het men because gay men are not allowed this obsession to be broadcast without the gay men being seen as perverted, child molesting homosexuals. Why aren't all the het men who jerk off to images of Anna Kournikova stigmatised as perverted, child molestiing, heterosexuals? Oh, yes, because (non-poor able-bodied) WHM can't have a stigma attached to them: they are the teflon-coated socio-political demographic, after all.

Which brings us to Artie Abrams, played by Kevin McHale. Kevin McHale, in case you don't notice, is a decidedly white Irish name. It could also be an African American name, due to the convergence of Irish-English names replacing the original names of enslaved Africans, who freed themselves, lived through Jim Crow, and began to assimilate into dominant white society, in part because of having Irish-English names that could be on resumes and not be tossed out by white employers. Artie Abrams is a bit more white-Jewish sounding. And so, he's nerdy. VERY nerdy-looking. And what goes well with nerdy, meaning unsexy? Being in a wheelchair! He's THE disabled student, because "disability" on television usually only means things like "can't walk". Not "major post-traumatic stress due to daddy fucking you from age two to twelve, or five to fifteen. We don't get THAT disability on television. Only the "can't walk" variety. The show has also had a deaf student plot-line, but it's been awfully stereotypical and kind of cruel. Other blogs have done a good job of articulating what's fucked up about how Artie's disability is handled in the show's storylines. For a very succinct analysis, there's this, from geekfeminism.org. (I'm clearly not geeky enough, as I had no idea what "RPG" meant. In case there are other not-so-geeky people out there, it stands for role-playing [online] game.)
I’ve touched on RPG characters with disabilities being played by TAB-people above, so I’ll just make a general comment. The lack of characters with diabilities in role playing game isn’t unique to RPGs. It’s the systematic problem that exists in all media, which is kyriarchal in nature. You don’t see people with disabilities often in television, books, film, theatre and even then when they do exist they’re often caricatures, comedic relief, or done really badly. I remember reading the frustration of a lot of wheel chair users at Glee because people would just push Artie’s wheelchair around. When I heard that, having spent time around people who use wheelchairs, my jaw dropped because that was at best horribly rude. However, that’s how the Kyriarchy thinks, always from their perspective and so they don’t see a problem with any representation that fits within their world view.
Who have I left out?

Two Jews and two white het guys who are, in the show, three not four characters. The first Jew is one of the STARS of the show, adores Barbra Streisand as a singer/idol, and is named Rachel Berry played by Lea Michele. She has commented, in real life, that she's one of the few girls in her high school who didn't get a nose job. One wonders if she would have been cast in this role, playing a Jew, if she had. Jennifer Grey and so many other Hollywood female actors have had nose jobs to Aryan-ise their shnozzes. Jennifer now regrets it. (To me, she was SO much more attractive before she got the generic Christian-white-euro girl nose. But the pressure to be whiter and more appealing to the WHM gentile masses is ubiquitous, and you'll make less money if you look too "ethnic", so there you have it. She, and lots of other Jewish and non-Jewish female actors have gotten a nose job for their careers.) Rachel Berry is a stereotype: class-privileged, snobby, stuck up, self-absorbed, selfish, and seemingly obsessed with her career (fame along with money acquisition), not things like "compassion for humanity". She's also relatively pale, although not nearly as pale as the non-Jewish white girl characters.

The other Jewish character is a darker-skinned male. His name is Puck (no last name, and one presumes this was not his birth name). He's played by Mark Salling. He's on the football team along with Finn, who I'll get to in a moment. I'd say Puck appears to be Sephardic, not Ashkenazi. In the show he's anti-nerd and part-time bully. He's the guy on the show who is both very "hot" and very "cool". He's got a slow-growing "mohawk" haircut, which, by appropriating Indigenous North American stereotypes, makes him all the more cool. Appropriation of invaded, colonised, and/or destroyed nations' cultural terms is usually 'cool' in white television shows. Or at least totally acceptable. Consider professional allegedly het male team sports (Indians, Braves, Redskins, etc.) and U.S.-made automobiles (such as the Jeep Cherokee and the Pontiac) and famous U.S. states and cities (Seattle, Chicago, Missouri, Mississippi, Massachusetts, Connecticut, Minnesota, Alabama, Alaska, and let's not forget "Indiana"). Puck fucks around and it's well known and there's no stigma attached to him for doing it, as there would be if he were any other gender or sexual orientation. Everyone else is called "a slut" for having lots and lots and lots of casual sex with multiple partners. But not white het men. Go figure.

Puck's football and on-again/off-again homosocial buddy is Finn Hudson (played by Cory Monteith), who is probably THE main character among the students, along with Rachel. The show always features a duet with the two of them singing. (She's the better singer, by far. He's okay. Now, in RHPS audience parlance, this is where you're supposed to shout, along with the character Dr. Frankenfurter: "OKAY!?!?! I didn't make him for YOU!)

In the movie, the character Frankenfurter is referring to is "Rocky"--the creation. On Glee, "Rocky"--in this one episode, is played by the character Sam Evans, who is new to the show, coming in during season two. He's played by Chord Overstreet--a more white/goy-boy name there's perhaps never been. I do wonder if it is his birth name.) He's the new "hottie" guy who both Curt and at least one het female character has a crush on. Curt confirms a suspicion, in a very subtle glance "down" as Sam is showering, that his head of bleached-blond hair is "not natural".

In the RHPS, Rocky is introduced in the last part of the song, "Sweet Transvestite". Dr. Frankenfurter is speaking/singing to the two main characters, Brad and Janet, whose car breaks down outside in the rain, near a castle occupied by some very strange and possibly "Transylvanian" souls:

So why don't you stay for the night? Or maybe a bite? [Get it?]
I could show you my favourite obsession [movie audience yell out "SEX"].
I've been making a man [audience: "Not him"] with blond hair and a tan
And he's good for relieving my [audience yells out: "SEXUAL"] tension

Here's a video clip of that song, in which Dr. Frankenfurter makes his simultaneously dramatic and campy entrance from the elevator:

And with that, we'll end part one. Stay tuned for Part 2: The Rocky Horror Picture Show. I see you shiver with antici......[movie audience yells out "SAY IT!!!!"] ...pation. If you're at all confused, please find a way to somehow see the mid-1970s cult classic, preferably in a movie theatre at midnight on Halloween, so you'll be more "in the know" for Part 2 of this ARP blog series. And, well, just because it's a whole lot of fun.

850 Afghan Children Dead: If Yemen Killed 850 U.S. Children on U.S. land, what do you think the response would be from the U.S.?


this exceptionally disturbing photograph of U.S. warfare-murdered children in Afghanistan is from here
If the U.S. military murders anyone at all, it is never, ever "terrorism" not matter how terrifying the assaults and invasions are on human beings. When any aggression, or threats of aggression, or possibilities of explosives being on planes headed to the U.S., our media will call it "terrorism" even while no one was terrorised, raped, bombed, or murdered. Does that make any sense to you?

What follows is from WarIsACrime.org

 

Another Day, Another 850 Afghan Children Dead

Submitted by davidswanson on Fri, 2010-10-29 16:48
Bamiyan Diaries – Day Five
By David Smith-Ferri
“Is This Normal?”

In a small storage shed at the edge of town, we watched as fourteen-year-old Sayed Qarim signed a simple contract agreeing to borrow and repay a no-interest, 25,000 afghani loan (roughly $555). Daniel from the Zenda Company, the loan originator, counted out the crisp bills and handed them to Qarim, who smiled broadly and shook hands. Qarim, whose family farms potatoes and wheat, plans to use the funds to purchase a cow and her calf. “There are great benefits of owning a cow,” Qarim explains. “Our family gets to use the milk, and we can sell the calf for a good profit.”

No one walking by outside on the narrow dirt road would have known an important business transaction had just occurred, one that could in fact help a young man and his family gain economic traction and greater security. The transaction didn’t take place in a bank. No village leaders were present. Only a fourteen-year-old boy, the representative of a private business company, and a witness. And while the signed agreement constitutes a business relationship, the Zenda Company sees it as primarily personal.

Qarim was recommended for a loan by Faiz and Mohammad Jan, two other young men who live in his village and who have themselves recently received and repaid loans. Following this recommendation, Zenda spent much time getting to know Qarim, meeting with him, assessing his knowledge, his resources (such as access to grazing land), and his character, answering his questions, and describing to him his responsibilities as a borrower.

Now that the transaction is complete, Qarim is required to send a picture of the cow and her calf as “proof” that the money was used as agreed. In addition, Hakim, another Zenda Company representative living in Bamiyan, who is fluent in Dari, the local language, will visit Qarim periodically. Along with Faiz and Mohammad Jan, he will try to provide whatever support Qarim needs to succeed.

Eighteen months ago, Mohammad Jan borrowed funds to purchase a cow and her calf. Three times in the intervening months, he has fattened the cow, raised the calf, sold them and used the money from their sale to purchase another cow and calf. He has repaid the loan in full and netted a profit thus far of nearly 7,000 afghanis. Faiz has been equally successful, using borrowed funds to purchase lambs; he repaid his loan, took out another, and now owns ten sheep and two goats, prized locally both for their meat and for their fleeces.
Zenda Company’s small business loan program has evolved gradually through trial and error in Bamiyan, and Hakim, a Singaporean medical doctor and ex-pat living now in an outlying village, is central to its success. Hakim (a name given to him by local people which means “learned one”) originally came from Singapore to Quetta, Pakistan, on the Afghanistan border, where he worked for two years with Afghan refugees. “I essentially lived within a refugee settlement, and I was treated as a local.”

While there, however, Hakim wanted to do more than treat the symptoms of war. Six years ago, he came to Bamiyan as a development worker with an international Non-Governmental Organization (NGO). Today in Afghanistan, NGOs involved in development work are as thick as wheat stalks in a field, and their presence and operation has a significant impact in the country. But Hakim found that “the NGOs, too, have problems. They hold all the aid power, because they have all the money.” Because of this, says Hakim, despite their intentions, despite their mission, despite even their best efforts, international NGOs in Afghanistan often have a colonial relationship with Afghan communities, encouraging dependence rather than local initiative and sovereignty.

And then there is the intractable question of results. As one Afghan person told us, “The world says it is helping us. Where is this help? None of it reaches the people who need it. Here in Afghanistan it has been going on so long that we have to joke and laugh in order to manage our anger and disappointment.”
Seven months ago, Hakim left his position with the NGO. When he first arrived in Bamiyan, he was invited to visit and later to move into a small village. “The villages are very conservative. The only way to enter the community, even for a visit, is to be invited.”

Hakim has been in the community now for six years, living as people in the village do, eating only what people in the village have to eat. Like a member of the family, he participates in work. “I help in the fields, too,” he says with a self-effacing laugh, “but I’m not very good at it. I cannot work nearly as long or as fast as others.

“With time,” he says, “I’m realizing what it takes to practice what a young Afghan boy once told me, that without peace, life is impossible.” As he sees it, “morality, democracy, and intellectual honesty are dying. Here we have forty-three countries (in the ISAF) trying to solve the problem of violence in Afghanistan.

How can we allow these countries to say that more violence will solve the problems of violence, without asking them for evidence, for results? Where is intellectual inquiry? Moral skepticism? Why is war always the next solution? Why not reconciliatory talks; who dictates that talks are impossible for human beings? Why are we so willing to accept that violence and terror are the norm? If ordinary people don’t question this, academics at least should, but they don’t. A local shepherd boy knows this is not normal.”

In a country where villagers typically do not farm enough land to actually subsist, where malnutrition and stunted growth are in fact the norm, and where the situation is worsening as land is divided and passed on to children, Hakim began to realize that peace cannot be pursued separately from economic security and food security. With this in mind, Hakim took his current position with Zenda Company.

Through Zenda’s revolving loan fund, dozens of Afghan individuals have borrowed money for business start-up. These businesses include not only loans to villagers for livestock purchase, but also loans to shop owners, and a number of loans to existing street vendors, who might, for example, benefit from having the funds to purchase a cart as well as additional inventory. The repayment terms on these loans are simple: one half due at the end of one year, and the full amount due at two years. People interested in applying for a loan do so by supplying a simple handwritten proposal. At present, Zenda has received requests for loans totaling far more than it has funds to lend.

According to the United Nations, during the period 2005-2010 in Afghanistan,
life expectancy at birth was less than forty-four years (http://en.wikipedia.org/wiki/List_of_countries_by_life_expectancy). Child mortality (before the age of five) is the highest in the world, and mortality for women in childbirth is among the highest. 850 children die daily in Afghanistan. According to UNICEF, in the 2003-2008 period, an astounding 59% of Afghan children under the age of five are considered “stunted,” and for 9% of Afghan children under five, malnutrition is so severe it is considered wasting. “Is this normal?” Hakim asks.

Kathy Kelly, Jerica Arents, and David Smith-Ferri are Co-Coordinators of Voices for Creative Nonviolence (www.vcnv.org). They are currently traveling in Afghanistan.

Clowns to the Left of Me, Jokers to the Right, Here I am

image is from here

It should come as no surprise that I'm no fan of Democrats or Republicans, white neoliberals or white neoconservatives. They're all a bunch of corrupted, pro-corporate greed, pro-procurement, pro-rape, pro-racism apologists and enablers. In part because of past incorrect allegations made against the likes of Dworkin and MacKinnon, that they were, somehow, "in bed with the Right"--a lie that won't die--I want to make it very, very clear: I support and agree with the work of Dworkin and MacKinnon and don't agree AT ALL with neoconservatives. AT ALL. Now, if they were "in bed with the Right", how could that be? I support the Dworkin-MacKinnon anti-pornography ordinance becoming the law of the land in the U.S. and elsewhere. And I despise the politics and values of the Religious Republican Right. How could that be?
 
The reason people think that Dworkin and MacKinnon were allied with the Right is because, back then, as now, if you're not pro-neoLiberal you were, by default, pro-neoConservative. Because according to dominant media, there really are no other choices. I was friends with someone for years--he was a white conservative man. He knew I opposed rape, racism, and genocide. He knew where I stood on most issues and came to the conclusion that I was a liberal. He was quite surprised to know I was as anti-Democrat as anti-Republican. Surely it's not because the Democrats are anti-rape, anti-racism, and anti-genocide.

I told him that in the U.S. the political spectrum runs from far Right, to not so far Right, to moderate Right, to Right-wing liberals, to liberal liberals, to progressive liberals. I explained that the dominant media and dominant culture as a whole will not care to comprehend the views of anyone else. And that this "if you're not one you must be the other" mentality and worldview is absurdly narrow, he sort of scratched his head, but agreed. He's not stupid and he's not a jerk. He's just a white conservative het guy, who isn't homophobic or very misogynistic, btw.

Corruption is part of U.S. politics in the same way that voting and racism, classism, heterosexism, and misogyny is. Hypocrisy, including the protection of criminals who are never arrested while criminalising and permanently imprisoning people who don't do harm, is here, it's fearful, and we're asked to get used to it. Terrorism in the form of men battering women and men raping women and girls, and some boys too, is not going to be regarded as "terrorism" the way finding packages with possible explosives on planes will be. Because that "terrorism" is committed--allegedly, by people "out there" who "aren't us". But incest perpetrators, child molesters, and serial batterers and rapists are "us" and are "here, fearful, and they want us to get used to it. It's all part of The U.S. American Way.

What follows is from Mother Jones and may be linked back to by clicking on the title just below.

Tom Marino's Free Pass



Can reported ethics shenanigans and alleged mob ties keep a GOPer out of Congress? Fuggedaboutit.


— By Nick Baumann
 
Fri Oct. 29, 2010 4:10 AM PDT

How big of a scandal does it take to make a congressional candidate unelectable? This year, if you're a Republican, it has to be pretty darn big.

Take GOP House candidate Tom Marino in Pennsylvania's Tenth District, located in the northeast corner of the state. As a US attorney, Marino gave a reference to his "close friend" Louis DeNaples, a convicted felon his office investigated for potential mob ties. When the Department of Justice reportedly launched an investigation into the reference, Marino resigned, and got a job working as DeNaples' in-house lawyer.

Since then, Marino has offered several different stories about whether he was authorized to give DeNaples the reference in the first place. (He wasn't.) But the scandal, which Marino's Dem opponent, Rep. Chris Carney, has harped upon in ads and speeches, seems to have had little impact on Marino's chances of ousting the two-term incumbent Blue Dog Dem. Nate Silver, the New York Times' polling guru, gives Marino a stunning 74 percent chance of winning on Tuesday.

DeNaples, who was convicted of defrauding the government of more than half a million dollars in the 1970s, needed a reference so he could obtain a license from the state gaming commission to operate slot machines at the Mount Airy Lodge, a resort he owns in Eastern Pennsylvania. In 2005, Marino provided that reference.

According to reporting by the Allentown Morning Call's Matt Birkbeck, Marino's assistants learned about the reference in 2006, after they had launched a perjury investigation into DeNaples' statements about his relationship to the Scranton-based Bufalino crime family. Marino's assistants reported the conflict of interest to the Justice Department, which recused Marino's entire office from the case and transferred it to another district. Then the DOJ launched an internal investigation into Marino's conduct. The probe was closed when Marino resigned in 2007 to work for DeNaples.

On at least two occasions—in an interview with a local newspaper reporter last September and a radio appearance this April—Marino claimed that he had provided the reference only after receiving permission from his superiors at the Justice Department. That wasn't true—at least according to the DOJ.

On September 28, Marino conceded that he never received permission to give the reference, and told the Sudbury Daily Item that he was allowed to give such references provide he "didn't use his job title or attempt to promote individuals on his staff." That meshes a bit with Justice Department guidelines, which say US attorneys shouldn't use their "position or title" to "coerce; to endorse any product, service or enterprise; or to give the appearance of governmental sanction."

Unfortunately for Marino, it is highly possible that he did in fact use his job title to provide the reference to DeNaples. The Pennsylvania State Gaming Commission has not released DeNaples application for the slots license. But blank license applications clearly indicate that references must include their occupations and business addresses. So if Marino filled out the form correctly, he also revealed his occupation when he provided the reference for DeNaples.

There's also little doubt that Marino's recusal from the DeNaples investigation constitutes an admission that there was a potential ethics issue involved in providing the reference. Justice Department rules mandate recusal "only where a conflict of interest exists or there is an appearance of a conflict of interest or loss of impartiality." Deborah Rhode, a legal ethics expert at Stanford University Law School, says "it suggests that there is a relationship there that may be compromised by a conflict of interest," cautioning that some of the details of the case remain confidential and she is only familiar with what has been reported publicly.

It's clear that Marino feels the DeNaples story is damaging to his campaign. In mid-October, he told the Scranton Times-Tribune he didn't want to take any more questions on the controversy. His spokesman did not return a call requesting comment. (Carney's office also did not respond to interview requests.) Not taking questions "looks bad on multiple levels," says Rhode. "This kind of conduct by a candidate is deeply problematic."

I also asked Kent Kauffman, a legal and business ethics expert at Indiana University-Purdue University Fort Wayne, to analyze the situation. Here's part of what he wrote:
If the allegations made against Mr. Marino are accurate, at least three, and perhaps up to five federal regulations on Department of Justice employee ethics are at issue.5 CFR 2635.702(b) (on Misuse of Position) allows a DOJ employee to "sign a letter of recommendation using his official title only in response to a request for an employment recommendation or character reference based upon personal knowledge of the character of an individual with whom he has dealt in the course of Federal employment or whom he is recommending for Federal employment."

If the gaming license reference doesn’t qualify as a ‘letter of recommendation’ under the Code of Federal Regulations, then this rule might not apply. However, if the reference document required the listing of the referent’s business position, then a question could be raised that Mr. Marino used his official title, which would seem to show that the reference was based on the underlying DOJ investigation. That rule’s focus is on the recommender’s knowledge of the recommended party coming from DOJ employment.

If Mr. Marino were to claim that the reference he gave to Mr. DeNaples was purely personal in nature and not official, that would seem to fly in the face of the purpose of a reference made to support someone’s business activities. When seeking such a reference, it would seem to be implicit that the title of the reference provider is more important than his or her name and address.
Kauffmann also cited other Justice Department rules on misuse of position, impartiality, and personal relationships as potentially problematic for Marino.

Even right-wing activists have had their doubts about Marino. In March, during the primary, Zach Oldham, a RedState.com contributor, wrote a post calling Marino the "GOP’s Giannoulias"—a reference to Illinois Senate candidate Alexi Giannoulias, whom Republicans have accused of being a "mob banker." (RedState chief Erick Erickson promoted the post to the site's front page.) Here's how Oldham wrapped up:
One of the keys to a Republican resurgence is not only ensuring we have credibly conservative candidates running for office, but also candidates with a personal and professional record we can be proud of and defend. Tom Marino doesn’t fit the bill.
I recently asked Oldham if he still feels the same way about Marino. He responded via Twitter:
... to be honest, I haven't paid attn to that race post-primary, but I'm sure he's better than Carney.
According to the polls, a lot of the voters in the district feel the same way. Marino may have a pretty big scandal to deal with. But at least he's not a Democrat.

Charlie Sheen was caught with his procuring PANTS ON THE GROUND and his racist mouth wide open: How Much Will Hollywood Pay this WHM Who Yells N**ger, N**ger, N**ger! Answer: $2 Million for a 1/2 Hour of Broadcast Time a Week, in "Two and a Half Men"

this "black and white" image of the criminal spewer of hate speech, exploiter of women, and addict dad, Charlie Sheen, is from here
Q: What should you do when you find a white guy screaming the n word repeatedly?
A: Throw a white sheet over him.

You think I'm joking. (Read on, ARPers, read on.)

Charlie Sheen is the highest paid crack/coke addict in Hollywood, and not even him yelling the n word

repeatedly is likely to get him tossed off his hit program. And why is that? Because Hollywood values money more than it values sobriety and ending white male supremacy. That's why. And because serial procurers of prostitutes don't count as predators, as exploiters, as rapists. They're just "normal guys" who "man up" by paying women for sexist sex. And because he has Hollywood-rich white het male privileges and entitlements to do whatever the fuck he wants to do, however destructive, however self-destructive, and get away with it.

How many poor Black men get caught with crack and are put in jail? How much time in prison is Charlie Sheen going to see for having cocaine all over his face, high out of his mind? This isn't a crime in what sense? Either it's a crime for poor Black men AND rich white men or it's not a crime for anyone. Isn't that what the U.S. allegedly stands for: equality for all and such? Or if you're rich, white, het, male, and famous, is there a very, very different standard of justice for you than for everyone else? According to dominant media and dominant society, if you're Black you're a no-good criminal; if you're white you're a poor addict. Got it.

If a woman of color is poor, is a cocaine addict, is found naked in hotels with people engaged in systems of prostitution, and has coke all over her face, is she regarded as "a good mother"? Why is Charlie Sheen regarded as "a good father"? What about him being a procurer of trafficked women and women who are rape survivors, and a rampant drug addict, and a spewer of racist epithets makes him "a good father"?

Quintuple standards, not double standards, are operative here: fame, class, race, sex, and gender.

[Please also see this A.R.P. post titled "Two and a Half Misogynist Men", about Charlie Sheen's sexist TV show.]

From the Huffington Post. Please click on the title below to link back.

Charlie Sheen Found Nude In Restaurant, Screaming
N-Word: Report



Posted: 10-29-10 10:12 AM

Radaronline.com is reporting some lurid details about Charlie Sheen's wild Monday night in NYC.

Before police were called to his suite in the Plaza, Charlie was out to dinner at Daniel with a group of friends and their escorts including porn star Capri Anderson, who charged him $12,000 for the night, according to Radar.

"At one point he convinced Capri to go to the bathroom with him. When they got into the bathroom he started snorting cocaine and then took off his pants," a source told the website. "Charlie wanted to have sex with Capri and tried but she stopped him and demanded her $12,000. He didn't have the money on him so she left him in the bathroom!"

When Charlie failed to return to the table, his assistant went into the bathroom looking for him.

"When the assistant opened the door, there was Charlie standing there naked with cocaine all over his face!" the source said. "He was delusional and just completely lost. Totally out of it."

The assistant reportedly helped Sheen get dressed and got him out of the restaurant and back to the hotel. This likely happened after Denise Richards stopped by and posed for a photo with Capri.

Back at the Plaza, a delusional and high Charlie went off his rocker and started spewing the n-word, Radar reports.

"He was punching the walls of the hotel room and going crazy and shouting 'n**ger, n**ger, n**ger for no reason at all," a source said. "It was absolutely bizarre."

Charlie reportedly tried once more to have sex with Capri, but she demanded her money first. When he couldn't find his wallet he began throwing furniture around and screaming violently and she locked herself in the bathroom. Police were called, and when they arrived Charlie was nude, disoriented and screaming the n-word. They threw a sheet over him and tackled him, the source said.

Friday, October 29, 2010

While Breast Cancers Needs a Cure, Western Media Makes Aryan Whiteness into Middle Eastern Experience

image of book cover is from Amazon.com, here
What do we see when we look into media and literature through the lenses of children? How do children register messages--subtle and overt--that whitenes and lightness is good and blackness and darkness is bad. Do we assume it makes lighter-skinned people feel better than darker-skinned people? We do know, from decades-apart studies using "white" dolls and "black" dolls that African American girls, regardless of what shade of brown their skin was, would prefer to have a white doll over any browner-skinned doll. Where do you think girls get those messages? From genes? From God? Or from society? My hunch is the messages come from society.



Breast cancer is a particularly prevalent and deadly disease in some regions in the Middle East. I hope that various struggles to assist with finding a cure for breast cancer succeed. And maybe along the way, other life threatening conditions--like patriarchy, like warfare, like racism, like white het male supremacy--find ways out of our lives as well.

Please note that the story above takes place in the Middle East, where, not surprisingly, many Middle Eastern women live: and unless they've relocated from Europe, most women there are far from fair-skinned and blond-haired, while also thin and young. There is a kind of female person the Western media loves to "show off" in exploitive and also in racist ways--the hidden messages are that this is what women ought to look like; whiteness and lightness is good; darkness is not so good or even bad. This Western culturally imperialistic and genocidal narrative finds its way into a story about breast cancer in a place where very, very few people of the region have very blond hair, pale skin, and non-brown eyes. Wouldn't you know, though: NBC News finds one such woman to focus their story on, even while noting that breast cancer impacts the lives of so many women in the region of different religions and ethnicities. Because, well, a darker-skinned Palestinian woman's story just wouldn't have given white heterosexist male supremacy the same media boost it routinely requires. And the U.S. has a financial and military stake in maintaining white heteropatriarchal standards and practices there in Israel. For one thing, the more lighter people there are there--sort of Christian European-looking, the more likely anti-Semitic and racist U.S.ers are to feel supportive of Israel.

I wouldn't necessarily make the claim that Western news media specifically close this woman who is a whiter-shade-of-pale. I would make the claim that in the white supremacist West, and in countries that are increasingly white dominated, such as Israel, the media will "naturally" gravitate to telling the stories of the women they most want to see survive. The oppressive mistreatment and terroristic mass murder of women of color across the globe by white men, including women of color in the West and in the Middle East, is one sign that white men don't hold much regard for women who aren't light. They don't hold white women in very high regard so you know white men's behavior is going to be especially ugly when it comes to invading places where darker people to live: hence we invade darker people's countries, displace the citizens, harass them, relocate the residents, rape them, and  murder them not so much with suicide bombers, but with military jet bombers and other weapons of mass destruction, so "our" people don't necessarily have to die in the process.

There was a Bounty paper towel ad with white-gloved hands showing us that those curiously brown spills are presented as nasty and also get cleaned up nicely with bleached white paper towels. And, Brian Williams also informed/warned/alarmed the U.S. public with this report, noting that for the first time, the most common newborn boys' name in England is one of several spellings of Mohammed. Xenophobia and racism find their way into practically every story.